Гастон Леру - Mystery of the Yellow Room

A groan came from Darzac, who appeared to be unable to control his suffering.

"You can understand," added Rouletabille, "that Larsan would feel himself hampered from the fact that my room was so close to his, and from a suspicion that I would be on the watch that night. Naturally, he could not for a moment believe that I suspected him! But I might see him leaving his room when he was about to go to Mademoiselle Stangerson. He waited till I was asleep, and my friend Sainclair was busy trying to rouse me. Ten minutes after that Mademoiselle was calling out, "Murder!"

"How did you come to suspect Larsan?" asked the President.

"My pure reason pointed to him. That was why I watched him. But I did not foresee the drugging. He is very cunning. Yes, my pure reason pointed to him; but I required tangible proof so that my eyes could see him as my pure reason saw him."

"What do you mean by your pure reason?"

"That power of one's mind which admits of no disturbing elements to a conclusion. The day following the incident of 'the inexplicable gallery,' I felt myself losing control of it. I had allowed myself to be diverted by fallacious evidence; but I recovered and again took hold of the right end. I satisfied myself that the murderer could not have left the gallery, either naturally or supernaturally. I narrowed the field of consideration to that small circle, so to speak. The murderer could not be outside that circle. Now who was in it? There was, first, the murderer. Then there were Daddy Jacques, Monsieur Stangerson, Frederic Larsan, and myself. Five persons in all, counting in the murderer. And yet, in the gallery, there were but four. Now since it had been demonstrated to me that the fifth could not have escaped, it was evident that one of the four present in the gallery must be a double—he must be himself and the murderer also. Why had I not seen this before? Simply because the phenomenon of the double personality had not occurred before in this inquiry.

"Now who of the four persons in the gallery was both that person and the assassin? I went over in my mind what I had seen. I had seen at one and the same time, Monsieur Stangerson and the murderer, Daddy Jacques and the murderer, myself and the murderer; so that the murderer, then, could not be either Monsieur Stangerson, Daddy Jacques, or myself. Had I seen Frederic Larsan and the murderer at the same time?—No!—Two seconds had passed, during which I lost sight of the murderer; for, as I have noted in my papers, he arrived two seconds before Monsieur Stangerson, Daddy Jacques, and myself at the meeting–point of the two galleries. That would have given Larsan time to go through the 'off–turning' gallery, snatch off his false beard, return, and hurry with us as if, like us, in pursuit of the murderer. I was sure now I had got hold of the right end in my reasoning. With Frederic Larsan was now always associated, in my mind, the personality of the unknown of whom I was in pursuit—the murderer, in other words.

"That revelation staggered me. I tried to regain my balance by going over the evidences previously traced, but which had diverted my mind and led me away from Frederic Larsan. What were these evidences?

"1st. I had seen the unknown in Mademoiselle Stangerson's chamber. On going to Frederic Larsan's room, I had found Larsan sound asleep.

"2nd. The ladder.

"3rd. I had placed Frederic Larsan at the end of the 'off–turning' gallery and had told him that I would rush into Mademoiselle Stangerson's room to try to capture the murderer. Then I returned to Mademoiselle Stangerson's chamber where I had seen the unknown.

"The first evidence did not disturb me much. It is likely that, when I descended from my ladder, after having seen the unknown in Mademoiselle Stangerson's chamber, Larsan had already finished what he was doing there. Then, while I was re–entering the chateau, Larsan went back to his own room and, undressing himself, went to sleep.

"Nor did the second evidence trouble me. If Larsan were the murderer, he could have no use for a ladder; but the ladder might have been placed there to give an appearance to the murderer's entrance from without the chateau; especially as Larsan had accused Darzac and Darzac was not in the chateau that night. Further, the ladder might have been placed there to facilitate Larsan's flight in case of absolute necessity.

"But the third evidence puzzled me altogether. Having placed Larsan at the end of the 'off–turning gallery,' I could not explain how he had taken advantage of the moment when I had gone to the left wing of the chateau to find Monsieur Stangerson and Daddy Jacques, to return to Mademoiselle Stangerson's room. It was a very dangerous thing to do. He risked being captured,—and he knew it. And he was very nearly captured. He had not had time to regain his post, as he had certainly hoped to do. He had then a very strong reason for returning to his room. As for myself, when I sent Daddy Jacques to the end of the 'right gallery,' I naturally thought that Larsan was still at his post. Daddy Jacques, in going to his post, had not looked, when he passed, to see whether Larsan was at his post or not.

"What, then, was the urgent reason which had compelled Larsan to go to the room a second time? I guessed it to be some evidence of his presence there. He had left something very important in that room. What was it? And had he recovered it? I begged Madame Bernier who was accustomed to clean the room to look, and she found a pair of eye–glasses—this pair, Monsieur President!"

And Rouletabille drew the eye–glasses, of which we know, from his pocket.

"When I saw these eye–glasses," he continued, "I was utterly nonplussed. I had never seen Larsan wear eye–glasses. What did they mean? Suddenly I exclaimed to myself: 'I wonder if he is long–sighted?' I had never seen Larsan write. He might, then, be long–sighted. They would certainly know at the Surete, and also know if the glasses were his. Such evidence would be damning. That explained Larsan's return. I know now that Larsan, or Ballmeyer, is long–sighted and that these glasses belonged to him.

"I now made one mistake. I was not satisfied with the evidence I had obtained. I wished to see the man's face. Had I refrained from this, the second terrible attack would not have occurred."

"But," asked the President, "why should Larsan go to Mademoiselle Stangerson's room, at all? Why should he twice attempt to murder her?"

"Because he loves her, Monsieur President."

"That is certainly a reason, but–"

"It is the only reason. He was madly in love, and because of that, and—other things, he was capable of committing any crime."

"Did Mademoiselle Stangerson know this?"

"Yes, Monsieur; but she was ignorant of the fact that the man who was pursuing her was Frederic Larsan, otherwise, of course, he would not have been allowed to be at the chateau. I noticed, when he was in her room after the incident in the gallery, that he kept himself in the shadow, and that he kept his head bent down. He was looking for the lost eye–glasses. Mademoiselle Stangerson knew Larsan under another name."

"Monsieur Darzac," asked the President, "did Mademoiselle Stangerson in any way confide in you on this matter? How is it that she has never spoken about it to anyone? If you are innocent, she would have wished to spare you the pain of being accused."

"Mademoiselle Stangerson told me nothing," replied Monsieur Darzac.

"Does what this young man says appear probable to you?" the President asked.

"Mademoiselle Stangerson has told me nothing," he replied stolidly.

"How do you explain that, on the night of the murder of the keeper," the President asked, turning to Rouletabille, "the murderer brought back the papers stolen from Monsieur Stangerson?—How do you explain how the murderer gained entrance into Mademoiselle Stangerson's locked room?"