Elmore Leonard - Out of Sight

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When Jack Foley, a career bank robber, surfaces after tunneling out of a medium-security penitentiary in Florida, he comes face to face with Karen Sisco, a beautiful federal marshal. Though the barrel of her shotgun is pointed right at his face, she doesn't shoot, and Foley's accomplice, Buddy, overpowers her and puts her in the trunk of a car. Foley gets in with her and the car takes off, the escapee seemingly home free. In the cramped darkness of the trunk, the criminal and marshal find they have much in common and by the time the car reaches its destination, the two have become infatuated with each other. After Karen manages to escape, she and Foley try to reconnect outside the confining roles of kidnapper and victim.

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"Look," Maurice said, "I know you cool, but don't give me no tone of voice, okay? You don't like what I'm saving, you can get out anywhere along here you want."

There it was. Still, Glenn felt he should call him on it. He said, "I think you're forgetting, this is my car. I drove it up here."

Maurice said, "Hey, shit, come on. I say I want this car, man, it's mine. You go get yourself another one. Now you gonna listen to me?"

They weren't having a discussion, Glenn realized for sure now, they were arm wrestling, Maurice showing him who was boss. Glenn, sitting there bundled up in his new wool-lined raincoat, his wool gloves and scarf, acted surprised, for what it was worth, saying, "What's all this fucking hostility about? I thought we had an understanding."

"I said you gonna listen to me or not?"

So much for the understanding.

Glenn took his time, making Maurice wait, before he said, "This guy who used to be your customer is dealing now, selling to white folks. You're thinking of a way to rip him off, knowing he won't call the cops 'cause it's money, as you say, from illegal trade," Glenn getting just a hint of a bored tone in there. He glanced at Maurice in his silk bandanna, sitting there like some fucking African prince.

"What else?"

"You either stupid or you showing me some nerve," Maurice said.

"Okay, we gonna find out how much you actually have."

A young woman named Marcie Nolan, the police beat reporter for the Free Press, spotted Karen Sisco going into 1300 Beaubien, Detroit Police headquarters. Marcie was coming back from lunch at a Greektown restaurant, two blocks away, approaching 1300 when she saw Karen. But by the time Marcie got to the lobby and through the metal detector, Karen was in an elevator on her way up to… Well, she could be seeing one of the brass on the third floor, or someone in the Homicide section on five or Major Crimes on seven. If Karen was picking up a prisoner she'd eventually end up on nine, where the holding cells were located.

Unless her prisoner was across the street, in the Wayne County jail.

Marcie Nolan went up to her office on the second floor, a partitioned room she shared with the News beat reporter, and called an assistant editor at the Free Press.

She said, "Hi, it's Marcie," eager to tell about Karen Sisco, the federal marshal she got to know in Miami when she was at the Herald, but had to answer questions first. No, they still weren't giving out information. All they seemed to have was the witness report of four guys in a blue van. Two of the women were here this morning for show-ups. She said they had to release the suspect they'd brought in.

"But listen, there's a U.S. marshal here from Miami, Karen Sisco… I don't know yet, I have to find her. She's probably picking up some guy they have on a detainer. That's what I'm gonna find out. In the meantime the Herald has a terrific shot of her taken in front of the federal courthouse. No, in Miami It wouldn't matter, it's a really terrific shot. Karen has style, and she's a knockout… You'll see.

It's the land of shot, if what she's doing here isn't a story, you could run it in "Names & Faces' instead of whatever Madonna's up to…

It'll have a cut line with it we can revise, add that she's picking up a prisoner, or whatever she's doing here… That's fine with me.

Once you see the picture I know you'll use it."

Karen phoned her dad late Monday afternoon from her room in the Westin.

He asked about her flight, hoping, he said, Northwest wasn't still serving that scrambled egg sandwich with the banana and yogurt, and the bagel if you got the sandwich down and were still hungry. A cold bagel, for Christ sake. He didn't wait to hear what she did have or ask about the weather.

"So what're you doing?"

"Right now?" Karen said, standing at her window.

"I'm looking at Windsor, Ontario. You remember that movie Stranger Than Paradise?"

"No-who was in it?"

"Nobody. It doesn't matter," Karen said.

"I went to see Raymond Cruz."

"The Homicide guy."

"He was. He's crimes against persons and property now, also sex crimes and child abuse."

"Detroit, he must be pretty busy."

"Home invasions are big, sexual assaults… They're after a gang that cruises around in a van raping women, four guys.

They pick up a woman off the street or pull her out of her car, gang-bang her in the van and throw her out. Raymond says they're close to nailing these guys so he's staying on top of it.

But, he knows who Maurice Miller is, the guy Glenn Michaels stayed with when he was here in November? Or said he did.

They even had Maurice's case file out, looking at it-his priors, a lot of credit card stuff. They're checking him out to see if he's into home invasions. They had a wiretap on some guys who were hitting dope houses and heard Maurice's name mentioned as someone, it sounded like, they wanted to bring in."

"The bad guys."

"Yeah, to work with them."

"Has Maurice been picked up?"

"They haven't looked for him yet. I told Raymond maybe I could save him the trouble. He gave me Maurice's last known address, but doesn't want me to go after him alone. I said, "Raymond, I'm a federal officer, I'm armed…" What it is, he wants to go with me, but he's tied up."

"Would this be like a date?"

Some of the things her dad said she ignored.

"I noticed in Maurice's case file," Karen said, "something that might interest you. He gave his occupation as prizefighter and his employer, the Kronk Recreation Center. You've heard of it, haven't you?"

"The Kronk? Sure, all the good Detroit fighters the last twenty years came out of there. Emanuel Steward's program, the guy who trained those fighters, Tommy Hearns…"

Her dad paused.

"McCrory," Karen said.

"Yeah, Milton McCrory."

"There was a lightweight, Kenty?"

"Hilmer Kenty. You remember those guys? You were a little girl. Your friends are at the mall, you're home watching the fights."

"Well, once in a while I did. And soaps," Karen said.

"General Hospital, I almost became a nurse."

"What're you doing tonight?"

"Nothing. Watch TV if there's anything on."

"Monday night, Poirot's on followed by Miss Marple. You thinking of going to the Kronk?"

"I might, just to see what it's like."

"A place like that," her dad said, "the fighters are okay, they're in there working their tail off. Then there're the guys who want you to think they're fighters, they might even shuffle around like they're doing their footwork, hit the bags, but they never go in the ring. And you got the ones who hang out there 'cause it makes them feel like they're tough guys. You know, the atmosphere. But you can take care of yourself, right?"

"I'll call you tomorrow, let you know how I'm doing."

"I forgot to ask you," her dad said, "what's the weather like?"

"Was a time," Maurice said, "you see a gold Mercedes over in the parking lot has a license plate on it say HITMAN? You know Tommy Hearns is inside. Seeing the car would get our juices flowing."

Glenn said he thought there'd be guys hanging around outside or running, doing their roadwork. Man, it was a bleak, depressing neighborhood, trash blowing in the street…

Maurice said it was too cold to be outside, the dude in his lilac do-rag and tailored black pea jacket, enough shoulders in the coat for White Boy Bob-White Boy wearing a wool shirt hanging out over his T-shirt-coming behind them up the ramp to the front door of the Kronk Recreation Center at McGraw and Junction, a two-story red-brick building that looked to Glenn like a public library no one used in a poor section of town. The streets around here were a clutter of up and-down two-family flats with porches, dingy cars out front narrowing the streets.

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