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Brett Halliday: Michael Shayne's Long Chance

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Brett Halliday Michael Shayne's Long Chance

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She was a full blown brunette in a bandanna halter that just covered the essentials. The non-essentials were very impressive too. This was just the kind of case Shayne could enjoy. Keeping an eye on a dish like this and getting paid for it to boot.

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“Go on.”

“That Dictaphone record doesn’t have to be used as evidence,” Shayne said slowly. “I don’t need it to prove my case. No one knows I’ve got it — except my assistant — and I can guarantee no one ever will know if you can get Denton to use his head.”

“How?”

“I’ve figured it all out. Denton was the only witness when the girl died. He can come out with a statement saying that he’s been thinking it over and he may have jumped to a hasty conclusion. He can say the girl was hysterical, that she kept muttering Margo’s name and saying she was to blame, that she didn’t want to keep on living because Margo was dead. So he naturally thought she was confessing the murder.”

“Is that what did happen?”

“Ask Denton,” Shayne grinned. “One sure way to find out is for something to happen to me. I’ve got it fixed so Inspector Quinlan will hear that Dictaphone record if I don’t show up after lunch at his office.”

Soule snapped, “It sounds like a lot of hooey to me,” disgustedly. “Dictaphone records! That’s storybook stuff.”

“Maybe — but I think it’s a damned good idea. Anyhow, I’m telling you this flat: I’m arresting the real murderer this afternoon in Quinlan’s office. If Denton hasn’t played smart and fixed up a retraction by that time, it’ll be too late.” He stood up.

“Wait a minute.” Rudy Soule drummed on his desk, his half-closed, sleepy eyes staring. He asked, “Is it Henri?” without looking up.

“It doesn’t really matter to you who it is,” Shayne told him angrily, “but it isn’t the girl Denton framed.”

“How will Denton know you won’t spring the record after he changes his story — if he does decide to?”

“What good would that do me? And hell, he’s still got the picture and the court record.”

“They won’t be worth a damn in a few days. The papers would smell a rat if he held it out and then used it.”

“Same way with the Dictaphone record,” Shayne argued. “Denton can kill the effect of it by coming out first and changing his story.”

“I’ve got a hunch you’re bluffing,” Soule said slowly. “I don’t believe you had any Dictaphone planted there. It sounds like something you dreamed up.”

Shayne laughed harshly. “It makes a pretty good bluff. Think it over.”

Soule’s telephone rang as he turned away. He lifted the receiver and said, “Yes... Oh, wait a minute — I don’t—” then fell silent to listen. He then said, “I think maybe I know something about that. Shayne’s just been here. You’d better come over right away.”

Shayne paused near the door to light a cigarette and listen.

Soule’s perturbed eyes turned toward Shayne. “That was Denton. He smells some kind of a rat in a burglary report they just had from the apartment house where the Jordan girl died last night.”

Shayne frowned. “Burglars?”

“One burglar — a big redheaded guy. He was seen running out of the apartment next to the suicide room with a bundle under his arm. But they don’t find anything missing. It’s been vacant nearly a week.”

“That,” said Shayne, “is damned strange. Any clues?”

“A taxi driver phoned in a report on the same guy. He told the driver he was a detective and got him to wait while he went in. The guy came out running, rode away for about a block and then jumped out.”

Shayne said with heavy irony, “Maybe the damned house is haunted. After you’ve figured it out, meet me in Inspector Quinlan’s office at one-thirty.”

“Me?”

“You and Denton — and Henri Desmond.”

“I don’t like any of this, Shayne. If you’re trying to pull one—”

“The girl’s murderer,” Shayne interrupted him impatiently, “is the only one who needs to worry about meeting me in Quinlan’s office. One-thirty is the deadline. And you’d better have Denton primed to change his story on the confession.” He walked out.

Chapter sixteen

Lucile Hamilton smiled when she opened the door of her apartment to admit Shayne and saw the large paper sack in his hand. Her brown eyes danced merrily and she said, “I bet I can guess.”

Shayne cocked his head and listened to a sizzling sound from the kitchenette. He sniffed the odor of broiling beef and felt an odd gnawing in his stomach. He said, “Two minds with a single thought. God, I’m hungry! There’s steak and canned French fries and stuff for a salad in there.” He handed the sack to her.

Lucile had changed from her housecoat to a dark-red frock with a brilliant pin on the shoulder and a flattering neckline. An apron covered the dress from a point slightly below the neck to the hem of her skirt. She took the sack and said, “I could only afford hamburgers, but I’ve got yams baking and a salad already fixed. Of course, if you’d rather have steak—”

“Food that’s ready to eat is what I crave right now. We’ll save that for another time.” He shucked off his coat and tossed it on a chair.

“You mean — we’ll have another meal together, Mike?” she asked, her eyes sparkling and her cheeks very red from the heat of the tiny kitchenette.

“Why not?”

“I’ve been wondering,” she said, and hurried back to the kitchen.

Shayne looked around the living-room which had been set in perfect order and appeared to have grown larger with the studio couch made into a divan. He went to the bathroom and sloshed water on his face, scrubbed his hands, and wet his unruly mop of red hair and tried to slick it down with a comb he found in the mirrored cabinet. There were dainty guest towels arranged on a rod, but he took a damp bath towel from a rod beside the bathtub and wiped his face dry.

When he returned to the living-room, Lucile was setting the table in the dining-alcove. “Your Mr. Veigle called. He said the fingerprints were not Evalyn’s.”

“He is going to meet us at Quinlan’s office?”

“At one-thirty.” She went on arranging the silver, asking, “Did everything go all right?”

Shayne sank wearily onto the couch. “It’s still a long shot,” he said, “but I think I know what I’m doing. It’s too late to back down now. And, by the way, remind me to tell you something when it’s all over.”

“Oh — you and your secrets,” she flung at him. “What is it — tell me now.” She glanced through the arch and saw him stretched out on the couch. “What — no carpet slippers, Mr. Shayne.” She reached for the cognac bottle on the open china container and carried it in to him. “Maybe you’d better take a nip of this, since I have no slippers.”

“The perfect secretary,” Shayne sighed. “You get my messages right — and then this.” He grinned.

“You’re mean,” she chided, “taking advantage of a woman’s curiosity. Tell me what—” She sniffed suddenly and her curiosity vanished with an odor from the kitchen and she ran in to tend the dinner.

Shayne relaxed and sipped cognac from the bottle and reviewed the work he had done and that which was awaiting him. He decided there was nothing left now except to await the outcome. He had his hunch, and that was about all. He had never approached the end of a case with so little actual evidence, yet he had never approached the end of a case with such complete and satisfying certitude that it would come out right. It had to. He couldn’t be wrong. There was a certain pattern—

Lucile came through the archway carrying a small glass in her hand. She settled herself in the armchair opposite the couch and said, “I need a stimulant. I nearly had heart failure when I thought the hamburgers were burning.” She held out the glass, and Shayne reached a long arm out to pour it half full of cognac. She said, “That’s much too much, but I’ll drink it. I’ve always said that only a thoroughly disreputable wanton ever drinks before four o’clock in the afternoon.” She held her glass for a toast and said, “Here’s to the wage slaves who drudge all day in an office and sleep in loneliness all night.” Her laughter floated gaily through the room before she took a swallow of the liquor. “Everything will be ready in a few minutes,” she added sensibly. “I’ll bet you’re starved.”

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