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Джеффри Дивер: Transgressions

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Джеффри Дивер Transgressions

Transgressions: краткое содержание, описание и аннотация

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Transgressions is an amazing collection of original crime novellas, compiled by Ed McBain, one of the most illustrious names in crime fiction.? This collection includes original stories from Jeffery Deaver, Joyce Carol Oates and Ed McBain himself, all award-winning authors who have been regular New York Times bestsellers for many years. From a suburban shooting in Jeffery Deaver’s powerfully compelling Forever to Joyce Carol Oates’ darkly disturbing The Corn Maiden and Ed McBain’s 87th Precinct story Merely Hate, this collection showcases some of the best crime novelists in the business writing at the top of their form.

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Eventually she would tell him the not-quite-true I never believed you were the one to take Marissa, Mikal. Never!

The little family, as Zallman wished to think them, ate their picnic lunch, and what a delicious lunch it was, on a wooden table on the bank of a pond, beneath a willow tree so exquisitely proportioned it looked like a work of art in a children’s storybook. He noted that Marissa still had trouble with food, ate slowly and with an air of caution, as if, with each mouthful, she was expecting to encounter broken glass. But she ate most of a sandwich, and half an apple Leah peeled for her, since “skins” made her queasy. And afterward tramping about the pond admiring snowy egrets and great blue herons and wild swans. Everywhere were lushly growing cattails, rushes, flaming sumac. There was a smell of moist damp earth and sunlight on water and in the underbrush red-winged blackbirds were flocking in a festive cacophony. Leah lamented, “But it’s too soon! We’re not ready for winter.” She sounded genuinely hurt, aggrieved.

Zallman said, “But Leah, snow can be nice, too.”

Marissa, who was walking ahead of her mother and Mr. Zallman, wanted to think this was so: snow, nice. She could not clearly remember snow. Last winter. Before April, and after April. She knew that she had lived for eleven years and yet her memory was a window-pane covered in cobwebs. Her therapists were kindly soft-spoken women who asked repeatedly about what had happened to her in the cellar of the old house, what the bad girls had done to her, for it was healthy to remember, and to speak of what she remembered, like draining an absess they said, and she should cry, too, and be angry; but it was difficult to have such emotions when she couldn’t remember clearly. What are you feeling, Marissa, she was always being asked, and the answer was I don’t know or Nothing! But that was not the right answer.

Sometimes in dreams she saw, but never with opened eyes.

With opened eyes, she felt blind. Sometimes.

The bad girl had fed her, she remembered. Spoon-fed. She’d been so hungry! So grateful.

All adults are gone. All our mothers.

Marissa knew: that was a lie. The bad girl had lied to her.

Still, the bad girl had fed her. Brushed her hair. Held her when she’d been so cold.

The sudden explosion, flames! The burning girl, terrible shrieks and screams — Marissa had thought at first it was herself, on fire and screaming. She was crawling upstairs but was too weak and she fainted and someone came noisy and shouting to lift her in his arms and it was three days later Mommy told her when she woke in the hospital, her head so heavy she could not lift it.

Mommy and Mr. Zallman. She was meant to call him “Uncle Mikal” but she could not.

Mr. Zallman had been her teacher in Skatskill. But he behaved as if he didn’t remember any of that. Maybe Mr. Zallman had not remembered her, Marissa had not been one of the good students. He had only seemed to care for the good students, the others were invisible to him. He was not “Uncle Mikal” and it would be wrong to call him that.

At this new school everybody was very nice to her. The teachers knew who she was, and the therapists and doctors. Mommy said they had to know or they could not help her. One day, when she was older, she would move to a place where nobody knew Marissa Bantry. Away out in California.

Mommy would not wish her to leave. But Mommy would know why she had to leave.

At this new school, that was so much smaller than Skatskill Day, Marissa had a few friends. They were shy wary thin-faced girls like herself. They were girls who, if you only just glanced at them, you would think they were missing a limb; but then you would see, no they were not. They were whole girls.

Marissa liked her hair cut short. Her long silky hair the bad girls had brushed and fanned out about her head, it had fallen out in clumps in the hospital. Long hair made her nervous now. Through her fingers at school sometimes lost in a dream she watched girls with hair rippling down their backs like hers used to, she marveled they were oblivious to the danger.

They had never heard of the Corn Maiden! The words would mean nothing to them.

Marissa was a reader now. Marissa brought books everywhere with her, to hide inside. These were storybooks with illustrations. She read slowly, sometimes pushing her finger beneath the words. She was fearful of encountering words she didn’t know, words she was supposed to know but did not know. Like a sudden fit of coughing. Like a spoon shoved into your mouth before you were ready. Mommy had said Marissa was safe now from the bad girls and from any bad people, Mommy would take care of her but Marissa knew from reading stories that this could not be so. You had only to turn the page, something would happen.

Today she had brought along two books from the school library: Watching Birds! and The Family of Butterflies. They were books for readers younger than eleven, Marissa knew. But they would not surprise her.

Marissa is carrying these books with her, wandering along the edge of the pond a short distance ahead of Mommy and Mr. Zallman. There are dragonflies in the cattails like floating glinting needles. There are tiny white moth-butterflies, and beautiful large orange monarchs with slow-pulsing wings. Behind Marissa, Mommy and Mr. Zallman are talking earnestly. Always they are talking, it seems. Maybe they will be married and talk all the time and Marissa will not need to listen to them, she will be invisible.

A red-winged blackbird swaying on a cattail calls sharply to her.

In the Valley of the Shadow of Death I will protect you AMEN.

Notes

1

Note: The Sacrifice of the Corn Maiden is a composite drawn from traditional sacrificial rituals of the Iroquois, Pawnee, and Blackfoot Indian tribes.

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