Elmore Leonard - Out of Sight

Fun to watch, though. This was the one, they open the trunk of the car and you see a strange glow. Like in Kiss Me Deadly, the strange glow in the case inside the locker, and they used it again in Pulp Fiction.

Mysterious glow movies-some kind of radioactive material, but what it's doing there is never explained; if it was, Foley missed it. He liked this kind of movie. You could think about it after, when you had nothing to do, try to figure out what the movie was about.

Aurice would get up from the table and walk along the apron of the stage yelling at one of the fighters, telling him, "Stick and jab, stick and jab." Not in the way of the audience, the ring up on the stage, but it was annoying and Glenn wished he'd shut the fuck up.

Maurice would come back to the table and Kenneth would leave, go up on the side of the stage where guys were hanging out, big black guys, and Kenneth would hang with them between bouts, Kenneth dosed on speed and doing all the talking. Glenn had never seen so many big black guys in one place who weren't wearing football or basketball uniforms. Outside of him and White Boy Bob there were maybe five or six other white people in the whole theater. The waitress would bring a round and White Boy would throw his beer down in three or four swigs, give Glenn's shoulder a jab and tell him to come on, drink up, "You drink like a girl," and look to see if there were any other morons around thought he was funny. The black guys and their women at tables close by only stared, tolerating him because of Maurice.

Where movie seats used to be were rows of round nightclub tables: a row of them on each of four levels rising a step at a time up through the theater to the bar: a long one, and dark up there away from the ring lights. People hung out in the open spaces at both ends of the bar.

Behind the bar was the aisle that crossed the theater from side to side, a stairway at one end that went down to the rest rooms. Beyond this area was the outer lobby with a small bar over to one side.

A fighter from one of the Kronk boxing clubs was announced, rap music came booming out of speakers and a procession of handlers and hangers-on appeared out of a door on the side aisle. Now women crowded in from the audience, jiving, waving as the fighter finally appeared to mount the stage and climb into the ring in red and gold to fight four rounds for two hundred bucks, the gold tassels on his high red shoes jumping now as the fighter worked his shoulders with quick jabs, shuffling around his side of the ring. Watching from the other side a white kid from out of town or some Mexican lad trying to look cool, unimpressed, would weave and do some footwork in his plain black shoes to be doing something, waiting for the rap show to end and the ref in his bow tie and latex gloves to motion them to the center of the ring.

Ever since they got here Glenn had been trying to think of a way to get the car keys from White Boy-Glenn listening to him and Kenneth talking about last night, grinning at each other, saying tomorrow, man, tomorrow was payday, talking about hitting Ripley's house. Glenn would listen to the two morons and watch Maurice bopping around from table to table giving brothers the brother handshake, touch fists in their ritual ways, Maurice the hipster, a dude black felt cap set on his head just right, and shades.

"Maintaining a low profile," Maurice told him.

"No do-rag. The fights, I'm all the way low profile."

They had come here in the Lincoln Town Car, White Boy driving, so White Boy had the keys.

Glenn had gone downstairs to the men's and neither of the morons was sent along to keep an eye on him; so he was pretty sure he could slip out of here, cross Woodward Avenue to where the Town Car was parked and if he had the keys, shit, he'd be out of here, on his way to California. He had boosted the car off a lot in West Palm: decided on the Lincoln-parked right in front, ready to go-and while the parking attendant was busy moving cars around, Glenn ducked in the shack and got the Lincoln keys off the board-he knew keys-then waited for the right moment to slip in behind the wheel and take off. He'd brought his tools along that day, not sure what method he'd use to pick up a car, and the tools were now in the trunk of the Lincoln, the car waiting for him right across the street. But White Boy had the fucking keys in his pocket.

Getting in the car wasn't the problem, it was unlocked. When they got here White Boy didn't know where the button was to lock the doors, so Glenn said, "Here, I'll do it," standing outside the car, the driver-side door open. White Boy walked away and Glenn reached in as though to press the lock button, saw the three of them already crossing the street to the theater, and all he did was close the door. He hoped to God if the doors were unlocked the glove compartment would be too, so he could get in there and pop the switch to open the trunk. Get out his tools, use the slap hammer to yank the ignition and he was off! White Boy could keep the keys. But if the glove box was locked, he was fucked. He'd have to find something to pry it open. But if he took too long-even if he could pop the trunk-Maurice would send the morons looking for him.

The glove box had to be unlocked. It would be his only chance of getting away from these people.

He'd wait… No, he'd better go right now. There was the bell, a bout over with and Maurice was getting up, heading for the stage.

Glenn did wait a few moments before saying, "Man, that beer goes right through me. I got to go take a piss." He hesitated because he expected White Boy or Kenneth to look at him funny or one of them would say he had to go, too.

All White Boy said was, "What're you telling us for? You want somebody to hold your pecker?"

Glenn was glad to laugh. He said, "I have to use both hands, but I can manage."

As he walked away the moron said, "Hey, Glenn? Shake it easy."

Glenn had his back to White Boy by now and didn't have to laugh or even smile. He had to get out of here, fast, away from these morons. And if he couldn't pop the trunk and start the car, fuck it, he'd run to California.

Two young men in red-and-gold Kronk jackets were working security in the outer lobby. Karen came along in her navy cashmere coat, a navy wool cloche covering her hair, jeans and hiking boots, and the security guys smiled and asked how she was doing. She said fine. They asked to look in her bag. She showed her ID and star and said, "This is all you need to know, right?"

They said hey and seemed pleased to see her, grinning, looking her up and down in the long coat, as she walked off through the lighted outer lobby and into the darkened theater. From the bar she scanned the descending row of tables and the stage, the ring empty, looking for white people, rap music coming out of speakers somewhere, a few women rising from their tables to make funky moves with the music. Karen saw a white couple off to the side and two guys down front, in the first row of tables.

The bartender asked what she'd like and Karen said, "Just a minute."

The smaller of the two guys at the table was getting up, the other one laughing. The smaller one turned, not laughing-it was Glenn-and started this way through the tables. Karen turned and looked at the bartender waiting for her. She said, "Not right now," and turned her head enough to see Glenn pause at the end of the bar and look back toward the fables, taking his time, before he moved off and was out of view. Going to the men's room-Karen was pretty sure-wearing a sweater, no coat. She was surprised then, once she came around the bar, to see him heading out through the lobby, hurrying. He couldn't have spotted her; there had to be another reason. She waited until Glenn was out the door and then went after him. Said, "I forgot something," going by the two security guys. Outside, she saw Glenn running across the wide avenue of packed, dirty snow, past car headlights creeping along, and into the parking lot, disappearing into the row of cars facing the street. Karen followed, reached the lot but didn't see him now. She put her gloves on moving in among the cars, stopping to listen, waiting to hear an engine start. The only sounds came from the street. She reached an aisle through the rows of cars and caught a glimpse of a car interior, almost right in front of her, the light on, and then off as she heard a car door slam closed.