Charlie Huston - A Dangerous Man

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“Among the new voices in twenty-first-century crime fiction, Charlie Huston . . . is where it's at.”
- The Washington Post
“Huston writes dialogue so combustible it could fuel a bus and characters crazy enough to take it on the road.”
- The New York Times Book Review
Reluctant hitman Henry Thompson has fallen on hard times. His grip on life is disintegrating, his pistol hand shaking, his body pinned to his living room couch by painkillers - and his boss, Russian mobster David Dolokhov, isn't happy about any of it. So Henry is surprised when he's handed a new assignment: keep tabs on a minor league baseball star named Miguel Arenas.
Henry has no pity for the slugger and the wicked gambling problem that got him in trouble, but he can't help liking the guy. After all, Henry used to be just like him: a natural-born ball player with a bright future. But hell, that was long ago. Before Henry did some guy a favor and ended up running for his life. Before his girlfriend and buddies got gunned down by someone on his tail. Before he agreed to buy his parents' safety with a life of violence.
And when Miguel gets drafted by the Mets and is sent to the Brooklyn Cyclones, Henry must head back to New York, back to the place where all his problems began - and where Henry might find a real reason to keep living, a reason that may just cost him his life.
“Huston reminds me of all my favorite writers - Pete Dexter, Robert Stone, Crumley. If there is such a thing as compassionate noir, Charlie has found it. He's a true marvel.”
- Ken Bruen, author of The Guards
“Charlie Huston is the real deal.”
- Peter Straub
2006

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I throw a pitch.

– Don’t yell at me. I smell cigarette smoke in my house.

The Kid hits a button, Jackie swings and pops up the ball and it drops into my catcher’s glove. He throws his controller at the floor.

– Shit! Shit! Shit!

The Manager covers her mouth with her hand.

– What did you say?

The Culinary Rep walks to the TV, unplugs the game console and starts to wrap the cables around it.

– OK, that’s it. Everybody out.

I stand.

– Yeah, let’s go play.

The Kid stands.

– OK. Jeez, I was going for the single-game scoring record. Would have had it, too. You suck.

The Rep puts a hand on his shoulder.

– Uh-uh, not you. You aren’t going anywhere. Not after using language like that.

– Daaad!-No! Game over. Everybody out. And I’m calling all of your parents and telling them one of you was smoking.

Adam and Martin don’t say anything, they just help each other stand and start hobbling to the door, Adam pulling a fresh smoke from his pack.

I follow them out. The door closes behind us.

– C’mon, guys, let’s go play pickle.

Adam looks at me, blows more smoke out of his neck.

– No. I must smoke.

– C’mooooon.

Martin points at his ruined knee and foot.

– Tetka Anna! Tetka Anna! Tetka Anna!

– OK, OK. Be spoilsports.

I watch them as they weave and lurch down the street, leaning on one another for support.

– Yo!

I turn around. Jay and Miguel are in the middle of the street. Miguel has a ball. He’s throwing it up in the air as far as he can, positioning himself underneath it and practicing basket catches.

I point.

– That’s bad fundamentals. You want to get under the ball, get the glove up and catch it with both hands. Showboat like that and it’ll cost you a run someday.

Jay looks at Miguel.

– Check out Sparky Anderson, yo.

Miguel makes another easy catch.

– Whatever. Let’s play three flies.

I watch the ball go up in the air again.

– I don’t got my glove.

Miguel tosses me his.

– Use mine.

The ball drops and slaps down into his bare hand.

– Take the field.

Me and Jay walk down the street. Miguel walks in the opposite direction. When we’re far enough away he tells us to stop. We take spots in the middle of the street. Miguel tosses the ball up and swats it with his bat, popping it toward us. We jockey for position, lightly elbowing one another, trying to create space as the ball drops at our faces. It veers slightly at the last second and I leap and twist and flop over the hood of a car, snowconing it before it can hit and leave a dent.

Jay slaps me on the ass as I walk over with the ball.

– Nice one, yo.

I throw the ball back to Miguel. He catches it and points up the street behind us.

– Car!

We take a couple steps out of the way and let the car go by. Then we play some more.

