Charlie Huston: Six Bad Things

SLAP!

– Huh? Who’s the tool now, dude?

Rolf taps his finger hard between my eyes.

– Tool. Tool. Tool. Tool. Tool.

And his head explodes.

Sid gets off the chair, a whiff of smoke drifting from the barrel of his gun. I don’t move. I can’t. My face is pressed against the carpet, I can see Sandy under the bed. Frozen like me.

Sid takes a couple steps. He puts his foot on Rolf’s shoulder and shoves him onto his back. I can see the little hole punched though Rolf’s left eyebrow, and the big hole in the top of his head. The blood is pumping out, which means his heart must still be beating, which means he’s still alive. But I guess I knew that already because of the way his mouth is opening and closing, like a fish drowning on dry land.

Sid grabs a pillow from the bed. He places it over Rolf’s face, pushes the gun deep into it, and pulls the trigger. He takes the pillow away, looks at the hole where Rolf’s upper lip used to meet his nose, then looks at the bloodstain on the back of the pillow. He drops the pillow back on Rolf’s face and looks at me.

– Dude, you still got your buddy’s car?

I nod. He points at Sandy.

– Get the girl, dude, we gotta get out of here.

I coax Sandy out from under the bed and she huddles against the wall, staring at Sid. He opens the door. I remember something.

– Hang on, Sid.

I go to Rolf’s corpse, lift his shirt, and tear off the money belt.

– We may need this.

Sid nods.

– Yeah, dude, good thinking.

THE EL Cortez is a very cheap hotel; the walls are about as thin as you would expect. Sid did a good job deadening the sound of the second shot with that pillow, but the first one was more than loud enough. When we step into the hallway, every door on the floor slams shut simultaneously as our nosy neighbors duck back inside. Sid walks us down the hall to the fire stairs. He stays behind us, his gun in his hand, my guns in Sandy’s Adidas bag draped over his shoulder.

The fire alarm sounds as soon as we open the door to the stairs. We’re on the eighth floor; by the time we hit the fifth, a few people have started joining us on the stairs. I think about making a move in the confusion, but it will only get people hurt. Besides, I want to stay with Sandy. I want to get her out of this if I can.

We exit onto the Sixth Street sidewalk, into the middle of a crowd that has been evacuated from the casino. We walk through the mass of fixed-income seniors and hard-core lowball gamblers that inhabit the Cortez, and turn onto Fremont Street, past the main entrance to the hotel. Just as we make it onto the tarmac of the parking lot, I see two beefy security guards escorting a blue-haired woman in a nightdress. She sees us and points. One of our neighbors from the eighth floor. One of the guards lifts his walkie-talkie to his lips while the other one undoes the brass button on his blue blazer and starts to trot after us.

– Halt!

We walk around the corner of the wall that surrounds the parking lot. Sid tells us to stop. He turns and flattens against the wall. The security guard comes around the corner. Sid shoots him in the ear. Sandy screams and tries to run, but I grab her, knowing that he will shoot her down if I don’t. He takes us to the Cavalier and opens the trunk. T is inside. His wrists and ankles are bound with wire, and a gag is stuffed in his mouth. There’s more blood on his face than before, and a red-soaked pillowcase is wrapped around his calf where the crossbow bolt hit him. But he’s conscious. When the lid pops open he lunges weakly at Sid, who brushes him off.

– Get him out of there.

I reach into the trunk, wrap my arms around him, boost him on to my shoulder in a fireman’s carry and start walking to the Chrysler. Sirens are approaching. Sid makes Sandy open the trunk of the Chrysler. There’s an old blanket inside, probably Hitler’s. I lay T on top of it. His left eye is swollen shut and his right has blood in it, but he’s looking at me, seeing me. The gag is made out of duct tape sealed across something stuffed in his mouth. His nose is swollen and clogged with blood. He’s slowly suffocating. I look at Sid.

– I’m taking his gag off.

I rip the tape away before he can stop me, but he doesn’t seem to care. He watches me, studying my moves. I pry a blood-slimed piece of cloth from T’s mouth. He chokes and grabs my hand and hisses.

– Save me.

Sid pushes Sandy at the trunk.

– Her too.

She tries to take a step back, shaking her head from side to side, her hair flailing the air. I pull her to me and slip my arm under her legs, lifting her as if to take her across a threshold, and deposit her next to T. Her eyes are huge. She’s trying to say something; another scream will burst from her mouth in a moment. I slam the lid closed, muffling her cry and cutting off T’s guttural pleas.

Sid hands me the keys and we get in, me behind the wheel, him beside me, holding his gun. We pull out of the lot, away from the El Cortez, as emergency vehicles arrive. I catch a glimpse of the other security guard kneeling next to his dead partner, and then we are back on the Boulder Highway.

Sid wants a hideout.

– Dude, twenty-four hours of cruising around in that Cavalier? Talk about ill shit. Don’t want to be on the road in a stolen car, don’t want to risk trying to steal a new one. Don’t want to park too long in one place and have people being all, Hey, what’s with the two dudes sitting around in that car for so long? So cruise, park, call you, leave another message, cruise some more. And talk about golden tickets? Finding your cell number written on T’s hand? Huge. I mean, dude, that’s the only reason he’s alive. I mean, if we didn’t have a way of talking to you and threatening to kill him? What would be the point, right? So it all worked out. But if I don’t get to sit still for a few hours, I’m gonna freak. Also, dude, like you probably noticed this by now, but I totally reek.

He’s on a killing high again.

Feeling real.

And he wants to take a shower.

I take him to T’s trailer.

I SLOW down as we get closer, and point at the Super 8 up the road.

– You seen any news?

– Naw, dude, told you: drive, park, call, drive some more.

– They found that car you stole.

– Yeah?

He points at the entrance to the trailer park.

– Think they found this place?

I shrug.

– Might have, if someone from the Super 8 saw you guys come over here. You want a place to rest, this is the best I can do.

– OK, dude, it’s cool. Let’s do it.

He hefts his gun.

– But, dude, if there are cops? It’s, like, blaze of glory time.

I can tell he’s into the idea. But there aren’t any cops.

HE WON’T let T and Sandy out of the trunk. That’s OK with me. It means they’re out of the way.

Inside, we flip on the TV. The local stations are covering the parking-lot killing at the Cortez. They don’t know about Rolf yet. Soon, someone will see the dreadlocks on Rolf’s corpse and realize he’s the guy in the police sketch going around, and then CNN will pick up the story.

Sid makes me come into the bathroom with him. I sit on the toilet. The crank I sniffed at the hotel is peaking. My knee is bouncing up and down while I grind my jaw. He stands in front of the door and starts to strip, his gun on the edge of the sink right next to him.

– That was hairy back at that chick’s house, dude. Seriously, I didn’t know what the play was gonna be, but when your dude showed up with his huge dog? That was whack. What kind of dog was that?

– English Mastiff.

– Dude, that was a big dog.

– Sid?

He puts his right foot up on the sink.

– Dude?