Elmore Leonard - Cat Chaser

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Cat Chaser: краткое содержание, описание и аннотация

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George Moran's affair with a beautiful woman leads him into danger when her husband, a mob-connected Dominican cop, discovers what has been happening and sets out to seek revenge on him at all costs. Reprint. 20,000 first printing. NYT.In the world of Elmore Leonard novels, two ex-Marines can sit around a hotel swimming pool in Florida and, as if it were perfectly natural, chat about a friendly fire incident during an "interventionist action" in Santo Domingo. His characters have learned the futility of complaining about a life where deadly violence and moral obligations are all too frequently intertwined. In Cat Chaser George Moran is the hotel manager who got shot at back then; now, he's rekindling his intimate acquaintance with the wife of Andres de Boya, a former Dominican military enforcer who currently invests in real estate with a healthy sideline in drugs.A dizzying series of plot twists involving various grifters and strongmen (both hired and freelance) leads to the grimly comic suspense action that Elmore Leonard fans have come to know and love. But as always, it's Leonard's impressive ear for dialogue that raises Cat Chaser above the herd of crime novels. An example: "That's correct," Scully said, "I'm a consultant… I advise people on business matters, act as a go-between, bring people together that want to make deals… things like that. You want to know any more, come by my office, we'll have a coffee sometime. Okay? Right now I'm going to see Mr. Pradi. Where you come in--I'm gonna knock on his door, he don't open it then I might have to kick it in. I mean the business I got with him is that pressing. So you can give me a key and maybe save yourself a door. What do you think?" Well, what do you think? --Ron Hogan

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“Who was it shot at the house last night?”

“We don’t know that. It happens.”

“And cut the telephone line?”

“The repairman tell the Mendozas he think it was a storm.”

“There was no storm .”

“Yes, then maybe it broke itself.”

“Why can’t I make a phone call in private?”

“I don’t know.” Corky shrugged; he seemed to be getting used to her. “Why don’t you ask your husband?”

She mixed a vodka and tonic and took it out to the sundeck, in the early evening, the sky clearing now that the day was almost past, the wind down to a mild breeze stirring the acacia trees. The two new ones, the Mendozas, watched her from the seawall, where the dock had been. They moved off in opposite directions still looking toward the house. Mary felt a knot of anger. She wanted to scream something as she sat ladylike, yell at the Mendozas, “What’re you looking at!”

And waste it, she thought, on bodyguards who wouldn’t understand or care if they did. Save it for Andres. The hell with writing down what she wanted to say-writing neatly in her precise up-and-down script. Let him have it with simple truth, you’re leaving and that’s it. Tell him right out, face to face. If he asks if it’s because of Moran say yes . Absolutely. She was in love with Moran. She was so in love with him it didn’t matter what other reasons there might be. Right now Moran was the reason. And Andres would say… The hell with what he’d say! Tell him and get it over with. Andres would think what he wanted to think anyway.

Which was pretty much what she had done six years ago. Talked herself out of all her misgivings, talked fast with the lure of everlasting security in the back of her mind and rationalized up front, telling herself marriage to Andres would be-God help her-fun. If she had known Moran then-if they’d been simply good friends, which would have been impossible, but just say they were-and she had announced she was going to marry Andres, Moran would have said…

With a straight face he would have said, “You’re gonna marry a general, uh?” That’s all.

And that would have done it.

She wanted to keep her anger intact, ready to level it at Andres when he got home. But she couldn’t think of Moran and stay mad. She smiled to herself for a time. She looked out at darkness smothering the sunset and felt the smile dry up within her.

Fear was something else.

She’d have to ask him: Can you be afraid of something you think is absurd? No, she wouldn’t have to ask, she knew the answer. If the thing that’s scaring you doesn’t know it’s absurd you can laugh all you want, that won’t make it go away.

Mary was upstairs when she heard the double horn beeps: Andres’s way of announcing, when he drove himself, he was home. She went into Andres’s bedroom, the lights off, and looked out a front window to see his immaculate white Rolls in the drive below. Andres was already out of the car talking to the two Mendoza brothers. She didn’t see Corky with them. After a few moments they walked off toward the side of the house. It surprised her at first; then decided Andres was showing them around the property. But where was Corky? She hadn’t seen him in some time.

