John Moss - Grave doubts

Morgan scanned the room with renewed diligence. He reached out and touched the surface of a painting with his fingertips. What he had taken as reproductions were original copies. Several were in the style of Botticelli. All were of heads only, as if the artist had no interest in the subject matter. Alexander Pope had refined his skills with colour and style in Florence. Had he also perfected the art of the fresco?

As he was leaving the room, Morgan braced for a moment against the door frame to soak in as much as possible of what he was seeing. As he looked about, he ran his fingers along the spines of books at eye level on the shelves nearest the door. His hand stopped over several familiar volumes. He turned to look at them more closely. They were the same blue colour as Shelagh Hubbard’s journals, the same size, more like binders than books. Inhaling deeply, he withdrew one and opened it, finding, as he expected, blocks of passages in her handwriting, interspersed with familiar pen sketches, all in black ink, detailing aspects of the Madame Renaud’s murders. He quickly opened another volume and discovered what seemed an exact duplicate of her journal describing Morgan’s intended fate as a pile of desiccated bones in a Huron burial mound. The final volume inevitably offered a duplicate account of the Hogg’s Hollow tableau with the same sketches and horrifically clinical descriptions.

On closer examination, these seemed to be practice copies, as if Shelagh Hubbard had done them in preparation for the final edition that he and Miranda had found at her farm. There was another blue binder lying flat on the same shelf. It was not as large, but much thicker. Morgan opened it and saw immediately that it was a collection of handwriting exercises and practice sketches all in the same black ink as the other three binders. The journals found at the farm were done in various inks, suggesting that they had been written over an extended period of time. He glanced up at the wall on the other side of the door. The framed calligraphy was done in black ink. Written neatly in Roman script on the lower right corner of each was the name Rachel Naismith and a date.

Morgan sat down in the big armchair. Had Rachel forged Shelagh Hubbard’s journals? Had she written them in the first place? For the final versions did she use a variety of inks to create the illusion of authenticity? Handwriting analysis had not been done on the volumes found at the farm. A cursory comparison with Hubbard’s academic notes seemed sufficient verification of authenticity, since their authorship was never in doubt. Now it appeared, in all probability, Rachel Naismith, with the collusion of Alexander Pope, had created both sets. How much of the content were they responsible for? Was there a possibility Shelagh was innocent?

He rose abruptly and picked up the photograph of the three of them together in front of the Palazzo Vecchio. Now what he saw in their eyes was not a play of possession or submission but the sinister glee of conspirators. He looked again. Conspiracy? Lust? It was simply a street photographer’s snapshot of three friends — probably, by their demeanour, summer residents not tourists, leaning against each other in a piazza in the heart of the city.

Morgan set the picture down on the countertop with the others and shuffled them into neat, random piles. They would be there when he returned with a warrant, once things fell into place. He snapped off the light and was surprised that the room remained fully illuminated. The sun was well over the horizon; the day had begun.

He wasn’t sure whether Miranda and Rachel had planned to connect with Alexander Pope. He knew, now, with a certainty, the three of them would be together. His breath quickened and, after a quick tour of the house to fix it in place in his mind, he slipped out the side door, got into his car, took a deep breath, and drove down the long driveway, turning right on Lakeshore Road and then right again, up to the 401. After a few kilometres, he veered north to Highway 7 and cut across the top of Toronto to avoid the morning gridlock, then turned north. He was on his way to Penetanguishene. chapter sixteen

Wiarton

Miranda crawled from the tent just after dawn. She walked out onto the point of land, feeling the offshore breeze riffle her hair, and looked back along the sound to the east, where, from low on the horizon, the sun skimmed the waves like a red rubber ball. The whimsical images that bobbed in her mind belied her feelings of apprehension. She had not been diving in several years and while she was certified, she was far from confident. She had no experience in wreck-diving, which called for a whole different order of expertise. Being in enclosed spaces underwater ran counter to the freedom of movement that drew her to the sport in the first place.

Still, her friends were anxious to give it a try. The Tobermory wrecks were a world-class site. She didn’t want to let them down. It was the kind of dubious adventure that, once into it, would be incredibly exciting, like rock climbing or whitewater kayaking — neither of which she had any desire to do.

It was her father who used to describe the morning sun as shining bright like a red rubber ball. Then he would utter the mantra, “Del Shannon from Rapid City, Michigan,” and take strange satisfaction in how the words and the image and the emotional response they evoked were in perfect, private harmony. She had never heard the song; it wasn’t something her parents would actually have owned. She could feel the warmth of her father’s grin and with it came a terrible emptiness as she wondered what they might have been to each other had he lived.

She sat perched with her knees drawn up and her arms clasped around them, rocking gently against the cool stone. She turned to watch Rachel struggle through the zippered door in the tent vestibule, crawl out onto the pine needles, stand up and stretch, then amble slowly toward her in her oversized teddy-bear pyjamas, rubbing sleep from her eyes and stepping with exaggerated caution over dry grass tufts growing from clefts in the stone. Rachel sat down beside her. Neither of them spoke, and together they rocked in rhythm to the waves lapping against the sheer wall of the granite shore.

As the sun pressed higher in the sky, Miranda rose to her feet.

“You want coffee?” she offered.

“Sure,” said Rachel. “I’ll help. I hate lighting the stove — I’ll measure out the coffee.”

“It’s in little bags.”

“I’ll count them. Two, right?”

Miranda smiled broadly at her friend. Apprehension about the events ahead passed from her mind. Diving, done properly, was an exhilarating sport. She was excited by the prospects ahead.

Morgan stopped for a coffee on the outskirts of Newmarket, due north of Toronto. He patched through to Alex Rufalo, asking for a response to his Scotland Yard query the night before requesting a scan of Madame Renaud’s employment records extending back ten years.

“It’s coming through now,” said the superintendent. “Don’t go away.”

Illogically, Morgan followed the directive literally by sipping his takeout coffee in the restaurant parking lot. It occurred to him he might reach Miranda through Peter Singh in Owen Sound. He did not feel justified in calling the OPP to track her down. At this point there was nothing substantive to suggest she was in danger, although the case was building exponentially in his mind, implicating her companions in multiple murder. He was sure the three of them were together. Officer Singh could unofficially intervene, cut Miranda apart until Morgan could get to the scene.

Rufalo came back on the radio. “Morgan, there’s no earlier record that Hubbard worked at Renaud’s. Nothing under her own name.”

“I knew that,” said Morgan.