We pull out of the station. Russ is spent and leans against me, resting his head on my chest while I lean on one of the floor-to-ceiling poles. Behind me, I hear the voices of bridge and tunnel teens whispering, calling us faggots. Roman and Bolo just stand there at the other end of the car, watching us, close enough to have a conversation if we raised our voices a bit. They seem happy to be close to us and to stay close until we get away from the crowds. The Jersey boys behind us are getting brave, talking louder.
– Fucking faggots.
– Yeah, fucking ass-fucking faggots.
– Look at them. They have AIDS and they still act like faggots.
Their voices are loud enough to be heard by most of the people in the car and I can feel tension building. Bolo is trying not to laugh and Roman is shooting little laser beams out of his eyes into mine.
– Ass-fucking, disease-spreading, sick, fucking faggots.
I take Russ’s arm from my shoulder, lean him against the pole and turn toward the voices. People observe this out of the deliberate corners of their eyes and the tension in the car jumps. Everyone is watching and listening now, but pretending not to. I stare down at the five boys on the bench seat.
– Hey, faggot’s atoughguy.
The train is slowing as it approaches the station.
– Got a problem, butt stuffer?
They all look the same. They all have the same too short hair, too big muscles, too small eyes,the same pin-fucking-heads. This will be easy. This will almost be fun. The biggest one gets up as we pull into the station.
– What about it, shit-dick, you got something to say?
The train is coming to a stop. I look over at Roman, smile at him,then turn back to the boy. He’s still talking.
– Come on, you fucking child molester. Say what’s on your fucking mind.
The train stops and I pucker up and make a littlekissy face at the boy. We’re two feet from each other. He grabs at me and I kick him hard in the shin. He yelps and I swing my right elbow up and into the hollow just below his chin. He falls back gasping as his friends jump up off the bench and come at me. And all the queers on this train in the heart of the West Village just a few blocks from the Stonewall Inn, where the gay rights movement was born in a transvestite riot, gobatshit. Ding-dong!
The doors open. I grab Russ as we are pulled with the tide of the brawl pouring out of the train. TheA express we saw at Eighth Avenue is on the other side of the platform. Ding-dong! We plow through the small riot and safely into the A train. The doors don’t close. I watch as Roman and Bolo brutally force their way through the melee toward our train. The doors don’t close. They step aboard at the far end of the car again. Across the platform, the C train still hasn’t moved. I hold Russ tight against me and duck out the door and right back onto the A train. Roman and Bolo don’t bite. I do it again. They don’t bite. The C is still there, across the platform. The fight is still there, going strong as the city works out a little of its sexual tension. We dodge out the door again and keep going this time. They don’t bite. Ding-dong! And I drag us through the closing doors of the C train.
Roman and Bolo jump off the A. Ding-dong! And back onto the A as the doors slide shut and their train pulls out.Right behind ours.
The trains run on parallel tracks. For a while our C local has a bit of a lead. But then the A express carrying Roman and Bolo picks up speed and soon it’s running right alongside us. I watch through the scratched Plexiglas window while, just a few feet away on the other train Bolo mouths curses at us and Roman shakes his head. Then they are speeding away, ahead of us on the express track, racing toward Canal Street, as we slow to make our first local stop at Spring Street. I ease Russ down into a seat and try to remember how to breathe.
Russ sits there slumped against me. Bud rustles around in the bag and I unzip it a bit to see how he is. He sticks his head out through the hole and forces it open so he can stretch up and rub his head against Russ’s chin. The train is entering the station.
– Let’s go, guys.
I take Russ’s arm andit’s deadweight. He’s blacked out again. I sit back down. The car is quiet, almost empty, just the few people who didn’t get off to join or watch the fight. There’s a little drool at the corner of Russ’s mouth and Bud is licking at it. I feel his wrist, then alongside his throat and then I put my ear against his chest.
His eyes are open. I slide them closed. He looks asleep. I have to force Bud back into the bag. The train pulls to a stop. I take the bag from around Russ’s shoulder and drape it around my own. I stand up. The doors open, I step out. And all my bridges are burned, because now I really am a murderer.
Ding-dong!
Part Four Charlie Huston Caught Stealing Acknowledgments Charlie Huston Caught Stealing Acknowledgments Thanks to Maura Teitelbaum at Abrams Artists for believing in this book and hustling it to anyone and everyone. To SimonLipskar of Writers House and MarkTavani, my editor at Ballantine, for making the deal to get me published and, more importantly, for their hard work and support as the book was knocked into shape. Thanks also to Robyn Starr and Simone Elliot for the key roles they played in getting this book published. This book would not have been published without all of these people, but my greatest thanks are reserved for my friend, Johnny Lancaster, without whom none of them would ever have seen it. Thanks, J., you’re a good friend. Above all, thank you Mom and Dad for a life of unconditional love and support.I love you more than I can ever say. And thank you, Virginia. Wife, I am nothing without you. Thanks to Maura Teitelbaum at Abrams Artists for believing in this book and hustling it to anyone and everyone. To SimonLipskar of Writers House and MarkTavani, my editor at Ballantine, for making the deal to get me published and, more importantly, for their hard work and support as the book was knocked into shape. Thanks also to Robyn Starr and Simone Elliot for the key roles they played in getting this book published. This book would not have been published without all of these people, but my greatest thanks are reserved for my friend, Johnny Lancaster, without whom none of them would ever have seen it. Thanks, J., you’re a good friend. Above all, thank you Mom and Dad for a life of unconditional love and support.I love you more than I can ever say. And thank you, Virginia. Wife, I am nothing without you.
SEPTEMBER 30, 2000
Final DayOf The Regular Season
– Hello?
– I love you, Mom.
– Henry.
– TellDad I love him, too.
– Oh, Henry.
– I got to go, Mom. Bye.
I stand there on the corner of Prince and Mercer, holding the pay phone receiver. It’s about 10:30, half an hour since we met Roman in the park. I can’t stop shaking and it’s making it hard to get change in the slot to make my next call. All around me, kids from NYU and weekenders from Jersey are walking the streets of SoHo, asking for directions to Balthazar. I bite down hard on my tongue until I taste blood and the shaking eases up.
The card is in my back pocket where I put it when I changed clothes at my apartment. It’s folded inside the police photo of Yvonne’s bruises. I fold the picture back up, put it away and dial the number. It rings once.
– Yes?
– It’s me.
– ’Bout time.
– Yeah.
– That’s some fucking mess you got over there, boy.
– Yeah.
– Shouldacalled me like I said.
– Yeah.
– Got anything to say ’bout that?
– Sorry.
– Yeah, well. So you ready to work together now?
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