Ellery Queen - Roman Hat Mystery

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Roman Hat Mystery: краткое содержание, описание и аннотация

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The Roman Hat Mystery has been chosen from more than 100 selected manuscripts to represent the Stokes contribution to the mysterio-detective literature of 1929. Because we believe it to be in a class by itself we are publishing no other detective novel this season.
Following no hackneyed formula, conveying to the public an entirely new experience in this popular type of fiction, The Roman Hat Mystery offers a foolproof plot of fascinating complexity, a theatrically romantic setting and a most ingenious deductive pattern that is plausible, gripping throughout and wholly original in weave.
The essential clue is a missing silk tophat. On the surface it appears to be of minor significance, yet about this elusive thread the entire amazing tale revolves. The reader is given every fact necessary to the solution; and yet we challenge your most ardent amateur criminologists to
the startling dénouement.
Not only in plot but in protagonist does this novel offer something 
different
You will like the old snuff-taking Inspector, Richard Queen, a shrewd and human manhunter; you will more than like his son Ellery, whose keen intellect dominates every situation. A brilliant analyst, a convincing maker of miracles, Ellery Queen bids fair to join that immortal group to which Sherlock Holmes, Lupin and few others belong.

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“You know I’m on the square, Inspector,” mumbled Michaels sullenly. “You don’t have to—”

“Just a precaution, Michaels — just an elementary precaution,” interrupted the Inspector, smiling. “Have a nice time, boys!”

The two men left. Seated at his desk, Queen tilted his swivel chair, picked up the envelope before him reflectively, took out the slip of cheap white paper and read it over with a little smile.

The note bore neither date nor salutation. The message began abruptly.

“The writer is Chas. Michaels, I think you know me. I have been Monte Field’s right-hand man for over two years.”

I won’t beat around the bush. Last Monday night you killed Field in the Roman Theatre. Monte Field told me Sunday he had an appointment with you at the Theatre. And I am the only one who does know this.

Another thing. I also know why you killed him. You put him away to get hold of the papers in Field’s hat. But you do not know that the papers you stole from him are not the originals. To prove this to you, I am enclosing one sheet from the testimony of Nellie Johnson which was in Field’s possession. If the papers you took from Field’s hat are still in existence, compare what you have with this one. You will soon see that I am giving you the straight goods. And I have the rest of the originals safely put away where you will never lay hands on them. I might say that the police are looking for them with their tongues hanging out. Wouldn’t it be nice if I stepped into Inspector Queen’s office with the papers and my little story?

I will give you a chance to buy these papers. You can bring $25,000 in cold cash to the place I describe, and I will hand them over to you. I need money and you need the papers and my silence.

Meet me tomorrow, Tuesday night, at twelve o’clock, at the seventh bench on the right-hand side of the paved path in Central Park which starts at the northwest corner of 59th Street and 5th Avenue. I will be dressed in a gray overcoat and a gray slouch hat. Just say the word Papers to me.

“This is the only way you can get the papers. Don’t look for me before the appointment. If you are not there, I know what I have to do.”

The scrawl, closely and painfully written, was signed: “Charles Michaels.”

Inspector Queen sighed, licked the flap of the envelope and sealed it. He stared steadily at the name and address written in the same handwriting on the envelope. Unhurriedly he affixed a stamp on one corner.

He pressed another button. The door opened to admit Detective Ritter.

“Good morning, Inspector.”

“Morning, Ritter.” The Inspector weighed the envelope reflectively in his hand. “What are you working on now?”

The detective shuffled his feet. “Nothing special, Inspector. I was helping Sergeant Velie up to Saturday, but I haven’t had any work yet on the Field case this morning.”

“Well, then, I’ll give you a nice little job.” The Inspector suddenly grinned, holding out the envelope. Ritter took it with a bewildered air. “Here, son, go to the corner of 149th Street and Third Avenue and post this letter in the nearest mailbox!”