I WAKE UP.

I look at the clock.

It’s after 10:00 a.m. Late.

I get up, grab the duct tape and go into the bathroom. I splash water on my face and rub it over my head. I rinse my mouth. I look at the bruise on my ribs. It’s bigger. My whole side is stiff and aches. I peel off a long strip of duct tape and plaster it to my side. I peel off another strip and do the same.

I use the whole roll, taping up my side, fixing the cracked ribs in place. When I’m done it looks like I have a plate of lead covering my left side, bands of it wrapped around my middle and arcing up over my shoulder. It pulls at my skin and makes it hard to breathe, but the ribs don’t move as much.

I put on my wife-beater and underwear and socks. Everything smells of bleach. I pull on my jeans and my jacket and go back into the room and get my shoes. There’s blood on the heel of the right one. I leave it there and put them on. I fill my pockets with my cash and my wallet and the keys to my shitty apartment in Las Vegas. I pick up Adam’s flick-knife and Martin’s sap and the last full bottle of water.

Anything else?

Before I die, anything else?

I take a last look around the room.

No, not really. Nothing else.

So I take the box to the elevator and go downstairs and drag it through the lobby to the curb and hail a cab and the driver puts it in the trunk and I tell him to take me to Brighton Beach.

Wasn’t much of a last night. But at least I got to see some of that game. That was nice. That was OK.

THE CABBIE DROPS me off right in front of the building, but he doesn’t want to help me with the box no matter how much cash I offer him. He does lift it out of the trunk for me, and then I stand at the bottom of the steps looking up. There are only about eight of them, but it’s gonna hurt like hell getting the box up there. I force my water bottle into the right side-pocket of my jacket and lift the box up on the first step. Sure enough, it hurts like hell. There are a couple middle-aged Latinos sitting at the top of the steps playing cards on a little crate between their knees. They watch me struggle to get the box up another step, and then one of them calls into the lobby of the building.

– Chiqui!

A skinny twelve-year-old kid wearing shorts and nothing else comes running out. The man points at me and my box. The kid scampers down the steps, wraps his arms around the box, and muscles it up to the top. I climb up after him. He starts to run back inside.

– Hang on.

He stops.

I get a five out of my pocket and hand it to him.

– To the elevator, OK?

The kid looks at the five and then at the man playing cards. The man nods and says something in Spanish. The kid smiles, grabs the bill and hauls the box over to the elevator.

I nod at the man.

Gracias.

De nada.

I walk across the tiles that spell out El Marisol and into the cool lobby. The kid smiles again, pushes the elevator button for me and runs outside. I look around the lobby. I figured David would have someone down here, waiting for me. Nope. The elevator dings and the doors open. I scoot the box in. Standing inside the elevator, looking through the lobby and out the front door, I can see the ocean beyond the two small brown men playing cards. I hear them mumbling to each other in Spanish and, faintly, the crash of a wave. It feels like Mexico for that one second. And then the doors close and the elevator takes me up.

– Henry.

– Hey, David. Can you help me with this?

He comes into the corridor and we carry the box down the hall and into his office. I wait for a moment while he goes back down the hall, closes and locks the door and returns.

– A drink?

He walks toward the sideboard that holds the bottles, going around the box, treating it like just another piece of furniture in the overcrowded room.

I work the water bottle free of my pocket.

– No thanks.

He nods.

– It is early for me. And you do not drink. But still.

He picks up two glasses and brandishes them at me. Today of all days. -No. Thanks, but no.

He puts down one of the glasses in surrender.

– Well, it is good to be true to one’s convictions. Bravo, Henry. But I will drink. You do not mind?

– No.

He pours himself a brandy, sniffs it.

– I need a drink. After this last day, I need a drink.

He takes a drink.

– Yes, I need a drink.

He stands there, staring down into the glass. I stand there, staring at him.

– So, David.

– Yes?

I put my hand on top of the box.

– You want to check this out?

He looks at the box, lifts his glass and waves it back and forth a little. If that will make you happy.

I flip and twist the clasps, pull off the top and set it on the arm of the couch.

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