Y. Lee - The body at the Tower

The hum of conversation floated out of the first-floor windows, punctuated by barks of masculine amusement and the occasional bright squeal. At times, this was nearly drowned out by the clatter and half-panicked exclamations of servants on the lower levels. As Mary stopped to listen again, there came a smash of crockery and a cry of dismay, followed by ugly haranguing and then, perhaps inevitably, the wail of a slapped woman. Nearer her, the stable was alive with the whickering of horses and the rustle of hay, and even the quiet whistling of a man at work. He had by far the best job this evening. The atmosphere in the house was clearly fraught, she could tell even from here.

The noise and chaos were to her advantage. She'd been worried about gaining access without lock-picks or a skeleton key; people were generally so careful about keeping doors and windows locked. But tonight, the first window she tried slid up quite easily. She found herself inside the darkened breakfast room. The door had been left ajar and, in the corridor, feet pounded swiftly up and down with rather less grace and discretion than generally desired. One could almost measure the distance between the private and public spaces of the house by listening to the point at which the footsteps slowed, the hissed instructions ceased, and a harried expression was smoothed to a mask of impassive calm.

This was all very well, thought Mary, crouching behind the door, but if the servants didn't stop scampering past, she'd never be able to leave the breakfast room. The clock on the mantel, a squat thing heavily embellished, ticked off the minutes. Five. Ten. A quarter-hour. And then came a different sort of stampede – languid of pace, brightly chattering – down a staircase near the front of the house: the guests going in to dinner. Another five minutes and through the wedge of open door, Mary saw a pair of footmen bearing soup tureens, moving with perfect sangfroid – a denial of the frantic scurrying she'd witnessed earlier. When the dining-room doors closed, Mary peered out into the hallway. Empty. She had a good interval while this course was served. If she didn't move now, she'd be caught in the changeover between soup and fish.

The corridors were wainscotted in dark wood and papered in a smudged floral design that looked a peculiar greeny-brown by gaslight. The house, so far, seemed a testament to someone's violently rich tastes: ornate rosewood breakfast table and chairs, enormous tiered chandelier in the entry hall, walls jammed with paintings in gilded frames. Mary's eyes widened as she noticed a suit of armour – an actual suit of armour! – standing sentry by the broad staircase. It seemed a far cry from Harkness's rather puritanical posture on site. She walked on, wide-eyed. Surely this faint, stirring queasiness owed as much to the decoration as to all that beer this afternoon…

Fortunately, there were only so many places to locate a study in a house like this. In rambling, aristocratic homes, one could wander for ever before finding the correct wing, let alone the study door; in the slums, one could become thoroughly lost in the rabbit warren before working out which families shared which rooms. But in square bourgeois houses like this, thought Mary, the study was generally – here.

The doorknob turned easily in her hand, and not a moment too soon. Far down the corridor, she heard an approaching half-shuffle, half-scurry. A servant retrieving or delivering something. Quickly, she slipped into the room, closed the door behind her and turned the key. It took a while for her eyes to adjust, and in those few seconds she had a sudden, vivid recollection of her first meeting with James. In the dark. In a study. In a wardrobe. She shivered slightly, and the room suddenly felt cool. Her headache, though, was beginning to lift.

She had a candle stub and a box of lucifers in her pocket. Though the single small flame seemed meagre after the yellowy glare of the rest of the house, it was enough. And as the details of the room became visible, she was thoroughly startled. She'd expected a study to match the rest of the house: a cacophony of the most expensive and oppressive furnishings one could buy. What she saw, instead, was a room as austere as a monk's cell. No Turkish carpet, no wallpapers, no vases or figurines or paintings. Just a wide, slightly battered desk and a few mismatched filing cabinets. There was nothing here to make the room comfortable. Not so much as a cushion on the upright desk chair.

Harkness's office at the building site was essentially a haystack of rumpled papers that threatened to subsume the furniture. Here, today's Times lay folded at one corner of the desk and there were no other papers in sight. Mary shivered again. There was something pathetic about the contrast, as though Harkness spent little time here, or as though a ruthless domestic routine had purged the room of his personality. And yet…

As she looked about the room in amazement, Mary realized that this room did indeed belong to Harkness. This was the study of a man who denied himself wine, who did his clumsy best to help his workers do the same (regardless of whether they wished to), who wanted to help Mark Quinn better himself. The blotter on the desk was covered in those black-and-white triangles, layer upon layer of them, a testament to the fidgety frugality of the man who worked in that space. She stood there in wonder, simply staring at the room, for a few minutes. Then, across the hall, the dining-room door clicked open and the burble of conversation grew loud. Despite its showy decoration, the walls in this house were thin.

Right. Time to start. Her first act was to unlatch the window, in case she should need to make a rapid exit. After that, however, her momentum faltered. Somehow, she was loath to inspect Harkness's filing cabinets, to sift through his personal correspondence. This wasn't the first time she'd felt these sorts of scruples: she'd struggled before with the notion of prying, but always managed to justify it because she was trying to do right; to uncover truths. But tonight, in this sad, bare cell, she found herself suddenly in doubt.

It wasn't that she thought Harkness blameless. He was certainly linked to Keenan and Reid, and if he was trying to combat their thefts he'd chosen a very strange and indirect method. He was much more likely to be co-operating with them. But there was something tragic about this study. Mary felt that she'd somehow stumbled onto a distressing personal secret just by entering the room.

Nevertheless, she was here, and this was her task. The desk drawers glided smoothly, rather to her surprise. She'd half-expected them to be stiff with age and disuse. The top drawer held the usual bits: pens, pen-wipers, an extra bottle of ink, the rules and T-squares and protractors of the architectural draftsman. She opened the other drawers: writing-paper. A handful of loose penny stamps. A postcard from Margate from someone signing herself "Hetty". A file of newspaper clippings about the clock tower (favourable mentions only). And, finally, in the bottom drawer, the things she'd been looking for, stacked neatly one on the other like presents.

Cheque book and register.

Bank book.

She paused to listen to the dinner party under way. The rumble of polite conversation swelled and ebbed like a tide, interrupted occasionally by laughter. One man had a high, yipping, nasal sort of laugh which sliced through the rest, through the walls of the house, so that Mary felt as though she were seated next to him at table. She wondered who that might be, and whether he would ever be asked back. She wondered how James was faring, as a reluctant guest at the Harkness table. She wondered-

She hadn't time to wonder, and abruptly opened the cheque book. Harkness wasn't a man for writing cheques except to cash, and if the monthly sums were surprisingly large, they were also fairly consistent. Although… Mary flicked back a page or two in the register. There had been a steady increase in the amount of cash Harkness had required over the past year. Increased household expenses, she supposed; the cost of supporting a large family. Or perhaps the redecoration of the house, or new clothing for all the family. The Harknesses certainly seemed to enjoy shopping. Although the numbers seemed high to her, Harkness might have private means to supplement his salary.