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Catherine Crier: Final Analysis

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Catherine Crier Final Analysis

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In October 2002, Susan Polk, a housewife and mother of three, was arrested for the murder of her husband, Felix. The arrest in her sleepy northern California town kicked off what would become one of the most captivating murder trials in recent memory, as police, local attorneys, and the national media sought to unravel the complex web of events that sent this seemingly devoted housewife over the edge. Now, with the exclusive access and in-depth reporting that made a number one bestseller, Catherine Crier turns an analytical eye to the story of Susan Polk, delving into her past and examining how over twenty years of marriage culminated in murder. Tracing the family’s history, Crier skillfully maneuvers the murky waters of the Polk’s marriage, looking at the real story behind Susan, Felix, and their unorthodox courtship. When Susan was in high school, Felix, who was more than twenty years her senior, had been her psychologist, and it was during their sessions that the romantic entanglement began. From these troubling origins grew a difficult marriage, one which produced three healthy boys but also led to disturbing accusations of abuse from both spouses. With extraordinary detail, Crier dissects this dangerous relationship between husband and wife, exposing their psychological motivations and the painful impact that these motivations had on their sons, Adam, Eli, and Gabriel. Drawing on sources from all sides of the case, Crier masterfully reconstructs the tumultuous chronology of the Polk family, telling the story of how Susan and Felix struggled to control their rambunctious sons and their disintegrating marriage in the years and months leading up to Felix’s death. But the history of the Polk family is only half the story. Here Crier also elucidates the methodical police work of the murder investigation, revealing never-before-seen photos and writings from the case file. In addition, she carefully scrutinizes the many twists and turns of the remarkable trial, exploring Susan’s struggles with her defense attorneys and her shocking decision to represent herself. Dark, psychological, and terrifying, is a harrowing look at the recesses of the human mind and the trauma that reveals them.

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A copy of Felixs naval records which Susan used during the trial The letter - фото 30
A copy of Felix’s naval records, which Susan used during the trial.
The letter written by naval doctors that details their diagnosis of Felixs - фото 31
The letter written by naval doctors that details their diagnosis of Felix’s suicide attempt as a schizophrenic reaction.
Felixs 1955 suicide letter Susan younger at one of the Polks earlier - фото 32
Felix’s 1955 suicide letter.
Susan younger at one of the Polks earlier houses Susan and Felix on a trip - фото 33
Susan, younger, at one of the Polk’s earlier houses.
Susan and Felix on a trip to Europe Susan and her children on a trip to a - фото 34
Susan and Felix on a trip to Europe.
Susan and her children on a trip to a California vineyard A page from the - фото 35
Susan and her children on a trip to a California vineyard
A page from the legal case of Polk v Polk Always an avid outdoorsman Felix - фото 36
A page from the legal case of Polk v. Polk.
Always an avid outdoorsman Felix loved hiking with his boys The police - фото 37
Always an avid outdoorsman, Felix loved hiking with his boys.
The police report from Felixs death scene Dr Petersons wound chart from - фото 38
The police report from Felix’s death scene.
Dr Petersons wound chart from Felixs autopsy This diagrams each of the - фото 39
Dr. Peterson’s wound chart from Felix’s autopsy. This diagrams each of the places where Susan’s knife hit Felix.
The knife that Susan claimed she used when she killed her husband A bloody - фото 40
The knife that Susan claimed she used when she killed her husband.
A bloody footprint on the floor of the Miner Road pool house taken by Costa - фото 41
A bloody footprint on the floor of the Miner Road pool house taken by Costa County Police Department. The footprints would prove a subject of great controversy during the trial as Susan used them to demonstrate procedural errors on behalf of the police department.
A police photo of the Polks Miner Road estate The coroners report from - фото 42
A police photo of the Polk’s Miner Road estate
The coroners report from Felixs autopsy Felix Polks death certificate - фото 43
The coroner’s report from Felix’s autopsy.
Felix Polks death certificate Taken by the police this photo shows the edge - фото 44
Felix Polk’s death certificate.
Taken by the police this photo shows the edge of the pool house and the pool - фото 45
Taken by the police, this photo shows the edge of the pool house and the pool.
The interior of the main house kitchen photographed by police during their - фото 46
The interior of the main house kitchen photographed by police during their sweep of the premises on October 15.
An alternate police sketch of the Miner Road estate A police sketch of the - фото 47
An alternate police sketch of the Miner Road estate.
A police sketch of the bloodstained chair in the living room of the pool house - фото 48
A police sketch of the bloodstained chair in the living room of the pool house.
A police sketch of the crime scene from overhead ACKNOWLEGMENTS Anonfiction - фото 49
A police sketch of the crime scene from overhead.

ACKNOWLEGMENTS

Anonfiction book is always the work of many dedicated individuals; those who research, compile, review, and of course, those who give their time and recollection to help develop a meaningful narrative. Cole Thompson again took the lead in uncovering and gathering critical information, while Lisa Pulitzer spent countless hours organizing and structuring material that covered several generations. Dr. Keith Ablow generously reviewed the relevant histories of the Polk family members and shared his psychiatric insights. Lisa Sweetingham was often my eyes and ears in the courtroom during Susan Polk’s trial and offered her own invaluable reflections on the proceeding. Without the generous time offered by many of the people integrally involved in these events, it would have been impossible to examine the very personal details necessary to fully present this story.

Jan Miller, my friend and agent for many years, shepherded the project. Judith Regan and my editors Cal Morgan and Matt Harper had faith, once again, in the relevance and fascination of a true crime story that seeks to go beyond the “who” and delve into the complex “why” behind family violence. I want to acknowledge my wonderful staff at Court TV for their support. Very special thanks to my assistant, Barbara Stansell for being there twenty-four/seven and D. J. Haverkamp for keeping the trains running on time. Finally, love and gratitude to Scott Carney, who kept me focused and grounded throughout this project.

SEARCHABLE TERMS

Andersen, Eloise

Argosy University

Barnard, Linda

Berg, Paul

Bodfish, Margaret

Bolling, David (Susan’s brother)

Bolling, Helen Avanzato (Susan’s mother)

childhood/adolescence

co-owned property with the Polks

in court

at bail hearingat

the trial

as witness

described

Eli’s future, planning for

Felix’s dislike for, and banning from home

life-and-death encounter

marriage/divorce

murder investigation and

reaction to Felix’s murder

and Susan as adolescent

and Susan as adult

Bolling, Rita

Bolling, Theodore (Susan’s father)

Borkenhagen, Bob

Bradley, Edwin

Bradley, Elizabeth

Brady, Larry

Brady, Laurel

indirect connection to incident

jury selection/opening statements of prosecution

mistrial

prosecution’s case

Susan’s testimony

Susan’s witnesses

verdict

Briner, Andy

Briner, Dan

Briner, Marjorie

Burns, Sheila

Byron Boys’ Ranch

Carin, Deputy

Castro-Shelly, Laura

Catherine Crier Live

Chamblee, Melvin

Chertkow, Nancy

Clark, Roger

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