Colin Cotterill - Love Songs from a Shallow Grave

Siri and Civilai pointed to their names on the hotel guest ledger and a serious man with a limp led them up to the second floor. He unlocked two doors and left the keys in the locks and the guests in the hallway.

"Is this weird enough for you yet?" Siri asked.

"I suppose room service is out of the question," said Civilai, looking up and down the deserted corridor.

"There's still half a ton of Chinese inside you. You can't be hungry?"

"I was thinking of a nightcap."

"Perhaps they've left us a little something in the rooms. Sandwiches and a bottle of Beaujolais perhaps?"

"Now, why do I doubt that?"

In their rooms they found beds, chairs, cupboards, unlabeled bottles of water and slightly grimy glasses.

"What time is it?" Civilai asked.

"The only working clock in reception said it was eight o'clock in Mexico City."

"Well, assuming that's eight a.m. then it's only about nine a.m. here. Fancy a stroll around town before bed?"

"I can't imagine what else to do."

They emptied their bladders in their respective bathrooms and regrouped in the hallway. As they walked along the light green carpet they heard a loud squeaking, grating sound coming from the floor below. It was unmistakably the sound of Godzilla chewing on a Volkswagen Camper. They walked down a dimly lit stairwell to a reception area whose lights, all but one above the desk, had been extinguished. The staff had fled but for one of the male cadres. He was now shirtless and tending to some business behind the counter. The entrance to the hotel had been blocked by a huge metal roller-grill. Phnom Penh beyond was apparently out of bounds. They were trapped.

They walked to reception and discovered that the clerk was connecting a mosquito net. One end was tied to the switchboard, the other wound around the neck of a stone statue, a poor copy of one of the apsaras from Angkor Wat. He seemed annoyed to have been disturbed. After ten minutes of mimes and gestures; bottles, drinking, staggering drunkenness, then down the scale to eating, rice, peanuts, bananas, the cadre was positively livid.

"My brother, Civilai," Siri said at last, "if our friend has a weapon of any sort down there behind the counter, I feel he's reached the point at which he'll use it."

"Then, I'll say goodnight."

"Goodnight and sweet dreams," they wished the scowling receptionist.?

There was no sweetness in Siri's dream that night. That same disconcerting nightmare was waiting for him. But everything was so much more vivid. The streets through which he walked had acquired a scent, a rancid smell he knew well from his work. The song came at him from everywhere like a sensur-round soundtrack with strings and a harmonious backing group. But it was certainly the same eerily beautiful song.

The boy-soldier who approached him with his pistol raised had a history now. He had a family, brothers and sisters, all hungry, others dead because there were no medicines to cure simple ills. He had been drafted into the military because his mother had no rice to feed him. Siri knew all this, not because he'd been told, but because, in the place where dreams are produced, this was a logical plot development. It made the character more dimensional. We now had reason to feel sorry for the antagonist, to side with him. It created an element of conflict in the conscience of the viewer, in this case, Siri. Something in him wanted the boy to pull the trigger. And, with so much unexpected support, that's exactly what he did. Siri's head was gone. Splattered like a kumquat on a busy highway. And the dream-Siri was filled with dread, not because he was headless — inconvenient though it was — but because he was afraid he might stumble into the singer and that would be the end of mankind. He knew there was nothing to pull him back. Finding the origin of the song would signal the end of all hope, worse than anything he'd ever experienced.

The explosion of the gun had reduced the soundtrack to a single beautiful voice. Headless Siri was on his hands and knees. He reached a plot of earth where the sounds climbed up through the dirt and lingered there like invisible music plants. He began to dig down. Something beneath the ground was attempting to dig upwards. Siri was overwhelmed by the wonderful song. The refrain squeezed at his heart strings, squeezed blood out of them, squeezed until they snapped, one by one. His heart, stringless, broke away from his chest like an untethered blimp and was carried off by the music plants, rising, lost in the blood-red sky. As his seventies cultural attache, Dtui — self-confessed addict to Thai pop magazines — would say, it was all very Beatles.

A breath fanned his hand and his fingers felt the outline of a mouth deep in the dirt. These were the lips that sang the love song. He raked away the debris with his fingers so the singer could breathe fresh ait He hurriedly brushed dirt from the nose, from the eyes. The voice was beginning to break. It slipped off key and fell, tumbling through octaves. It came to rest on a deep, bronchial B flat. Siri knew he had to save the tune. With increasing desperation he strove to free the singer from his tomb. He lifted the head and cradled it in his arms, willing the song not to die. And that was when his fingers knew. Beneath their touch the cheekbones rose, the eyebrows bristled. And as he swept back the thick hair, his thumb and forefinger traced the outline of a left ear, missing a lobe.

"I really don't know what he's getting at," Phosy said, not for the first time. Even though his desk was directly behind that of his superior, Sihot shook his head in response. Phosy held a note from Dr Siri. Daeng had dropped it off after Siri's departure, a last-minute memo scribbled in Siri's barely legible hand. Against his better judgement, Phosy had done what the doctor had suggested. He'd listened to Neung's story. It had been very slick. It explained everything apart from why three victims, all known to the suspect, had been killed. Phosy was disappointed that the doctor could have fallen for it. Of course Neung had it all worked out. It was easy enough to do when the evidence has been handed to him on a plate. Even Phosy could have done that. He was furious that Siri could have been so naive, presenting the accused with the police department's entire case.

But Phosy had listened patiently and asked the appropriate questions at the end. "Who would want to frame you? Do you have any enemies? Has anybody threatened you?"

And all the answers had been negative. If Neung was about to go to all the trouble of inventing innocent relationships with the victims, surely he could have come up with a scapegoat to divert attention from himself. But, no. And, if it were possible, he made it worse for himself. Phosy had thought to ask whether the initial Z meant anything. And rather than deny it, Neung had the impudence to boast that they'd called him Zorro in Berlin. Something about his style, evidently. He'd been christened by his coach and the name had stuck with his students. Neung hadn't even the common sense to withhold that juicy fact. So, Phosy had his watertight case and had no doubts in his own mind that he had the right man. No serious doubts. Of course, all criminal cases leave some gaps. But Siri's note rankled him. It wasn't a list of chores so much as unanswered questions. And of course he knew the questions. He had them on his own summary paper. He didn't need Siri to remind him. Did Chanti suspect his wife was having an affair with Neung? Did he care? Why were the Vietnamese so reluctant to hand over the case to us? Did Kiang see her affair with Neung the same way he did? Did they fight? What was the timing of Neung and Jim's respective arrival in?departure from Berlin? Who was taking painkillers and why? (Does Neung have an injury?) Does Neung still have the knife used to cut out the signature? Does his father think Neung is guilty? Do you?