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Patricia Wentworth: Wicked Uncle

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Patricia Wentworth Wicked Uncle

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Uncle Gregory is found with a knife in his back and "blackmailer" as his epitaph. Only Miss Maud Silver can solve the crime.

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And she heard him say, “It comed out of a box.”

“What box did it come out of?”

“A box. And it was all crumpled up and stuck in underneaf.”

Dorinda heard the words, but she didn’t make anything of them. She was sliding much too fast. By making a simply tremendous effort she managed to say, “I’ll see it’s put back,” and she managed to get out of the room.

Her own room was just across the landing. When she had locked herself in she sat down on the bed and gazed in unbelieving horror at the crumpled photograph. There wasn’t any mistake: The name of the photographer was glaringly legible- “Charles Rowbecker and Son, Norwood.” It was the twin photograph of the one in Aunt Mary’s album. It was, incredibly but indisputably, a photograph of the Wicked Uncle.

Chapter VI

It was certainly a shock. Practically everyone has a relation whom they hope never to see again. There never has been, and probably never will be a time when this would occasion any particular remark. Dorinda sat and looked at the photograph and told herself what a perfectly ordinary thing it was to have a Wicked Uncle, and to find his photo doubled up among the nursery toys of your employer’s brat. She had the feeling that if she could convince herself of the ordinariness of what had just happened she would stop feeling as if she might be going to be sick. The fact was that she had always had what she chose to call a complex about Glen Porteous. A very, very long time ago that famous charm of his had charmed her too. And then one night she woke up and heard him talking to Aunt Mary, and all the charm turned to bitter poison. She couldn’t have been more than six years old, but she never forgot lying there in the dark and hearing them in the next room. The door must have been open, because she could hear quite well, and she never forgot, because it was the first time that she had heard a grown-up person cry. Aunt Mary had cried bitterly, and Uncle Glen had laughed at her as if she was doing something very amusing. After that he went away for about two years. Aunt Mary didn’t cry any more, but she got very strict and cross.

Dorinda came back out of the past. It was dead, and Aunt Mary was dead. But was the Wicked Uncle dead too-that was the question. It wasn’t a question to which she had any answer. His last appearance had been about seven years ago, when he had blown in and blown out again, leaving Aunt Mary noticeably more economical. She had rather taken it for granted that he was dead because he hadn’t come back, but that might only have been because he thought that there wasn’t any more to be had. As a matter of fact there was the fifty pounds a year which Dorinda had now, but he mightn’t have known about it, and the rest of what Aunt Mary had being an annuity, he couldn’t, even with the worst intentions in the world, put it in his pocket and walk off with it.

She stared at the photograph. It was the exact twin of the one in Aunt Mary’s album. It showed a good-looking man with dark hair and very dark dancing eyes. The hair curled a little too visibly. The teeth showed in a smile which everyone who knew him had considered charming. Dorinda wondered when it had been taken. Not later than about fifteen years ago, because after that he only came to get what he could out of Aunt Mary, and he wouldn’t have gone to a local photographer and given her a copy. She thought it must have been done when they were living at Norwood. Before the Row.

It was a long way from the time before the Row and Charles Rowbecker and Son to Marty’s toy-cupboard and the Mill House. The most frightening idea came suddenly into her head. Suppose the Wicked Uncle was Martin Oakley. She was too sensible to encourage it, but it lurked. Hastily assembling reasons to disprove it, she recalled that Nurse had given the photograph no name. If it was a picture of Martin Oakley, wouldn’t she have said, “What are you doing with your father’s picture all crumpled up like that?” She stopped feeling sick and her spirits began to rise. After all, the very worst that could happen would be that she might have to leave her job. But she wouldn’t have to-she felt quite reassured about that. Everyone has got old photograph albums full of junk. Aunt Mary had forgotten the names of a lot of the people in hers. Uncle Glen’s photograph was neither here nor there. It hadn’t the slightest importance. It was just something out of a junkery. She was wearing a dress with large patch pockets. She slipped the photograph into one of them and went down.

It ought to have been the easiest thing in the world to walk into the boudoir, slap the photograph down in front of Mrs. Oakley, and say, “Marty had this knocking about in his toy-cupboard. I told Nurse I’d bring it down.” But it wasn’t. When she thought about doing it she couldn’t even open the door and go in. It was too stupid. If Doris, who was one of the housemaids, hadn’t come along the passage, she might have just stuck there and grown into the floor. As it was, she got herself inside the room and found it empty. Voices from the bedroom next door proclaimed that Mrs. Oakley was dressing for dinner.

With a feeling of relief, Dorinda put the photograph down upon a gimcrack writing-table and ran upstairs to assume the despised blue dress.

When she came down again Mrs. Oakley had exchanged the sofa for the most comfortable of the armchairs. Her fluffy draperies were still pink, but of a different shade. The photograph was nowhere to be seen. No reference was made to it, which suited Dorinda very well. Anyone who had known Glen Porteous might have just as good reasons as she had herself for not wanting to talk about him.

They had a delightful meal on a tray. Dorinda told herself that there were going to be far too many meals, and all much too good, but it was a very pleasing change after the economical dullness of the food at the Heather Club.

They had no more than finished dinner, when the telephone bell rang. As it had been explained to her that her most important duty was to stand between Mrs. Oakley and the telephone, Dorinda went to it. The instrument stood upon the writing-table where she had put the photograph. She lifted the receiver and said,

“Mrs. Oakley’s secretary speaking.”

A man’s voice said, “Will you tell Mrs. Oakley that Gregory Porlock would like to speak to her?”

She replaced the receiver and repeated the request. With her back to her, Mrs. Oakley murmured,

“I don’t speak to anyone except Martin or someone I know very well indeed-never, never, never. He must talk to you, and you can tell me what he says.”

Dorinda took up the receiver again.

“I’m sorry, Mr. Porlock-Mrs. Oakley asks me to explain that she never speaks on the telephone. I’m new, or I should have known. If you will tell me what you want to say, I will pass it on.”

She heard Mr. Porlock smother a laugh. Well, that was better than getting his back up. He said,

“Will you tell her I saw her husband this afternoon? I’m having a week-end party, and he promised that he and his wife would join us for dinner on Saturday night. He said it would be all right, but as I haven’t had the pleasure of meeting Mrs. Oakley yet I don’t want to seem to be taking too much for granted.”

Dorinda repeated this, and received the fretful reply that if Martin had said they would go, she supposed they would have to. The words were so barely audible that there were grounds for hoping that they would not carry as far as the Grange.

Dorinda conveyed a polite acceptance, and heard Mr. Porlock say, “Splendid!”

The word rang a bell somewhere. It reminded her of something or someone in one of those flashes which are so vivid whilst they last, and so impossible to recall when they are gone. She came out of a dizzying moment to hear him say,

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