Charlie Huston - A Dangerous Man

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“Among the new voices in twenty-first-century crime fiction, Charlie Huston . . . is where it's at.”
- The Washington Post
“Huston writes dialogue so combustible it could fuel a bus and characters crazy enough to take it on the road.”
- The New York Times Book Review
Reluctant hitman Henry Thompson has fallen on hard times. His grip on life is disintegrating, his pistol hand shaking, his body pinned to his living room couch by painkillers - and his boss, Russian mobster David Dolokhov, isn't happy about any of it. So Henry is surprised when he's handed a new assignment: keep tabs on a minor league baseball star named Miguel Arenas.
Henry has no pity for the slugger and the wicked gambling problem that got him in trouble, but he can't help liking the guy. After all, Henry used to be just like him: a natural-born ball player with a bright future. But hell, that was long ago. Before Henry did some guy a favor and ended up running for his life. Before his girlfriend and buddies got gunned down by someone on his tail. Before he agreed to buy his parents' safety with a life of violence.
And when Miguel gets drafted by the Mets and is sent to the Brooklyn Cyclones, Henry must head back to New York, back to the place where all his problems began - and where Henry might find a real reason to keep living, a reason that may just cost him his life.
“Huston reminds me of all my favorite writers - Pete Dexter, Robert Stone, Crumley. If there is such a thing as compassionate noir, Charlie has found it. He's a true marvel.”
- Ken Bruen, author of The Guards
“Charlie Huston is the real deal.”
- Peter Straub
2006

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– After Mikhail was killed, she was calling all the time. To talk to our mother. She was so sad. When our mother was killed, she was more sad. And I told my brother, If we stay here we will be killed. He did not care. But I did. I told him, We can still do something. We have family. We can take care of Tetka Anna. For mother. For mother. He likes this. Taking care of someone else, it makes him. He does not forget, but it makes him better. We came here. And she is. There is only one thing she talks about. Yes? No. Two things. Her son. And you. We can do nothing about her son.

He returns to the chair, sits, and pokes at the butts in the glass dish. He finds one not quite half smoked and lights it.

– But maybe we can do something about you.

He takes a drag from the stale butt and makes a face, but he keeps smoking it.

– She told us that David believed you were dead. OK. We investigate. There are books. There are old TV programs. There is the Internet. And we find that there is no body. Something is wrong. In Chechnya, if a rebel is not there when the soldiers go to capture him, often the family says he has died. The soldiers say, Where is the body? And if there is no body, or if it is the wrong body, they bring us the family and we ask them questions. But your family, where are they? We do not know. We need. We need someone to ask questions. No. Someone we can ask questions. There are these things.

He points at the papers at my feet, at the photocopy of my ID. I pick up both papers.

– This was bought from a forger. He heard of Tetka Anna. Brought her these and sold them to her. She thought they could help. How? I do not know. But, the man who sold them. That is a man my brother and I must talk to.

I look at the photocopy and think about Billy. A young guy. A freelancer. A guy with a talent for computers and pieces of plastic.

I put the papers together and fold them between my hands.

Adam sucks a last bit of smoke from his butt, crushes it and begins digging for another.

– We went to him. Martin and I. The things. The things he knew. We had no idea.

He finds a suitable remnant, straightens and lights it.

– He does work for everyone. His work is valued. He does work for David. Not just forgery. But information. He has a gift for this. Like us. But different. His is with machines. Ours, not so. But we can learn what he knows.

He makes a noise, like a cat quietly coughing up a hairball, and drops the butt back in the dish. He sniffs at his fingertips and makes the sound again.

– And we do. We learn.

He closes his eyes.

– Too much.

He opens them.

– David. He is our uncle. By marriage only. But he is our uncle. But this man. He is shit.

He stands and paces once more.