Sitting in darkness her gaze moved to the massive shape of Andres’s king-size bed mounted on a marble pedestal and remembered her reaction, the first time, sitting on the edge-a waterbed? -trying not to smile. And Andres’s serious expression, Andres saying to her, “It’s more than a bed…”

The bed delighted him without altering his expression. He came to her sitting on the bed, raised a knee awkwardly and pushed her back. His face close to hers he murmured, “We make love on millions of dollars,” and finally smiled. But it was morning before he explained what he meant. Making love on millions … talking to his new bride in a boastful way, playful for Andres, but not failing to impress it was their secret, uh? His lidded gaze staring into her eyes. “No one else must know.” She wondered now if his words had implied a threat. Or if making love on millions was still possible to do.

She would make love to Moran on cement. On nails.

And began to think of another bed not so large… the lights going out in her hotel suite, Moran calling to her in the dark, finding her as she slipped into his outstretched arms. She thought of them falling into the bed together, Moran trying to get their clothes off as she held onto him…

She saw the beam of headlights in the trees and moments later Jiggs Scully’s Cadillac rolled up the drive toward the house. It came to a stop behind Andres’s car and the inside light went on as the doors opened.

Her breath caught as she saw Moran get out.

Now the others came out of the car. She recognized Rafi. The car doors slammed and they were in darkness. As Mary watched, the four figures moved off toward the north side of the house. But why? The gravel path on that side led through the garden to the swimming pool.

“He asks you,” Moran said, close to Rafi, “you don’t know anything, what he’s talking about.”

“All I did,” Rafi said, his whisper hoarse, straining, “I write something, that’s all.”

“No, you didn’t. You don’t know any thing.”

Corky was waiting for them at an opening in the hedge and Moran shut up. He could hear Jiggs Scully behind them on the gravel. He wasn’t worried about Jiggs. It had been a quiet ride all the way and there was no reason to start talking now. Past the hedge they followed patio lights that were hooded and eerie in the close darkness, dull spots of yellow, misty in the tropical growth. The path brought them to the swimming pool, illuminated pale green among ledge rock and palm trees, the man-made filtered lagoon that looked to Moran like a movie set. Though the figure standing at the end of the pool were real enough, de Boya and two men Moran had never seen before. The two, the Mendoza brothers, came this way as Corky turned and gestured to Rafi, saying something to him in Spanish. Rafi didn’t move.

Scully was next to Moran now. He said to Rafi, “I think Mr. de Boya wants to ask you something; that’s all.”

Rafi looked around, helpless, as though in pain.

One of the Mendoza brothers gestured now, pointing, and Rafi moved away from Moran to the edge of a curved section of the free-form pool, the water clearly illuminated to its tiled depths. Rafi looked down, then across the curved corner to de Boya who stood with his hands in the deep side pockets of a linen jacket.

His voice low Moran said, “Giving us the stare.”

“That’s what it is,” Jiggs said, barely moving his mouth, “the old Santo Domingo stare. Suppose to, you look at it long enough, shrivel up your balls.”

Twenty feet away de Boya stood without moving, the pale reflection of the pool lights shimmering on his white jacket, part of his face in shadow.

It began to look like the village players to Moran. Were they serious? He said, “Hey, Andres, what’s going on?”

De Boya didn’t answer.

If he gave a nod Moran didn’t see it. He was looking at de Boya in the same moment one of the Mendozas stepped in behind Rafi, gave him a hip and Rafi went into the pool screaming a sound or a word in Spanish. He came up flailing the water, gasping, trying to scream, his eyes stretched open. Moran was yelling now, “He can’t swim ,” trying to get to the edge of the pool, but both the Mendozas turned to hold him off. He yelled again, “He can’t swim , goddamn it!” and tried to get through the two Mendozas with shoulders and elbows, grabbing at a shirt and feeling a string of beads come apart in his hand. As he tried to lunge past the other one stuck a gun in Moran’s stomach. He felt the barrel dig in as he saw Rafi struggling with his head thrown back, helpless, going under and coming up, going under again. Moran saw Andres watching, Corky watching, the two Mendozas turned from him watching. None of them moved. When Rafi’s arms stopped flailing and he began to sink deeper they continued to watch in silence, without moving, staring at the string of bubbles coming out of Rafi’s mouth, his body settling to the bottom now, rolling gently from side to side, eyes sparkling in the pool lights, eyes looking up at them sightless as the last air bubbles rose from his open mouth.

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