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Dashiell Hammett: The Dain Curse

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Dashiell Hammett The Dain Curse

The Dain Curse: краткое содержание, описание и аннотация

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One of the Continental Op's most bizarre cases as he is faced with Miss Gabrielle Dain Leggett who has an unfortunate effect on the people around her: they die violently. FROM THE PUBLISHER The Continental Op is a short, squat, and utterly unsentimental tank of a private detective. Miss Gabrielle Dain Leggett is young, wealthy, and a devotee of morphine and religious cults. She has an unfortunate effect on the people around her: they have a habit of dying violently. Is Gabrielle the victim of a family curse? Or is the truth about her weirder and infinitely more dangerous? The Dain Curse is one of the Continental Op's most bizarre cases, and a tautly crafted masterpiece of suspense.

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"What was his motive? And you were there. You say you were looking at him all the time he was in the room. You say you saw nothing."

"What of that?" I asked. "He could outsmart me there. He was a magician's mechanic. He'd know how to make a bomb, and how to put it down without my seeing it. That's his game. We don't know what Fitzstephan saw. They tell me he'll pull through. Let's hang on to Fink till he does."

Vernon clicked his teeth together and said: "Very well, we'll hold him."

I went down the corridor to the sheriff's office. Feeney wasn't in, but his chief deputy-a lanky, pockmarked man named Sweet-said he knew from the way Feeney had spoken of me that he-Feeney-would want me to be given all the help I asked for.

"That's fine," I said. "What I'm interested in now is picking up a couple of bottles of-well, gin, Scotch-whatever happens to be best in this part of the country."

Sweet scratched his Adam's apple and said:

"I wouldn't know about that. Maybe the elevator boy. I guess his gin would be safest. Say, Dick Cotton's crying his head off wanting to see you. Want to talk to him?"

"Yeah, though I don't know what for."

"Well, come back in a couple of minutes."

I went out and rang for the elevator. The boy-he had an age-bent back and a long yellow-gray mustache-was alone in it.

"Sweet said maybe you'd know where I could get a gallon of the white," I said.

"He's crazy," the boy grumbled, and then, when I kept quiet: "You'll be going out this way?"

"Yeah, in a little while."

He closed the door. I went back to Sweet. He took me down an inclosed walk that connected the court house with the prison behind, and left me alone with Cotton in a small boiler-plate cell. Two days in jail hadn't done the marshal of Quesada any good. He was gray-faced and jumpy, and the dimple in his chin kept squirming as he talked. He hadn't anything to tell me except that he was innocent.

All I could think of to say to him was: "Maybe, but you brought it on yourself. What evidence there is is against you. I don't know whether it's enough to convict you or not-depends on your lawyer."

"What did he want?" Sweet asked when I had gone back to him.

"To tell me that he's innocent."

The deputy scratched his Adam's apple again and asked:

"It's supposed to make any difference to you?"

"Yeah, it's been keeping me awake at night. See you later."

I went out to the elevator. The boy pushed a newspaper-wrapped gallon jug at me and said: "Ten bucks." I paid him, stowed the jug in Fitzstephan's car, found the local telephone office, and put in a call for Vic Dallas's drug-store in San Francisco's Mission district.

"I want," I told Vic, "fifty grains of M. and eight of those calomel-ipecac-atropine-strychnine-cascara shots. I'll have somebody from the agency pick up the package tonight or in the morning. Right?"

"If you say so, but if you kill anybody with it don't tell them where you got the stuff."

"Yeah," I said; "they'll die just because I haven't got a lousy pillroller's diploma."

I put in another San Francisco call, for the agency, talking to the Old Man.

"Can you spare me another op?" I asked.

"MacMan is available, or he can relieve Drake. Whichever you prefer."

"MacMan'll do. Have him stop at Dallas's drug-store for a package on the way down. He knows where it is."

The Old Man said he had no new reports on Aaronia Haldorn and Andrews.