– The forger tells us he has done a job for David. Identification for a man in Las Vegas. He showed us the pictures. He showed us the changes. He told us what he thinks. But we do not need him to tell us. We can see it. But there is more. If you wait, if you are patient, there is always more. He has met our cousin. Mikhail. And he knows something.

He stops pacing.

– Mikhail had lost his passport. He was to travel soon and he had lost his Russian passport. This is not a easy thing to replace. But it is something David could help with. He was a artist, our cousin. You know this? A filmmaker. A student.

I nod.

– Yes. He wanted to make a film. For school. NYU. I remember when my mother received the letter from Tetka Anna. She was so proud. She told us what it was, NYU. One of the best. And expensive. They do not give you the money to make your films. He wanted money for this film. He went to his uncle. He had plans. He would go to Europe. Take time from school and travel Europe. Russia. See family. Then back and start this film. But David, he thinks a man should work. He offered the money, but Mikhail must work for it. Do not go to Europe, David said to him, go to Mexico. Have fun in Mexico. Relax. But look for this man .

He points at me.

– You. David told his nephew to go to Mexico and look for you. Do not do anything, he said. Just look. David promised the money whether Mikhail saw you or not. Ten thousand dollars to go to Mexico on vacation and to look. Why not?

He stops pacing.

– And the forger can tell us this story because Mikhail had lost his passport. So David had sent him to the forger. And he had bragged to the forger. About his uncle. About the job he would do. And how he would be paid. Paid by his uncle to go to a foreign country and look for a killer.

He makes the hairball sound. But this time he is not smoking.

– So now we know. We know you are alive. We know you are in Las Vegas. We know David is protecting you. And we know how little he cares for his family. Is there need for more?

He waits.

I shake my head.

He nods.

– But there is more. We cannot make Tetka believe. She will not believe this is David. That he would do these things. She thinks we are wrong. Until she sees you at his office. And the picture in the paper. And we show her the forger’s pictures again. And she believes. So then. She wants you. And we know where to find you. Because in the news article there, it says the man you are with is a baseball player. And people at newspapers are weak and make little money. For a little more, they will tell you where someone is. They told us where the baseball player was. And so we found you.

He sits. Picks at the cigarette butts again, but finds them wanting.

– And now. You are here. And Tetka Anna wants David to die. And she wants you to die. So you will do the first.

He scratches his beard.

– And we will do the second.

I look at the papers in my hands. I fold them over again and tuck them inside my jacket.

– If I try to kill David he’ll have my parents murdered.

He nods.

– Yes. He will. He knows where they are. They are in a small town in Oregon. On the coast. This is something the forger found out for him. He found out from the Internet, from all of the men who talk about you. The forger told us this last. Told us where your parents are. Before we killed him. Because he was so broken. He wanted to die. That is what will happen if we go to Oregon. To them. You see?

– David. It’s me.

He makes a sound, the kind you might make if your favorite player did something unbelievably boneheaded on the field.

– I need to see you, David.

– Yes. You do. But I, I have seen you already this morning. Do you know where? In the paper, yes? In the newspaper I saw you.

He will be making a fist and bouncing it lightly against his forehead. What have I done to deserve this?

– Yeah, I know. I need to see you.

– Yes. Yes, you must see me. How is the boy?

– He’s fine. It wasn’t a real fight, just him and his friend.

– Are you with them?

– No. They went to breakfast. I went to meet them and saw the paper on the way.

– Where are you now?

– The West Village. A coffee shop.

– Good. That is good. Stay away from them. This photograph. Someone might see something in this, yes? The surgery is good in its way, but someone could see something. There is nothing they can prove if you are gone. No way to ask you questions. I will have someone talk to the boy. If anyone asks him questions, you will be someone his agent hired. A simple bodyguard.

– Sure.

– Come to my office. We will talk. You will take care of this other business of ours. And then, then it will be time for you to leave.

He’ll be looking at the ceiling, searching it with his eyes. I have no words to describe how disappointed I am.

– Come to my office. Wait for me there. Yes?

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