Lillian Braun - The Cat Who Ate Danish Modern

One of the decorators said, "How did you like the Wild West, Natalie?" "I didn't pay any attention to it," she replied in a small shrill voice. "I just stayed in a boarding-house in Reno and worked on my rug. I made one of those shaggy Danish rugs with a needle. Does anybody want to buy a handmade rug in Cocoa and Celery Green?" "You've put on weight, Natalie." "Ooh, have I ever! All I did was work on my rug and eat peanut butter. I love crunchy peanut butter. " Natalie was wearing a dress that matched her hair-a sheath of loosely woven wool with golden glints. A matching stole with long crinkly fringe was draped over her shoulders.

Cokey, who was giving Natalie an oblique inspection, said to Qwilleran: "That fabric must be something she loomed herself, in between peanut-butter sandwiches. It would have been smarter without the metallic threads." "What would an architect call that color?" he asked.

"I'd call it a yellow-pink of low saturation and medium brilliance." "A decorator would call it Cream of Carrot," he said, "or Sweet Potato Souffle." After Natalie had been welcomed and teased and flattered and congratulated by those who knew her, David Lyke brought her to meet Qwilleran and Cokey. He told her, "The Daily Fluxion might want to photograph your house in the Hills. What do you think?" "Do you want it photographed, David?" "It's your house, darling. You decide." Natalie said to Qwilleran: "I'm moving out as soon as I find a studio. And then my husband — my ex-husband — is going to sell the house." "I hear it's really something," said the newsman.

"It's super! Simply super! David has oodles of talent." She looked at the decorator adoringly.

Lyke explained: "I corrected some of the architect's mistakes and changed the window detail so we could hang draperies. Natalie wove the draperies herself. They're a work of art." "Well, look, honey," said Natalie, "if it will do you any good, let's put the house in the paper." "Suppose we let Mr. Qwilleran have a look at it." "All right," she said. "How about Monday morning? I have a hair appointment in the afternoon." Qwilleran said, "Do you have your looms at the house?" "Ooh, yes! I have two great big looms and a small one. I'm crazy about weaving. David, honey, show them that sports coat I did for you." Lyke hesitated for the flicker of an eyelid. "Darling, it's at the cleaner," he said. Later he remarked to Qwilleran: "I use some of her yardage out of friendship, but her work leaves a lot to be desired. She's just an amateur with no taste and no talent, so don't emphasize the hand-weaving if you publish the house." The evening followed the usual Lyke pattern: a splendid buffet, drinks in abundance, music for dancing played a trifle too loud, and ten conversations in progress simultaneously. It had all the elements of a good party, but Qwilleran found himself feeling troubled at David Lyke's last remark. At his first opportunity he asked Natalie to dance, and said, "I hear you're going into the weaving business on the professional level." "Yes, I'm going to do custom work for decorators," she said in her high-pitched voice that sounded vulnerable and pathetic. "David loves my weaving. He says he'll get me a lot of commissions." She was an ample armful, and the glittering wool dress she wore was delectably soft, except for streaks of scratchiness where the fabric was shot with gold threads.

As they danced, she went on chattering, and Qwilleran's mind wandered. If this woman was banking her career on David's endorsement, she was in for a surprise. Natalie said she was hunting for a studio, and she had a cousin who was a newspaperman, and she loved smoked oysters, and the balconies at the Villa Verandah were too windy. Qwilleran said he had just moved into an apartment there, but refrained from mentioning whose. He speculated on the chances of sneaking a few tidbits from the buffet for his cat.

"Ooh, do you have a cat?" Natalie squealed. "Does he like lobster?" "He likes anything that's expensive. I think he reads price tags." "Why don't you go and get him? We'll give him some lobster." Qwilleran doubted whether Koko would like the noisy crowd, but he liked to show off his handsome pet, and he went to get him. The cat was half asleep on his refrigerator cushion, and he was the picture of relaxation, sprawled on his back in a position of utter abandon, with one foreleg flung out in space and the other curled around his ears. He looked at Qwilleran upside down with half an inch of pink tongue protruding and an insane gleam in his slanted, half-closed eyes.

"Get up," said Qwilleran, "and quit looking like an idiot. You're going to a soir‚e." By the time Koko arrived at the party, sitting on Qwilleran's shoulder, he had regained his dignity. At his entrance the noise swelled to a crescendo and then stopped altogether. Koko surveyed the scene with regal condescension, like a potentate honoring his subjects with his presence. He blinked not, neither did he move a whisker. His brown points were so artistically contrasted with his light body, his fur was shaded so subtly, and his sapphire eyes had such unadorned elegance that he made David Lyke's guests look gaudily overdressed.

Then the first exclamation broke through the silence, and everyone came forward to stroke the silky fur.

"Why, it feels like ermine!" "I'm going to throw out my mink." Koko tolerated the attention but remained aloof until Natalie spoke to him. He stretched his neck and sniffed her extended finger.

"Ooh, can I hold him?" she asked, and to Qwilleran's surprise Koko went gladly into her arms, snuggling in her woolly stole, sniffing it with serious concentration, and purring audibly.

Cokey pulled Qwilleran away. "It makes me so mad," she said, "when I think of all the trouble I take to stay thin and get my hair straightened and improve my conversation! Then she comes in, babbling and looking frizzy and thirty pounds overweight, and everybody goes for her, including the cat!" Qwilleran experienced a pang of sympathy for Cokey, mixed with something else. "I shouldn't leave Koko here too long, among all these strangers," he said. "It might upset his stomach. Let's take him back to 15-F, and you can have a look at my apartment." "I've brought my nutmeg grater," she said. "Do you happen to have any cream and ginger ale?" Qwilleran retrieved Koko from Natalie's stole, and led Cokey around the long curving corridor to the other wing.

When he threw open the door of his apartment, Cokey paused for one breathless moment on the threshold and then ran into the living room with her arms flung wide. "It's glorious!" she cried.

"Harry Noyton calls it Scandihoovian." "The green chair is Danish, and so is the endwood floor," Cokey told him, "and the dining chairs are Finnish. But the whole apartment is like a designers' Hall of Fame. Bertoia, Wegner, Aalto, Mies, Nakashima! It's too magnificent! I can't bear it!" She collapsed in the cushions of a suede sofa and put her face in her hands.

Qwilleran brought champagne glasses filled with a creamy liquid, and solemnly Cokey ground the nutmeg on the bubbling surface.

"To Co key, my favorite girl," he said, lifting his glass. "Skinny, straight-haired, and articulate!" "Now I feel better," she said, and she kicked off her shoes and wiggled her toes in the shaggy pile of the rug.

Qwilleran lighted his pipe and showed her the new issue of Gracious Abodes with the Allison living room on the cover.

They discussed its challenging shades of red and pink, the buxom ship's figurehead, and the pros and cons of four-poster beds with side curtains.

Koko was sitting on the coffee table with his back turned, pointedly ignoring the conversation. The curve of his tail, with its uplifted tip, was the essence of disdain, but the angle of his ears indicated that he was secretly listening.

"Hello, Koko," said the girl. "Don't you like me?" The cat made no move. There was not even the tremor of a whisker.