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Paul Cain: Seven Slayers

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Paul Cain Seven Slayers

Seven Slayers: краткое содержание, описание и аннотация

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Murder. Multiplied by Seven... equals supercharged action and breath-taking suspense in this carnivol of crime from the blood-dipped pen of Paul Cain, creator of close-lipped men whose rods did all their talking, and sultry women whose eyes were full of promises. A woman’s lips, a red-hot ruby necklace, and danger unlimited give us a scarlet motif for PIGEON BLOOD In PARLOR TRICK, there is conjured up a master slaying to prove to you that the knife is quicker than the eye, while a swarm of ruthless killers who settle their arguments with dynamite furnish the core for the blood-chilling tale, PINEAPPLE. These are but a few of the action-packed stories you will find between these covers. Paul Cain is a connoisseur of crime who writes in the best homicidal tradition of Dashiel Hammett and Raymond Chandler. This is one collection of spine-tingling murder yarns that you won’t read with your back to the door.

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Shane said: “Then Nick beat the hell out of Thelma, made her admit that Charley had been in the woodpile, too, damn’ near killed her.”

He was looking at Nick again.

“He dragged what was left of her into the bathroom and poured some iodine on her mouth, an’ put the candlestick that he’d smacked Del with in her hands so it would look like she’d killed Del an’ then committed suicide.”

Nick turned to stare at Shane vacantly.

Shane was puffing out great clouds of blue-gray smoke, seemed to be enjoying himself hugely.

“She wasn’t quite dead, though,” he went on. He glanced at his watch. “The law ought to be over there by now — getting her testimony.”

Pedro said: “Hurry up.”

Shane shrugged. “Nick took the gun that Del got from Jack Kenny, jumped up to Charley’s. He knew he was in a good spot to let Charley have it because Charley and I had that argument tonight — an’ it’d look like me — or he could make it look like me. Charley evidently stopped some place on the way home — Nick got there first and either stuck Charley up in the corridor and took him into the apartment to kill him, or sneaked in — the door was unlocked — and waited in the dark. Then he went out the back way — the way Charley came in — and came back down here.”

Pedro went to the door, turned to Shane, said: “You and the lady go.”

Shane gestured towards the Eastman man. “What about him?”

“We’ll fix him up — give him some money. It is too bad.” Pedro smiled, opened the door.

Shane looked at Nick. Nick’s face was pasty, yellow, still wore the silly, far-away expression.

Lorain Rigas stood up and took up her hat and went to Shane.

They went together to the door, out into the hallway. Pedro leaned over the balustrade, called down to the little man at the outside door: “Okay.”

Shane and the girl went downstairs, past the doors of the dark and empty barroom, down to the street floor.

The slight, white-haired man and the dealer were whispering together. The slight man opened the door for them, said: “Good night — come again.”

They went out and got into the cab.

Shane said: “Valmouth.”

It had stopped raining for the moment, but the streets were still black and glistening and slippery.

He tossed the cigar out through the narrow space of open window, leaned back, said: “Am I a swell dick? — or am I a swell dick?”

Lorain Rigas didn’t answer. Her elbow was on the armrest, her chin in her hand. She stared out the window blankly.

“You’re not very appreciative.” Shane smiled to himself, was silent a little while.

The light held them up at Fifth Avenue. Theater traffic was heavy in spite of the weather.

Shane said: “The only thing I’m not quite sure about is whether you went to Charley’s to warn him — or whether you’d heard about Del and Thelma — thought that the day Del was yelping about shooting Charley, in front of witnesses, was a swell time for you to shoot Charley yourself.”

She did not answer.

As the cab curved into Sixth Avenue, she said: “Where did you go after you left 71 — before you went back to the hotel?”

Shane laughed. “That lousy alibi held up with the captain,” he said. “He didn’t question it.” He unbuttoned the top button of his topcoat, took something wrapped in tissue paper out of his inside pocket. “You know what a sucker I am for auction sales?”

She nodded.

He unfolded the tissue paper and took out a platinum-mounted diamond ring. The stone was large, pure white, very beautiful.

He said: “Pip?”

She nodded again.

He put the ring back in the tissue paper, folded it, put it back in his pocket.

The cab slid to the curb in front of the Valmouth.

Shane said: “Where you going?”

She shook her head.

He said: “You keep the cab.” He pressed a bill into her hand, said: “This’ll take care of it — why don’t you take a nice long ride?”

He brushed her forehead lightly with his lips and got out of the cab and went into the hotel.

Parlor Trick

I knocked on the door at the end of the hall. It was cold in the hall, almost dark. I knocked again, and Bella’s voice said: “Come in,” faintly; then she said: “Oh — it’s locked.” The key scratched in the lock and the door opened and I went into the room.

It was very hot in there. It was dark, with only a little light from a gas heater. There was a little more light that came through a short corridor from the kitchen, but it was pretty dark.

Bella closed the door and went over to the davenport and sat down. She was near the heater, and the yellow light flickered over the lower part of her face.

I took off my coat and put it on a chair. Bella kept scraping her teeth lightly over her lower lip. Her teeth were like a little animal’s and she ran them over her soft lower lip rapidly, like an animal. The light from the heater was bright on the lower part of her face.

I went through the short corridor to the kitchen. The bathroom door was open; I glanced in as I passed and Gus Schaeffer turned his head and looked over his shoulder at me. He was standing at the basin with his back to the door and when he turned his head to look at me his face was awful. His skin was damp and gray and his eyes had something leaden and dying in them.

I said: “Hi, Gus,” and went in to the kitchen.

There was a man sitting on one of the benches at one side of the narrow breakfast table. The table was set lengthwise into a niche, with a bench at each side, and the man on one of the benches was sitting with his back in the corner of the niche, his knees drawn up, his feet on the outside end of the bench. His head was back against the wall and his eyes and mouth were open. There was a thin knife handle sticking out of one side of his throat.

Gus came out of the bathroom and stood behind me in the doorway.

There were several nearly empty glasses on the table. One had fallen to the floor, broken into many glittering pieces.

I looked at the glass and I looked up at the man again. I think I said: “Christ,” very softly.

“I did it. I did it and I didn’t know it. I was blind...” Gus was clawing at my arm.

Bella came through the corridor and stood behind him. She looked very scared, very beautiful.

She said huskily: “Gus was terribly drunk. Frank said something out of turn and Gus picked up the knife and stuck it into his neck. He choked — I guess—”

She looked at the dead man, and then her eyes turned up white in their sockets and she fainted.

Gus turned around and almost fell down trying to catch her. He said: “Oh, baby — baby!” He took her up in his arms and carried her back into the living-room.

I followed him in and switched on the lights. He put Bella on the davenport. I watched him bend over her and flick ice water across her face with his fingers, from a pitcher; he rubbed her hands and wrists, and tried to force a little whiskey between her clenched pale lips. He kept saying: “Oh, baby — baby,” over and over. I sat down.

He sat on the edge of the davenport and looked at me while he rubbed and patted Bella’s hands.

“You better telephone,” he said. Then he looked at Bella a long time. “I did it — see — I did it; only I didn’t know about it. I was cockeyed—”

I nodded. I said: “Sure, Gus,” and I leaned forward and picked up the telephone.

Gus was looking at Bella’s white beautiful face. He bobbed his head up and down mechanically.

I said: “What’s the best play — self-defense?”

He turned suddenly. “I don’t care — no play at all.” He dropped her hand and stood up. “Only I did it myself. She didn’t have anything to do with it. She was in here...” He came towards me, shaking his finger at me, speaking very earnestly.

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