Кен Бруен - Galway Girl

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Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered.
After another Guard is found dead, and then another, Taylor’s old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united in their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past.
As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.

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Ken Bruen

Galway Girl

For

 Caroline Diviney

        “The Angel

            of Bohermore”

and

Ban Garda Claire Burke

GG

Galway Girl and Galway Guard

with

Shuan (Siobhan) Quarter

and must mention

Eoghan McDonagh, Pat Cantwell, Danny Doherty

1

A Galway girl

Doesn’t necessarily believe she

Is the best catch of all.

It’s more that she’d love

You to prove

She isn’t.

The first Guard was killed on a Friday.

The new Garda superintendent Mary Wilson (who was more than a little sick of the Supremes jokes) declared to the assembled Guards,

“This is horrendous.”

Owen Daglish, a long-serving, not to mention long-suffering, sergeant, muttered,

“Not much escapes the bould Mary.”

Sheridan, a loan to the beleaguered Galway station, gave him a look, said,

“Watch your mouth, Sonny.”

Sonny!

Owen had a good ten years plus fifty pounds on the American.

American is used loosely as Sheridan gave the impression of being a Quantico guy but other elements, such as his fucked-up accent and Irish cynicism, pointed to a more likely Irish heritage but he was nevertheless, as he liked to cut it,

“A very influential swinging dick.

The Galway guys put it in their own tribal accent.

Like this:

“A prick.”

Sheridan belonged to a new offshoot of Special Branch whose brief ranged wide and definitely included counterterrorism.

His pet obsession was Jack Taylor, the so-called PI who was on the periphiery, as he mauled the term, of so many recent violent deaths and yet stayed one beat ahead — or perhaps behind — an arrest.

It was a new young ban Garda named Nora McEntee who discovered the note at the murder scene. The forensic guys, horrified at the sheer violence of the scene, focused on the body and, owing to the pressure for rapid results, overlooked the most basic item.

The wastepaper basket.

Nora had been left to secure the scene as the professionals treated her like shite, with,

“Don’t touch anything, girlie!”

You fucking believe it?

Girlie!

This was after she’d been told to grab some coffees for the teams, and the edict,

“Don’t fuck up the pastries.”

She sneered quietly at these macho blokes fussing over pastries.

How freaking gay were they?

Did they share the treats with her?

Or even refund the twenty euros for the designer java?

Did they fuck.

She’d picked up the trash basket out of curiosity and, lo and behold, a sheaf of parchment, curled at the edges. To age it? Or add grim authenticity?

Unfurled the paper and, smart girl, wearing crime scene gloves,

Read,

Unconsciously admiring the beautiful handwriting, in bold Gothic script,

Ta bronach orm

When Wilson, the super, read this she was not pleased, especially as she had to ask the novice ban Garda, the aforementioned Nora McEntee, to translate.

None of her close-knit team, the favored ones, spoke a word of their native tongue. Time was, you didn’t speak Irish or, worse, didn’t play hurling, you hadn’t a Protestant prayer of joining the Guards.

But now, as the writer Charlie Stella put it,

“Fugget about it!”

Best intoned in New York hard vowels.

Nora duly obliged, translated,

“I am sorry or, actually, I am heartbroken.”

Snicker from one of the bright sparks with,

“Geez, really, which is it?”

Wilson, more than miles beyond patience, sent him to traffic on the Headford road, the roundabout nightmare. He resigned.

Shortly after, thanks to his utter contempt for people, he rapidly became a rising star in the charities racket.

Nora McEntee looked at the framed photos of Guards who had died in the line of duty.

End of watch, as they say in the U.S.

She was gripped by the portrait of ban Garda Ni Iomaire.

Ridge.

She was Nora’s hero.

Ridge had been noted for:

Being gay, in an obscenely misogynist force;

Her utter dedication;

Her fearlessness;

Her patience with new recruits.

Nora had gone to her a few times and she always said the same thing:

“Never back down and never, ever let the bastards see you are vulnerable.”

She had also introduced her to

Kai tai yung.

A ferociously vicious form of self-defense that mutated in Galway from what had been a benign form of tai chi. To a Guard on the Galway streets when the clubs let out at four in the nasty morning and the fast-food joints were shutting their doors, gentleness was about as useful as a nun’s rosary beads.

The blot on Ridge’s almost brilliant career had been her relationship with Jack Taylor, a notorious drunk and former Guard. Despite repeated warnings, she had stayed in his corner even as her personal feelings toward him soured.

And soured fiercely.

Taylor had been MIA for many months after the death of his daughter.

Nora felt he was far from done. As Ridge had once said,

“Taylor always turns up, no matter how fucked he is, and God knows few do fucked like him, but he somehow drags all his bedraggled act in some form of together and shows up.”

Ridge had gone silent for a bit, then added,

“There is something to be said for a man who does always show up. Not a lot, but you know something.”

In those broken words Nora detected a kind of twisted admiration.

2

On any given

Day in Galway

You will hear at least one busker mutilate the

Words of “Galway Girl.”

But, if you listen carefully,

Sincerity

Sometimes overcomes

The sheer banality

Of the performance.

Twyford

Makes the very best toilet bowls.

I know because I spent so much time lying on my back, under the bowl, having the first drink to be sick enough for the second one to stay down.

Hopefully.

It had been four months

Since my daughter had been shot dead

Right before my very eyes.

I missed Christmas.

In the sense it came and went and I lay under the bowl, if not the volcano. Then, mid-January, I began to cut back, no reason, maybe just sick of being sick.

Was even trying some exercises to restore some feeling to my shattered body.

If there are exercises for grief I don’t know them.

I was living in an apartment off the Salthill promenade. I could look out across the bay, but now the once wonderful yearning I’d had was no more.

Years, years of that odd yearning, and I had never quite known for what it was I yearned. But now, no more mythical or mystical shite.

In a fit of blind rage and, yes, booze, I grabbed my favorite books, stumbled down to the beach, and began to fling them out across the ocean.

Pathetic?

You betcha.

A few days later, I was attempting to sip some coffee and not to smoke, least until the day grew up. A knock at the door. I shouted,

“Fuck off.”

More banging.

Right.

I pulled the door near off its hinges, muttering,

“What.”

A young female guard, ban Garda. And, oh Lord, she looked like a teenager.

Pretty, but something in the eyes, hint of granite.

She asked,

“Jack Taylor?”

I let out a frustrated breath, said,

“You’re at my door, you obviously checked before you came, so unless you’re a complete ejit take a wild guess.”

She backed up, her body tensed, said,

“There is no need for that tone.”

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