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Paul Cain: Seven Slayers

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Paul Cain Seven Slayers

Seven Slayers: краткое содержание, описание и аннотация

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Murder. Multiplied by Seven... equals supercharged action and breath-taking suspense in this carnivol of crime from the blood-dipped pen of Paul Cain, creator of close-lipped men whose rods did all their talking, and sultry women whose eyes were full of promises. A woman’s lips, a red-hot ruby necklace, and danger unlimited give us a scarlet motif for PIGEON BLOOD In PARLOR TRICK, there is conjured up a master slaying to prove to you that the knife is quicker than the eye, while a swarm of ruthless killers who settle their arguments with dynamite furnish the core for the blood-chilling tale, PINEAPPLE. These are but a few of the action-packed stories you will find between these covers. Paul Cain is a connoisseur of crime who writes in the best homicidal tradition of Dashiel Hammett and Raymond Chandler. This is one collection of spine-tingling murder yarns that you won’t read with your back to the door.

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He stared at Shane reproachfully. “He has been waiting for you a long time,” he said.

Shane said: “Uh-huh,” absently, went back along the hallway and up a flight of narrow stairs. At the top he turned into another hallway, crossed it diagonally to an open double doorway.

The room was large, dimly lighted. Perhaps fifteen or eighteen people, mostly in twos or threes, sat at certain of the little round white covered tables. Three more, a woman and two men, stood at the aluminum bar that ran across one corner.

Shane stood in the doorway a moment, then crossed the room to where Rigas sat waiting for him at a table against the far wall. Several people looked up, nodded or spoke as he passed; he sat down across the table from Rigas, said: “Bacardi,” to the hovering waiter.

Rigas folded his paper, leaned forward with his elbows on the table and smiled.

“You are late, my friend.” He put up one hand and rubbed one side of his pale blue jaw. Shane nodded slightly. He said: “I’ve been pretty busy.” Rigas was Greek. His long rectangular face was deeply lined; his eyes were small, dark, wide-set; his mouth was a pale upward-curved gash. He was in dinner clothes. He said: “Things are good with you— Yes?” Shane shrugged. “Fair.”

“Things are very bad here.” Rigas picked up his cocktail, sipped it, leaned back. Shane waited.

“Very bad,” Rigas went on. “They have raised our protection overhead more than fifty per cent.”

The waiter lifted Shane’s cocktail from the tray with a broad flourish, put it on the table in front of him. Shane looked at it, then up at Rigas, said: “Well...”

Rigas was silent. He stared at the tablecloth, with his thin lips stuck out in an expression of deep concentration.

Shane tasted his cocktail, laughed a little. “You know damned well,” he said, “that I’m not going to put another dime into this place.” He put down his glass and stared morosely at Rigas. “And you know that I can’t do anything about your protection arrangement. That’s your business.” Rigas nodded sadly without looking up. “I know — I know.”

Shane sipped his drink, waited.

Rigas finally looked up, spoke hesitantly: “Lorain — Lorain is going to get a divorce.”

Shane smiled, said: “That’s a break.”

Rigas nodded slowly. “Yes.” He spoke very slowly, deliberately: “Yes — that is a break for all of us.”

Shane leaned forward, put his elbows on the table, put one hand down slowly, palm up. He stared at Rigas and his face was hard, his eyes were very cold. He said: “You made that kind of a crack once before — remember?”

Rigas didn’t speak. He gazed wide-eyed, expressionlessly at Shane’s tie.

“Remember what happened?” Shane went on.

Rigas didn’t speak, or move.

Shane relaxed suddenly. He leaned back, glanced around, smiled faintly.

“I back this joint,” he said, “because I thought you might make it go. I don’t like you — never have — but I like Lorain, have liked her ever since we were kids together. I thought she was an awful chump when she married you and I told her so.”

He sipped his cocktail, widened his smile. “She told me what a great guy you were,” he went on, “an’ she stuck to it, even after you’d dropped all your dough, and hers. Then she told me you wanted to take over this place, an’ I came in on it, laid fifteen grand on the line.”

