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Джеймс Паттерсон: Texas Outlaw

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Джеймс Паттерсон Texas Outlaw

Texas Outlaw: краткое содержание, описание и аннотация

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**A Texas Ranger** is **justice. Until he sidesteps the law.** Texas Ranger Rory Yates is not keen for hero status. But it's unavoidable once his girlfriend, country singer Willow Dawes, writes a song about his bravery. Rory escapes his newfound fame when he's sent to the remote West Texas town of Rio Lobo, a municipality with two stoplights. And now, according to the Chief of Police, it has one too many Texas Rangers. Rio Lobo Detective Ariana Delgado is the one who requested Rory, and the only person who believes a local councilwoman's seemingly accidental death is a murder. Then Rory begins to uncover a tangle of small-town secrets, favors, and lies as crooked as Texas law is straight. To get to the truth before more people die, Rory is forced to take liberties with the investigation. The next ballad of Rory Yates may not be about a hero, but rather an outlaw song.

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The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

Copyright © 2020 by James Patterson

Cover design by Anthony Morais

Cover photographs © Laura Kate Bradley / Arcangel Images (man), Getty Images (sunset)

Author photograph by David Burnett

Cover copyright © 2020 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the author’s rights.

Little, Brown and Company

Hachette Book Group

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First ebook edition: March 2020

Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

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call (866) 376-6591.

ISBN 978-0-316-42818-7

E3-20200220-DA-NF-ORI

Table of Contents

Cover

Title Page

Copyright

Dedication

Prologue

Chapter

Part One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Part Two

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Chapter 105

Chapter 106

Chapter 107

Chapter 108

Chapter 109

Chapter 110

Chapter 111

Chapter 112

Chapter 113

Chapter 114

Chapter 115

Epilogue

Chapter

Acknowledgments

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Prologue

SUSAN SNYDER PRESSES her foot down on the gas pedal and zooms around a curve, the headlights of her Mustang convertible cutting through the darkness and the stereo blasting the Foo Fighters into the cool June Texas air. She has the top down, and her hair whips around in the wind as goose bumps rise on her arms. Maybe from the chill. Maybe from excitement.

She knows she should slow down. She should be careful. But she can’t help herself. She’s giddy. She can’t wait for tomorrow to come. She should probably feel more scared. That’s the smart way to feel—scared and careful. But caution has never been a word in her vocabulary. At thirty-seven years old, she’s single and successful, and she doesn’t take shit from anyone.

She rounds another curve, the tires squealing against the blacktop. Up ahead, her ranch house is nestled among the sagebrush-covered hills. She races into her gravel driveway and skids to a halt, sending a cloud of dust up into her headlight beams. She takes a deep breath and sits in the car for a minute, trying to let her heart rate slow down.

It won’t. She’s just too excited.

She was on a dinner date tonight. At least that’s what it would have looked like to the other customers at the only halfway decent restaurant in town. A man. A woman. White wine. Filet mignon for him. Crab legs for her. A shared dessert of strawberry cheesecake topped with vanilla bean ice cream.

But it wasn’t a date. It was a strategy session.

Come tomorrow, the little West Texas town of Rio Lobo won’t know what hit it.

Susan presses the button to raise the convertible roof. On her way up her front walk, she looks up at the moonless sky. The view is breathtaking, and she never tires of country still so untouched by light pollution that the stars look like droplets of paint sprinkled over a vast black canvas.

One of the reasons she lives here is the solitude. The simple country life. She works as a freelance web designer and makes a comfortable living. In a town like Rio Lobo, where Susan serves as one of five elected members of the town council, she might even be considered borderline rich. But her income wouldn’t go nearly as far in a big city like Houston or Dallas, let alone New York or Los Angeles, where a lot of her clients are based. Besides, the town of Rio Lobo is about the perfect size for her. It has exactly two stoplights.

Susan takes her eyes off the sky for a moment and notices something on her front porch. On the rocking chair next to her door sits an object enfolded in clear plastic wrap, with a handwritten note attached. Made some cookies for you. They’re safe. The note is unsigned, but when she sees the two snickerdoodles—her favorite cookie—she knows who left them for her.

Inside, she’s already unwrapping the cookies as she kicks off her shoes. She eats the first one and takes a drink of milk straight from the gallon. She considers saving the second one for tomorrow, but she’s in an indulgent mood. She eats it and tosses the cellophane and note onto her kitchen table. She leaves her purse there next to the wrapper and heads down the hall to her bedroom.

She steps out of her dress and pulls on a pair of Victoria’s Secret sweatpants and a Dallas Cowboys jersey that she sleeps in.

When she picks up her toothbrush, her fingers feel tingly, as if they’ve fallen asleep. She puts the toothbrush into her mouth and notices the swelling of her lips. She squints at herself in the mirror—not only does it look like someone punched her in the mouth but also her whole face appears to be swelling, as if she’s suddenly gained twenty pounds.

Worse than her appearance, her breathing has become labored.

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