Elmore Leonard - Mr. Majestyk

The two sedans, Lundy's Olds 98 and a dark-colored Dodge, came to a stop by the barricades, the Olds bathing the battered toilet in its headlight beams.

Renda and Lundy, and a third man with a machine gun under his arm, got out of the cars and walked into the beam of light. When Lundy got the twisted door of the toilet open, straining to pull it free, the third man aimed his machine gun into the opening. Lundy pushed him aside, reached in with one arm and when he straightened again looked at Renda.

"Dead."

"Must've got hit by a truck," Renda said.

Pushing open the screen a little, Mendoza could see the stake truck in front of the migrant quarters and hear the low rumble of its engine. Just sitting there. Nobody had got out of the truck. Nobody had come out of the migrant quarters. They were all inside or around someplace close by because their cars were there, the three old junk heaps. When the two pair of headlights came down the road from the highway and passed the migrant quarters, Mendoza moved away from the doorway. He was wearing only his jockey shorts-maybe he should hurry up and put some clothes on. But the cars weren't coming to his place. They kept going.

Behind him his wife whispered, "Who are they? Do you know them?"

He knew. He was pretty sure he knew. But he said to her, "Stay with the children."

When she stepped into the doorway to look out he pulled her back because of the slip she wore as a nightgown. It showed dull white in the moonlight and he was afraid they would see her, even though he knew they were all the way to Vincent's house by now.

She said again, "Who are they?"

"I don't know," Mendoza answered. "But they don't have any business with us and they're not friends I know of. Go to bed."

She lingered, but finally moved away from him. When he heard the springs and knew she was in bed again, he pushed open the screen door carefully and went outside, holding the door to close it, so it wouldn't make noise. On the steps of the porch, looking down the road, he could see the headlights of the two cars in front of Vincent's house. He didn't know if they were waiting or if they had gone inside. He said, God, why don't they leave? He's not there, they can see that, so go on, get out of here. Vincent was with a girl, talking, drinking beer. He could be gone for hours, having a good time; stay out late he could still get up early and work. They didn't know him.

He saw them in the headlights for a moment and faintly heard the car doors slam, then went into the house again as the cars came back this way. He was sure they were going to pass his house, leave, and when the cars turned in-coming straight at his house before stopping close to the porch-he couldn't believe it and began backing away from the screen door, but not soon enough. The headlights were blinding and he knew they could see him. He could hear the engines idling. Some men, three of them, dark shapes were coming up on the porch. When they came into the house he still couldn't see them because of the headlights.

One of them walked past him. He heard his wife's voice. "What do you want?" Frightened. He didn't hear the children.

Renda said, "Where is he?"

Mendoza thought of his wife and three children in the bedrooms, behind him. What was he? A guy standing in his underwear who just got waked up out of a sound sleep. How was he supposed to know what was going on?

He said, "I don't know. You mean Vincent Majestyk? Isn't he at home?"

He had never seen Eugene Lundy before and didn't see his features now, only a big shape that stepped up close to him. The next thing he knew he was hit in the mouth with a fist and felt the wall slam against his back. The man reached for him then and held him against the wall so he wouldn't fall down.

"Where is he?" Renda said again.

"I don't know," Mendoza said. "Believe me, I knew I'd tell you."

"He go into town?"

"I don't know," Mendoza said. "Honest to God, I thought he was home in bed."

Renda waited, knowing he was wasting time. The guy was probably telling the truth. He said, "Bring him along. And his wife."

They brought everybody out of the migrant quarters, pushing them to hurry up, making them stand in front of the place, in underwear or just pants, barefoot, squinting in the glare of the truck's headlights. Mendoza and his wife were pushed into the group by the men with guns in their hands who stood out of the light. The migrants waited, everyone too afraid to speak or ask what was going on.

Finally Lundy, who stood with Renda next to the truck, said to them, "We're looking for the boss. Who wants to tell me where he's at?" Lundy waited, giving them time. In the silence they could hear the crickets in the melon field. "Nobody knows, huh?" Lundy said then. "Nobody heard where he was going or saw him leave?"

Quietly, to Lundy, Renda said, "We got a dead cop and we're running out of time. Get rid of them."

Renda walked off into the darkness, toward the packing shed. He heard Lundy tell them, "You all've got two minutes to get in your cars and drive away from here and never come back." He heard one of the migrants say, a weak little voice with an accent, "We been working, but we haven't been paid yet. How we suppose to get paid?" And he heard Lundy say, "Keep talking, I'm going to start busting some heads. Now you people get the hell out of here. Now."

The doors of the packing shed were open. Renda went up the steps to the loading dock and looked inside. He could make out the conveyor and the melons on the canvas belt. He was curious about the place-as if the place might be able to tell him something about the man who owned it. Feeling along the wall inside the door, he found the light switch. Outside there was a sound of engines trying to start and finally turning over.

Lundy and the one with the machine gun came in. Renda was staring at the wall of cartons, the melons that had been sorted and packed that evening.

"Man's been busy," Lundy said.

"I said to him what do you want?" Renda continued to stare at the wall of melon cartons and Lundy and the one with the machine gun looked over at him. "He said I want to get my melons in," Renda went on. "That's all he wanted. Get his melons in."

Lundy couldn't believe it when he saw Frank pull out his.45 automatic-Christ almighty-and start firing it at the stacked-up melon cases, firing away, making an awful racket in the place, until his gun was empty.

Renda looked at them then. He seemed calm. His voice was, and said, "What're you waiting for?"

Lundy always did what he was told. It didn't have to make sense. He took out his big magnum and opened up at the cartons. Then the other one with the machine gun let go and the din was louder than before. They tore up the cartons, lacing them with bullet holes. Renda took the machine gun from the guy, turned to the conveyor, and shot up all the melons left on the canvas belt, blew them apart, scattering pieces all over the shed.

Christ, Lundy thought. He hoped Frank felt better now.

Kopas had been told they'd probably drop his truck off later that night, somewhere near the county road intersection west of Edna, where there was that Enco station on the corner and the cafe. Kopas asked what time. Lundy said, when they got back. But if they had to take some people somewhere-and Kopas had a hunch he meant the migrants-then he wouldn't get his truck back until morning.

But the migrants had cars. They could run them off in their own cars and not have to take them anywhere. So Kopas was pretty sure the truck would be back tonight.

He hung around the cafe-bar that evening, going outside and looking up the highway every once in a while. Being sure they had gone to Majestyk's place, he was anxious to know if they had killed him. If they hadn't been able to for some reason-and if Renda was with them-he was anxious for Renda to see him again. Renda might decide he was a handy man to have around after all: he was alert, waited, did what he was told.