Ritter stared, scratched his head, looked at Queen and finally went out, depositing the letter in his pocket.

The Inspector tilted his chair and took a pinch of snuff with every evidence of satisfaction.

21

In Which Inspector Queen Makes a Capture

On Tuesday evening, October second, promptly at 11:30 P.M., a tall man wearing a soft black hat and a black overcoat, the collar pulled up around his face to keep out the raw night air, sauntered out of the lobby of a small hotel on 53rd Street near Seventh Avenue and proceeded at a sharp pace up Seventh Avenue toward Central Park.

Arrived at 59th Street he turned to the east and made his way along the deserted thoroughfare in the direction of Fifth Avenue. When he reached the Fifth Avenue entrance to Central Park, off the Plaza circle, he stopped in the shadow of one of the big concrete corner posts and leaned back idly. As he lit a cigarette the flare from a match illumined his face. It was that of an elderly man, a trifle lined. A grizzled mustache drooped in a straggling line from his upper lip. Under his hat a gray patch of hair was visible. Then the light from the match flickered out.

He stood quietly against the concrete post, hands jammed into his overcoat pockets, puffing away at his cigarette. An observer would have noticed, had he been keen, that the man’s fingers trembled slightly and that his black-shod feet tapped the sidewalk in an unsteady tattoo.

When his cigarette burned down, he threw it away and glanced at a watch on his wrist. The hands stood at 11:50. He swore impatiently and stepped past the portals of the Park entrance.

The light from the overhead arcs bordering the Plaza dimmed as he walked up the stone lane. Hesitating, as if he were undecided as to his course of action, he looked about him, considered for a moment, then crossed over to the first bench and sat down heavily — like a man tired from his day’s work and contemplating a restful quarter of an hour in the silence and darkness of the Park.

Slowly his head dropped; slowly his figure grew slack. He seemed to have fallen into a doze.

The minutes ticked away. No one passed the quiet figure of the black-clad man as he sat on his bench. On Fifth Avenue the motors roared past. The shrill whistle of the traffic officer in the Plaza pierced the chill air periodically. A cold wind soughed through the trees. From somewhere in the Stygian recesses of the Park came a girl’s clear laugh — soft and far-off, but startlingly distinct. The minutes drowsed on; the man was falling into a deeper sleep.

And yet, just as the bells of the neighborhood churches began to toll the hour of twelve, the figure tensed, waited an instant and then rose determinedly.

Instead of heading toward the entrance he turned and plodded farther up the walk, his eyes bright and inquisitive in the gloomy depths created by his hat brim and coat collar. He seemed to be counting the benches as he proceeded in a steady, unhurried gait. Two — three — four — five — He stopped. In the semidarkness ahead he could barely make out a still gray figure seated on a bench.

The man walked slowly on. Six — seven — He did not pause, but went straight ahead. Eight — nine — ten... Only then did he wheel and retrace his steps. This time his gait was brisker, more definite. He approached the seventh bench rapidly, then stopped short. Suddenly, as if he had made up his mind, he crossed over to the spot where the indistinctly looming figure rested quietly and sat down. The figure grunted and moved over a trifle to give the newcomer more room.

The two men sat in silence. After a time the black-garbed man dipped into the folds of his coat and produced a packet of cigarettes. He lit one and held the match for a moment after the tip of the cigarette glowed red. In the ray of the match light he covertly examined the quiet man at his side. The brief moment told him little — the occupant of the bench was as well muffled and concealed as himself. Then the light puffed out and they were in darkness once more.

The black-coated man seemed to come to a decision. He leaned forward, tapped the other man sharply on the knee and said in a low, husky voice the one word:

“Papers!”

The second man came to life immediately. He half-shifted his position, scrutinized his companion and grunted as if in satisfaction. He carefully leaned away from the other man on the bench and with his right gloved hand dug into his right overcoat pocket. The first man bent eagerly forward, his eyes bright. The gloved hand of his companion came out of the pocket, holding something tightly.

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