Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"What a talkative lad he is," Ohls said, "when he doesn't bave.three shysters with him to button his lip."

He jerked Menendez to his feet. Mendy's nose was bleeding. He fumbled the handkerchief out of his white dinner jacket and held it to his nose. He said no word.

"You got crossed up, sweetheart," Ohls told him carefully. "I ain't grieving a whole lot over Magoon. He had it coming. But he was a cop and punks like you lay off cops-always and forever."

Menendez lowered the handkerchief and looked at Ohls. He looked at me. He looked at the man who had been sitting in the chair. He turned slowly and looked at the tough Mex by the door. They all looked at him. There was nothing in their faces. Then a knife shot into view from nowhere and Mendy lunged for Ohls. Ohls side-stepped and took him by the throat with one hand and chopped the knife out of his hand with ease, almost indifferently. Ohls spread his feet and straightened his back and bent his legs slightly and lifted Menendez dear off the floor with one hand holding his neck. He walked him across the floor and pinned him against the wall. He let him down, but didn't let go of his throat.

"Touch me with one finger and I'll kill you," Ohls said. "One finger." Then he dropped his hands.

Mendy smiled at him scornfully, looked at his handkerchief, and refolded it to hide the blood. He held it to his nose again. He looked down at the gun he had used to hit me. -The man from the chair said loosely: "Not loaded, even if you could grab it."

"A cross," Mendy said to Ohls. "I heard you the first time."

"You ordered three muscles," t)hls said. "What you got was three deputies from Nevada. Somebody in Vegas don't like the way you forget to dear with them. The somebody wants to talk to you. You can go along with the deputies or you can go downtown with me and get hung on the back of the door by a pair of handcuffs. There's a couple of boys down there would like to see you dose up."

"God help Nevada," Mendy said quietly, looking around again at the tough Mex by the door. Then he crossed himself quickly and walked out of the front door. The tough Mex followed him. Then the other one, the dried out desert type, picked up the gun and the knife and went out too. He shut the door. Ohls waited motionless. There was a sound of doors banging shut, then a car wnet off into the night.

"You sure those mugs were deputies?" I asked Ohls.

He turned as if surprised to see me there. "They had stars," he said shortly.

"Nice work, Bernie. Very nice. Think he'll get to Vegas alive, you coldhearted son of a bitch?"

I went to the bathroom and ran cold water and held a soaked towel against my throbbing cheek. I looked at myself in the glass. The cheek was puffed out of shape and bluish and there were jagged wounds on it from the force of the gun barrel hitting against the cheekbone. There was a discoloration under my left eye too. I wasn't going to be beautiful for a few days.

Then Ohls' reflection showed behind me in the mirror. He wasrolling his damn unlighted cigarette along his lips, like a cat teasing a half-dead mouse, trying to get it to run away just once more.

"Next time don't try to outguess the cops," he said gruffly. "You think we let you steal that photostat just for laughs? We had a hunch Mendy would come gunning for you. We put it up to Starr cold. We told him we couldn't stop gambling in the county, but we could make it tough enough to cut way into the take. No mobster beats up a cop, not even a bad cop, and gets away with it in our territory. Starr convinced us he had nothing to do with it, that the outfit was sore about it and Menendez was going to get told. So when Mendy called for a squad of out-oftown hard boys to come and give you the treatment, Starr sent him three guys he knew, in one of his own cars, at his own expense. Starr is a police commissioner in Vegas."

I turned around and looked at Ohls. "The coyotes out in the desert will get fed tonight. Congratulations. Cop business is wonderful uplifting idealistic work, Bernie. The only thing wrong with cop business is the cops that are in it."

"Too bad for you, hero," he said with a sudden cold savagery. "I could hardly help laughing when you walked into your own parlor to take your beating. I got a rise out of that, kiddo. It was a dirty job and it had to be done dirty. To make these characters talk you got to give them a sense of power. You ain't hurt bad, but we had to let them hurt you some."

"So sorry," I said. "So very sorry you had to suffer like that."

He shoved his taut face at me. "I hate gamblers," he said in a rough voice. "I hate them the way I hate dope pushers. They pander to a disease that is every bit as corrupting as. dope. You think those palaces in Reno and Vegas are just for harmless fun? Nuts, they're there for the little guy, the something-for-nothing sucker, the lad that stops off with his pay envelope in his pocket and loses the week-end grocery money. The rich gambler loses forty grand and laughs it off and comes back for more. But the rich gambler don't make the big racket, pal. The big steal is in dimes and quarters and half dollars and once in a while a buck or even a five-spot. The big racket money comes in like water from the pipe in your bathroom, a steady stream that never stops flowing. Any time anybody wants to knock off a professional gambler, that's for me. I like it. And any time a state government takes money from gambling and calls it taxes, that government is helping to keep the mobs in business. The barber or the beauty parlor girl puts two bucks on the nose. That's for the Syndicate, that's what really makes the profits. The people want an honest police force, do they? What for? To protect the guys with courtesy cards? We got legal horse tracks in this state, we got them all year round. They operate honest and the state gets its cut, and for every dollar laid at the track there's fifty laid with the bookies. There's eight or nine races on a card and in half of them, the little ones nobody notices, the fix can be in any time somebody says so. There's only one way a jock can win a race, but there's twenty ways he can lose one, with a steward at every eighth pole watching, and not able to do a damn thing about it if the jock knows his stuff. That's legal gambling, pal, clean honest business, state approved. So it's right, is it? Not by my book, it ain't. Because it's gambling and it breeds gamblers and when you add it up there's one kind of gambling-the wrong kind."

"Feel better?" I asked him, putting some white iodine on my wounds.

"I'm an old tired beat-up cop. All I feel is sore."

I turned around and stared at him. "You're a damp good cop, Bernie, but just the same you're all wet. In one way cops are all the same. They all blame the wrong things. If a guy loses his pay check at a crap table, stop gambling. If he gets drunk, stop liquor. If he kills somebody in a car crash, stop making automobiles. If he gets pinched with a girl in a hotel room, stop sexual intercourse. If he falls downstairs, stop building houses."

"Aw shut up!"

"Sure, shut me up. I'm just a private citizen. Get off it, Bernie. We don't have mobs and crime syndicates and goon squads because we have crooked politicians and their stooges in the City Hall and the legislatures. Crime isn't a disease, it's a symptom. Cops are like a doctor that gives you aspirin for a brain tumor, except that the cop would rather cure it with a blackjack. We're a big rough rich wild people and crime is the price we pay for it, and organized crime is the price we pay for organization. We'll have it with us a long time. Organized crime is just the dirty side of the sharp dollar."

"What's the clean side?"

"I never saw it. Maybe Harlan Potter could tell you. Let's have a drink."

"You looked pretty good walking in that door," Ohls said.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x