Paul Doherty - Queen of the Night

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Queen of the Night: краткое содержание, описание и аннотация

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'They must have known.' Claudia raised her head. 'The abductors, they must have known where to go. You said Antonia was in her private part of the garden. Why did they go there? Somebody must have led them to it.'

Theodore, realising he may have placed himself under suspicion, swallowed hard and nodded.

'Someone must have told them,' Claudia insisted. 'Senator Carinus,' Leartus spoke softly as his mistress' lovely fingers made their intricate signs, 'Senator Carinus,' he repeated, 'had hired servants for that night, porters, lamplighters, scullions and maids.'

'Ah yes.' Claudia turned so that Cassia could watch her lips. 'That is possible, mistress. I thank you. One or more of those could have been part of the gang and brought them to the fountain, plotting the way both there and back.'

'The grounds of the Villa Carina,' Leartus continued, 'are most spacious. Its curtain wall is screened by a thick line of trees and dense bushes. Further in,' Leartus watched Cassia's hands move quickly, 'there are orchards, vine trellises…'

Claudia nodded in agreement. 'Tell me,' she spoke directly to Leartus, 'how long have you known your mistress? Since your arrival in Rome?' She ignored Urbana's quick hiss of disapproval at the abrupt change in conversation. She wanted to shift attention from Theodore, whose lower lip was beginning to tremble, — clearly the actor was now terrified of being accused of involvement in Antonia's abduction. Leartus seemed to understand. He glanced quickly at Cassia, who nodded.

'I have known my mistress,' Leartus moved his head from side to side, 'for some fifteen years. We were taught this sign language by one of her…' he paused in embarrassment, but Cassia nodded, 'by one of my mistress' former patrons, before she accepted the love of the Lord Christ.'

'Are you a follower of the Way?' Claudia used Presbyter Sylvester's term for his religion.

'Oh yes!' Leartus agreed. 'I have been baptised and received the imposition of hands. I am allowed to participate in the Agape.'

'Ah yes.' Claudia smiled understandingly. The Agape lay at the heart of the Christian faith: their belief that bread and wine could be transformed into the Body of the Risen Christ.

'Theology,' Urbana's voice turned waspish, 'might solve this, but God needs a helping hand. Your Excellency,' she continued brusquely, 'I am most pleased that Murranus can join us, his courage and skill are legendary, but what about the future, the past? These vile creatures who have-'

'They'll be caught,' Helena snapped. 'They will be caught.'

Urbana gestured deprecatingly at Claudia.

'Don't!' Helena drew herself up. 'I am the mother of the Emperor of Rome. My word is law. Those responsible for these heinous deeds will die by crucifixion or in the amphitheatre. Have more trust in Claudia.' She looked at her protegee, who sat, hands in her lap. Claudia was used to such insults and always vowed never to react or allow herself to be drawn in.

'Nothing,' Helena whispered, 'is what it appears in this city.' She leaned over and patted Claudia gently on the shoulder. 'A slingshot is small but it can still bring down a giant!'

Urbana shrugged as if grudgingly accepting this. Helena softly clapped her hands, a sign that the audience was over. Everyone except Claudia was told to withdraw and wait in the antechamber. Urbana glanced haughtily down her nose at Claudia; Cassia winked and fluttered her fingers. They all left, Theodore languidly protesting how his stomach was delicate and how at the She Asses he would have to be most careful what he ate and drank.

Helena waited until the door closed behind them, Burrus standing guard against it. Then she eased off her sandals and went and stood on the balcony overlooking the gardens. She beckoned Claudia to join her and put an arm around her, drawing her close.

'Christians,' she laughed softly, 'I love them dearly but they can act so superior. They should study their scriptures more closely and exercise humility. Urbana is powerful. Who knows how she got old Aurelian so firmly under her thumb. In two days' time,' she drew Claudia closer, 'Antonia will be released. There will be no soldiers or Vigiles, but I want you, Claudia, like the mouse you are, scurrying around that cemetery to see what you can find.' She hugged Claudia tightly. 'Do that,' she whispered, 'hunt these kidnappers down, and I'll make sure Murranus becomes too fat and wealthy,' she relaxed her grip, 'to bother about the arena.'

They walked arm in arm back into the Nile Chamber. Helena paused before an exquisite mosaic depicting two temple girls in their oiled wigs and linen sheath dresses offering sacrifice to Anubis, the dog-headed God of the Underworld. 'They're certainly not Urbana and Cassia,' she murmured. 'Both those women rank high in the Christian hierarchy, personal friends of the Bishop. Urbana could make a lot of trouble for us. She and Cassia are shrewd. Urbana may have been a dancer in Britain, or so they say, but she apparently controls Aurelian. Cassia may look soft, but she is hard-headed and businesslike. Now listen, Claudia, there's something else. When those two veterans were murdered, a young woman reeking of perfume was glimpsed going down the stairs near Petilius' chamber. When Lucius, the second veteran, was murdered, a similar woman was glimpsed nearby. These are the reports I have culled from my informers. Whether they are true or not, I cannot tell. I've asked Cassia for her help. She still has some connections with the inhabitants of

Rome's underworld; she may be able to help in the many problems we face. I also want to know why Petilius was so eager to speak to Aurelian and why his killer imitated the barbarities of the Picts.'

'And the abductions?' Claudia asked. 'Shall I question the other victims?'

'Little point,' Helena replied. 'Their parents don't want them to be reminded, whilst they know very little except that the room they were imprisoned in was cold and smelly, with a rough floor. What do you think of Theodore?' she abruptly added.

'He could have been involved,' Claudia replied. 'I suspect he is telling lies, whatever the reason. He knows something, but his real game could be that he wants Carinus to reward him as well as being feted as the hero, the all-conquering Hercules.'

Helena patted Claudia's arm and they walked towards the door.

'He complains about his belly like a child,' the Empress scoffed. 'Oh, by the way, Claudia.' She stopped and drew away. 'What's this I hear about a miracle at the She Asses…?'

Claudia and Murranus, with Theodore walking between them, left the Palatine Palace and made their way down into the busy city streets. Claudia was confused; so much had happened, she really needed to reflect. Theodore was rubbing his stomach and muttering to himself. 'What was that?' Claudia asked, turning.

Theodore stared up at the sky. 'I feel frightened,' he remarked. 'I want to pay my devotions.'

'Now is not the time for religion,' Claudia snapped. 'You are to come with us to the She Asses tavern. Theodore,' she grasped the man by the arm and stared up into his handsome face, 'did you really see an attacker last night?'

'Oh yes.'

Claudia stepped back. 'So what's this about paying devotions?'

'I was saved last night.' The actor now came into his own, lifting his hands so dramatically even passers-by stopped to watch. 'I was saved, I was delivered!'

'Yes, yes, you were,' Claudia intervened, 'but what has that got to do with paying your devotions?'

'Look,' Theodore rubbed his stomach and pointed up at the sky, 'a great danger threatened me. I was there, Claudia! I know what I saw! I was saved by the intervention of the Goddess, so I must give thanks to her.'

'Ye gods,' Murranus whispered. Theodore looked at him sharply.

'It's all right for you, gladiator, you put your trust in your sword arm, but I am different.' He looked pityingly at Claudia, who smiled back. Theodore reminded her so much of the actors she'd worked with, so full of himself, so eager to attract a crowd, he would rise at two in the morning to give a performance.

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