Josephine Tey - A Shilling for Candles

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Beneath the sea cliffs of the south coast, suicides are a sad but common fact. Yet even the hardened coastguard knows something is wrong when a beautiful young film actress is found lying dead on the beach one morning. Inspector Grant has to take a more professional attitude: death by suicide, however common, has to have a motive — just like murder…

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Meg Hindler, the Newsreel's protegée, had proved the only real help. She was an enormous, hearty, loud-voiced, good-natured woman, who cuffed her numerous brood with one hand and caressed with the other. She was still suffering a little from a Nell Cozens phobia, but when she could be kept off the Cozens tack she was genuinely informative. She remembered the family not because there was anything memorable about them, but because she had lived with her own family across the landing from them, and had worked in the same factory as Chris, so that they sometimes came home together. She had liked Chris Gotobed in a mild way; didn't approve of her stuck-up ideas, of course; if you had to earn your living by working in a factory, then you had to earn your living by working in a factory, and why make a fuss about it? Not that Chris made a fuss, but she had a way of shaking the dust of the factory off her as if it was dirt. And she wore a hat always; a quite unnecessary piece of affectation. She had adored her mother, but her mother couldn't see anything in life but Herbert. A nasty piece of work, if ever there was one, Herbert. As slimy, sneaking, cadging, self-satisfied a piece of human trash as you'd meet in a month of Sundays. But Mrs. Gotobed thought he was the cat's whiskers. He was always making it difficult for Chris. Chris had once talked her mother into letting her have dancing lessons — though what you wanted dancing lessons for, Meg couldn't think: you'd only to watch the others hopping around for a little and you'd got the general idea: after that it was only practice — but when Herbert had heard about it he had quickly put a stop to anything like that. They couldn't afford it, he said — they never could afford anything unless Herbert wanted it — and besides, dancing was a light thing, and the Lord wouldn't approve. Herbert always knew what the Lord would like. He not only stopped the dancing lesson idea but he found some way of getting the money Chris had saved and that she had hoped her mother would make up to the required amount. He had pointed out how selfish it was of Chris to save money for her own ends when their mother was so poorly. He talked such a lot about their mother's bad health that Mrs. Gotobed began to feel very poorly indeed, and took to her bed. And Herbert helped eat the delicacies that Chris bought. And Herbert went with his mother for four days to Skegness because Chris couldn't leave the factory and it just happened that this was one of the numerous occasions when Herbert was without a job.

Yes, Meg had been helpful. She did not know what had become of the family, of course. Chris had left Nottingham the day after her mother's funeral, and because the rent was paid up to the end of the week Herbert had stayed on alone in the house for several days after. Meg remembered that because he had had one of his «meetings» in the house — he was always having meetings where he could hear the sound of his own voice — and the neighbors had to complain about the noise of the singing. As if there wasn't enough row always going on in a tenement without adding meetings to the din! What kind of meetings? Well, as far as she could remember he had begun with political harangues, but very soon took to religion; because it doesn't matter how you rave at your audience, when it's religion they don't throw things. She personally didn't think it mattered to him what he was talking about as long as he was the person who was talking. She never knew anyone who had a better opinion of himself with less cause than Herbert Gotobed.

No, she didn't know where Chris had gone, or whether Herbert knew her whereabouts. Knowing Herbert, she thought that Chris had probably gone without saying good-bye. She hadn't said good-bye to anyone, if it came to that. Meg's younger brother, Sydney — the one that was now in Australia — had had a fancy for her, but she didn't give him any encouragement. Didn't have any beau, Chris didn't. Funny, wasn't it, that she should have seen Christine Clay on the screen often and often, and never recognized Chris Gotobed. She had changed a lot, that she had. She'd heard that they made you over in Hollywood. Perhaps that was it. And of course it was a long time between seventeen and thirty. Look what a few years had done to her, come to think of it.

And Meg had laughed her ample laugh and revolved her ample figure for the detective's inspection, and had given him a cup of stewed tea and Rich Mixed Biscuits.

But the detective — who was the Sanger who had assisted at the non arrest of Tisdall, and who was also a Clay fan — remembered that even in a city there are communities who have interests as narrow and memories as long as any village dwellers, and so he had come eventually to the little house in a suburb beyond the Trent where Miss Stammers lived with a toy Yorkshire terrier and the wireless. Both terrier and wireless had been given her on her retirement. She would never have had the initiative after thirty years of teaching at Beasley Road Elementary School to acquire either on her own behalf. School had been her life, and school still surrounded her. She remembered Christina Gotobed very clearly indeed. What did Mr. Sanger want to know about her? Not Mr.? A detective? Oh, dear! She did hope that there was nothing serious the matter. It was all a very long time ago, and of course she had not kept in touch with Christina. It was impossible to keep in touch with all one's pupils when one had as many as sixty in a class. But she had been an exceptionally promising child, exceptionally promising.

Sanger had asked if she was unaware that her exceptionally promising pupil was Christine Clay?

"Christine Clay? The film actress you mean? Dear me. Dear me!"

Sanger had thought the expression a little inadequate until he noticed her small eyes grow suddenly large with tears. She took off her pince-nez and wiped them away with a neatly folded square of handkerchief.

"So famous?" she murmured. "Poor child. Poor child."

Sanger reminded her of the reason for Christine's prominence in the news. But she seemed less occupied with the woman's cruel end than with the achievement of the child she had known.

"She was very ambitious, you know," she said. "That is how I remember her so well. She was not like the others: anxious to get away from school and become wage earners. That is what appeals to most elementary children, you know, Mr. Sanger: a weekly wage in their pockets and the means of getting out of their crowded homes. But Christine wanted to go to the secondary school. She actually won a scholarship — a 'free place, they call it. But her people could not afford to let her take it. She came to me and cried about it. It was the only time I had known her to cry: she was not an emotional child. I asked her mother to come to see me. A pleasant enough woman, but without force of character. I couldn't persuade her. Weak people can be very stubborn. It was a regret in my mind for years, that I had failed. I had great feeling for the child's ambition. I had been very ambitious once myself, and had — had to put my desire aside. I understood what Christina was going through. I lost sight of her when she left school. She went to work in the factory, I remember. They needed the money. There was a brother who was not earning. An unsympathetic character. And the mother's pension was small. But she made her career, after all. Poor child. Poor child!"

Sanger had asked, as he was taking his departure, how it was that she had missed the articles in the newspapers about Christine Clay's childhood.

She never saw Sunday newspapers, she said, and the daily paper was handed on to her a day late by her very kind neighbors, the Timpsons, and at present they were at the seaside, so that she was without news, except for the posters. Not that she missed the papers much. A matter of habit, didn't Mr. Sanger think? After three days without one, the desire to read a newspaper vanished. And really, one was happier without. Very depressing reading they made these days. In her little home she found it difficult to believe in so much violence and hatred.

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