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Raymond Chandler: The Long Goodbye

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Raymond Chandler The Long Goodbye

The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald. Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter. Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill. A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots. A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost. A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines. Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked. In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little." As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there. More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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"The box, señor?"

"The mailbox. The cajdn cartero, you call it, I think."

He smiled. "Otatoclán is not Mexico City, señor. It is a very primitive place. A street mailbox in Otatodán? No one there would understand what it was for. No one would collect letters from it."

I said: "Oh. Well, skip it. You did not take any coffee on any tray up to Señor Lennox's room, Señor Maioranos. You did not go into the room past the dick. But the two Americanos did go in. The dick was fixed, of course. So were several other people. One of the Americanos slugged Lennox from behind. Then he took the Mauser pistol and opened up one of the cartridges and took out the bullet and put the cartridge back in the breech. Then he put this gun -to Lennox's temple and pulled the trigger. It made a nasty-looking wound, but it did not kilt him. Then he was carried out on a stretcher covered up and well hidden. Then when the American lawyer arrived, Lennox was doped and packed in ice and kept in a dark corner of the carpinterla where the man was making a coffin. The American lawyer saw Lennox there, he was ice-cold, in a deep stupor, and there was a bloody blackened wound in his temple. He looked plenty dead. The next day the coffin was buried with stones in it. The American lawyer went home with the fingerprints and some kind of document which was a piece of cheese. How do you like that, Señor Maioranos?"

He shrugged. "It would be possible, señor. It would require money and influence. It would be possible, perhaps, if this Señor Menendez was dosely related to important people in Otatoclán, the alcalde, the hotel proprietor and so on."

"Well, that's possible to. It's a good idea. It would explain why they picked a remote little place like Otatodan."

He smiled quickly. "Then Señor Lennox may still be alive, no?"

"Sure. The suicide had to be some kind of fake to back up the confession. It had to be good enough to fool a lawyer who had been a district attorney, but it would make a very sick monkey out of the current D.A. if it backfired. This Menendez is not as tough as he thinks he is, but he was tough enough to pistol-whip me for not keeping my nose clean. So he had to have reasons. If the fake got exposed, Menendez would be right in the middle of an international stink. The Mexicans don't like crooked police work any more than we do."

"All that is possible, señor, as I very well know. But you accused me of lying. You said I did not go into the room where Señor Lennox was and get his letter."

"You were already in there, chum-writing the letter."

He reached up and took the dark glasses off. Nobody can change the color of a man's eyes.

"I suppose it's a bit too early for a gimlet," he said.

53

They had done a wonderful job on him in Mexico City, but why not? Their doctors, technicians, hospitals, painters, architects are as good as ours. Sometimes a little better. A Mexican cop invented the paraffin test for powder nitrates. They couldn't make Terry's face perfect, but they had done plenty. They had even changed his nose, taken out some bone and made it look flatter, less Nordic. They couldn't eliminate every trace of a scar, so they had put a couple on the other side of his face too. Knife scars are not uncommon in Latin countries.

"They even did a nerve graft up here," he said, and touched what had been the bad side of his face.

"How dose did I come?"

"Close enough. A few details wrong, but they are not important. It was a quick deal and some of it was improvised and I didn't know myself just what was going to happen. I was told to do certain things and to leave a dear trail. Mendy didn't like my writing to you, but I held out for that. He undersold you a little. He never noticed the bit about the mailbox."

"You know who killed Sylvia?"

He didn't answer me directly. "It's pretty tough to turn a woman in for murder-even if she never meant much to you."

"It's a tough world. Was Harlan Potter in on all this?"

He smiled again. "Would he be likely to let anyone know that? My guess is not. My guess is he thinks I am dead. Who would tell him otherwise-unless you did?"

"What I'd tell him you could fold into a blade of grass. How's Mendy these days-or is he?"

"He's doing all right. In Acapulco. He slipped by because of Randy. But the boys don't -go for rough work on cops. Mendy's not as bad as you think. He has a heart."

"So has a snake."

"Well, what about that gimlet?"

I got up without answering him and went to the safe. I spun the knob and got out the envelope with the portrait of Madison on it and the five C notes that smelled of coffee. I dumped the lot out on the desk and then picked up the five C notes.

"These I keep. I spent almost all of it on expenses and research. The portrait of Madison I enjoyed playing with, It's all yours now."

I spread it on the edge of the desk in front of him. He looked at it but didn't touch it.

"It's yours to keep," he said. "I've got plenty. You could have let things lie."

"I know. After she killed her husband and got away with it she might have gone on to better things. He was of no real importance, of course. Just a human being with blood and a brain and emotions. He knew what happened too and he tried pretty hard to live with it. He wrote books. You may have heard of him."

"Look, I couldn't very well help what I did," he said slowly. "I didn't want anyone to get hurt. I wouldn't have had a dog's chance up here. A man can't figure every angle that quick. I was scared and I ran. What should I have done?"

"I don't know."

"She had a mad streak. She might have killed him anyway."

"Yeah, she might."

"Well, thaw out a little. Let's go have a drink somewhere where it's cool and quiet."

"No time right now, Señor Maioranos."

"We were pretty good friends once," he said unhappily.

"Were we? I forget. That was two other fellows, seems to me. You permanently in Mexico?"

"Oh yes. I'm not here legally even. I never was. I told you I was born in Salt Lake City. I was born in MontreaL I'll be a Mexican national pretty soon now. All it takes is a good lawyer. I've always liked Mexico. It wouldn't be much risk going to Victor's for that gimlet."

"Pick up your money, Señor Maioranos. It has too much blood on it."

"You're a poor man."

"How would you know?"

He picked the bill up and stretched it between his thin fingers and slipped it casually into an inside pocket. He bit his lip with the very white teeth you can have when you have a brown skin.

"I couldn't tell you any more than I did that morning you drove me to Tijuana. I gave you a chance to call the law and turn me in."

"I'm not sore at you. You're just that kind of guy. For a long time I couldn't figure you at all. You had nice ways and nice qualities, but there was something wrong. You had standards and you lived up to them, but they were personal. They had no relation to any kind of ethics or scruples. You were a nice guy because you had a nice nature. But you were just as happy with mugs or hoodlums as with honest men. Provided the hoodlums spoke fairly good English and had fairly acceptable table manners. You're a moral defeatist. I think maybe the war did it and again I think maybe-you were born that way."

"I don't get it," he said. "I really don't. I'm trying to pay you back and you won't let me. I couldn't have told you any more than I did. You wouldn't have stood for it."

"That's as nice a thing as was ever said to me."

"I'm glad you like something about me. I got in a bad jam. I happened to know the sort of people who know how to deal with bad jams. They owed me for an incident that happened long ago in the war. Probably the only time in my life I ever did the right thing quick like a mouse. And when I needed them, they delivered. And for free. You're not the only guy in the world that has no price tag, Marlowe."

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