Rigas moved uncomfortably in his chair, glanced swiftly around the room.

“Since then,” Shane went on, “I’ve chunked in somewhere around five more...”

Rigas interrupted: “We’ve got nearly twelve thousand dollars’ worth of stock.” He made a wide gesture.

“What for?” Shane curved his mouth to a pleasant sneer. “So you can be knocked over, and keep the enforcement boys in vintage wines for a couple of months.”

Rigas shrugged elaborately, turned half away. “I cannot talk to you,” he said. “You fly off the handle...”

“No.” Shane smiled. “You can talk to me all you like, Charley — and I don’t fly off the handle — and I’m not squawking. But don’t make any more cracks about Lorain and me. Whatever I’ve done for you I’ve done for her — because I like her. Like her. Can you get that through that thick spick skull of yours? I wouldn’t want her if she was a dime a dozen — an’ I don’t like that raised eyebrow stuff. It sounds like pimp.”

Rigas’ face turned dull red. His eyes were very sharp and bright. He stood up, spoke very softly, breathlessly, as if it was hard for him to get all the words out: “Let’s go upstairs, Dick.”

Shane got up and they crossed the room together, went out through the double door.

On the third floor they crossed an identical hallway, Rigas unlocked a tall gray door and they went into another large room. There were two large round tables, each with a green-shaded drop-light over it. There were eight men at one of the tables, seven at the other; Rigas and Shane crossed the room to another tall gray door.

The stud dealer and two players looked up from the nearest table, one of the players said: “H’ are yah, Charley?” Then Rigas opened the tall door and they went into a little room that was furnished as an office.

Rigas pressed the light switch, closed the door and stood with his back to it for a moment. His hands were in his coat pockets.

Shane sat down on the edge of the desk. Rigas crossed to the desk slowly and when he was near Shane he jerked his right hand out of his pocket suddenly and swung a thin-bladed knife up at Shane’s throat.

Shane moved a little to one side, grabbed Rigas’ arm near the elbow with one open hand; the knife ripped up crosswise across the lapel of his coat. At the same time he brought his right knee up hard against Rigas’ stomach. Rigas grunted and one of his knees gave way and he slumped down slowly, sidewise to the floor. The knife clattered on the glass desk-top.

As Shane slid off the desk, stood over Rigas, the door opened and a very tall, very spare man came a little way into the room.

Shane glanced at the man and then he looked down at Rigas and his eyes were almost closed, his mouth was a thin hard line. Rigas groaned and held his hands tight against his stomach, his chin tight against his chest.

Shane looked up at the tall man, said: “You’d better not let this brother of yours play with knives. He’s liable to put somebody’s eye out.” He spoke with his teeth together. The tall man stared blandly at Rigas. Shane went past the tall man, to the door, went out and across the big room. All of the men at the tables were looking at him; all of them were very quiet. Two men were standing up at the nearest table.

Shane went out and closed the door behind him, went swiftly down two flights. He found his hat and coat and put them on. Nick came up from the basement as he was knotting his scarf.

Nick said: “Shall I get you a cab, Mister Shane?” Shane shook his head. He slid the big bolt and opened the door and went out into the driving rain. He walked to Madison Avenue, got into a cab and said: “Valmouth — on Forty-Ninth.” It was five minutes after eight.

Shane’s rooms at the Valmouth were on the eighteenth floor. He stood at one of the wide windows and looked down through the swirling, beating rain to Fiftieth Street.

After a little while he went into the bathroom, turned off the water that was roaring into the tub, slipped off his robe.

Someone knocked at the outer door and he called: “Come in,” looked into the long mirror in the bathroom door that reflected part of the living room. A waiter with a wide oval tray opened the door, came in and put the tray down on a low table.

Shane said: “There’s some change on the telephone stand.” He kicked off his slippers and stepped into the tub.

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