I drove back to the house in the cove. We had company. Three strange cars were standing empty in the driveway, and half a dozen newshounds were sitting and standing around Mickey on the porch. They turned their questions on me.

"Mrs. Collinson's here for a rest," I said. "No interviews, no posing for pictures. Let her alone. If anything breaks here I'll see that you get it, those of you who lay off her. The only thing I can tell you now is that Fink's being held for the bombing."

"What did Andrews come down for?" Jack Santos asked.

That wasn't a surprise to me: I had expected him to turn up now that he had come out of seclusion.

"Ask him," I suggested. "He's administering Mrs. Collinson's estate. You can't make a mystery out of his coming down to see her."

"Is it true that they're on bad terms?"

"No."

"Then why didn't he show up before this-yesterday, or the day before?"

"Ask him."

"Is it true that he's up to his tonsils in debt, or was before the Leggett estate got into his hands?"

"Ask him."

Santos smiled with thinned lips and said:

"We don't have to: we asked some of his creditors. Is there anything to the report that Mrs. Collinson and her husband had quarreled over her being too friendly with Whidden, a couple of days before her husband was killed?"

"Anything but the truth," I said. "Tough. You could do a lot with a story like that."

"Maybe we will," Santos said. "Is it true that she and her husband's family are on the outs, that old Hubert has said he's willing to spend all he's got to see that she pays for any part she had in his son's death?"

I didn't know. I said:

"Don't be a chump. We're working for Hubert now, taking care of her."

"Is it true that Mrs. Haldorn and Tom Fink were released because they had threatened to tell all they knew if they were held for trial?"

"Now you're kidding me, Jack," I said. "Is Andrews still here?"

"Yes."

I went indoors and called Mickey in, asking him: "Seen Dick?"

"He drove past a couple of minutes after Andrews came."

"Sneak away and find him. Tell him not to let the newspaper gang make him, even if he has to risk losing Andrews for a while. They'd go crazy all over their front pages if they learned we were shadowing him, and I don't want them to go that crazy."

Mrs. Herman was coming down the stairs. I asked her where Andrews was.

"Up in the front room."

I went up there. Gabrielle, in a low-cut dark silk gown, was sitting stiff and straight on the edge of a leather rocker. Her face was white and sullen. She was looking at a handkerchief stretched between her hands. She looked up at me as if glad I had come in. Andrews stood with his back to the fireplace. His white hair, eyebrows, and mustache stood out every which way from his bony pink face. He shifted his scowl from the girl to me, and didn't seem glad I had come in.

I said, "Hullo," and found a table-corner to prop myself on.

He said: "I've come to take Mrs. Collinson back to San Francisco."

She didn't say anything. I said:

"Not to San Mateo?"

"What do you mean by that?" The white tangles of his brows came down to hide all but the bottom halves of his blue eyes.

"God knows. Maybe my mind's been corrupted by the questions the newspapers have been asking me."

He didn't quite wince. He said, slowly, deliberately:

"Mrs. Haldorn sent for me professionally. I went to see her to explain how impossible it would be, in the circumstances, for me to advise or represent her."

"That's all right with me," I said. "And if it took you thirty hours to explain that to her, it's nobody's business."

"Precisely."

"But-I'd be careful how I told the reporters waiting downstairs that. You know how suspicious they are-for no reason at all."

He turned to Gabrielle again, speaking quietly, but with some impatience:

"Well, Gabrielle, are you going with me?"

"Should I?" she asked me.

"Not unless you especially want to."

"I-I don't."

"Then that's settled," I said.

Andrews nodded and went forward to take her hand, saying:

"I'm sorry, but I must get back to the city now, my dear. You should have a phone put in, so you can reach me in case you need to."

He declined her invitation to stay to dinner, said, "Good evening," not unpleasantly, to me, and went out. Through a window I could see him presently getting into his car, giving as little attention as possible to the newspaper men gathered around him.

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