Agatha Christie: Dead Man's Folly

Poirot opened the door and the girls climbed in.

"It is most kind, please," said one of them, a fair girl with a foreign accent. "It is longer way than I think, yes."

The other girl, who had a sunburnt and deeply flushed face with bronzed chestnut curls peeping out beneath her head-scarf, merely nodded her head several times, flashed her teeth, and murmured, Grazie. The fair girl continued to talk vivaciously.

"I to England come for two week holiday. I come from Holland. I like England very much. I have been Stratford Avon, Shakespeare Theatre and Warwick Castle. Then I have been Clovelly, now I have seen Exeter Cathedral and Torquay – very nice – I come to famous beauty spot here and tomorrow I cross river, go to Plymouth where discovery of New World was made from Plymouth Hoe."

"And you, signorina?" Poirot turned to the other girl. But she only smiled and shook her curls.

"She does not much English speak," said the Dutch girl kindly. "We both a little French speak – so we talk in train. She is coming from near Milan and has relative in England married to gentleman who keeps shop for much groceries. She has come with friend to Exeter yesterday, but friend has eat veal ham pie not good from shop in Exeter and has to stay there sick. It is not good in hot weather, the veal ham pie."

At this point the chauffeur slowed down where the road forked. The girls got out, uttered thanks in two languages and proceeded up the left-hand road. The chauffeur laid aside for a moment his Olympian aloofness and said feelingly to Poirot:

"It's not only veal and ham pie – you want to be careful of Cornish pasties too. Put anything in a pasty they will, holiday time!"

He restarted the car and drove down the right-hand road which shortly afterwards passed into thick woods. He proceeded to give a final verdict on the occupants of Hoodown Park Youth Hostel.

"Nice enough young women, some of 'em, at that hostel," he said; "but it's hard to get them to understand about trespassing. Absolutely shocking the way they trespass. Don't seem to understand that a gentleman's place is private here. Always coming through our woods, they are, and pretending that they don't understand what you say to them." He shook his head darkly.

They went on, down a steep hill through woods, then through big iron gates, and along a drive, winding up finally in front of a big white Georgian house looking out over the river.

The chauffeur opened the door of the car as a tall black-haired butler appeared on the steps.

"Mr Hercule Poirot?" murmured the latter.

"Yes."

"Mrs Oliver is expecting you, sir. You will find her down at the Battery. Allow me to show you the way."

Poirot was directed to a winding path that led along the wood with glimpses of the river below. The path descended gradually until it came out at last on an open space, round in shape, with a low battlemented parapet. On the parapet Mrs Oliver was sitting.

She rose to meet him and several apples fell from her lap and rolled in all directions. Apples seemed to be an inescapable motif of meeting Mrs Oliver.

"I can't think why I always drop things," said Mrs Oliver somewhat indistinctly, since her mouth was full of apple. "How are you, M. Poirot?"

"Très bien, chère Madame," replied Poirot politely. "And you?"

Mrs Oliver was looking somewhat different from when Poirot had last seen her, and the reason lay, as she had already hinted over the telephone, in the fact that she had once more experimented with her coiffure. The last time Poirot had seen her, she had been adopting a windswept effect. Today, her hair, richly blued, was piled upward in a multiplicity of rather artificial little curls in a pseudo Marquise style. The Marquise effect ended at her neck, the rest of her could have been definitely labelled "country practical," consisting of a violent yolk-of-egg rough tweed coat and skirt and a rather bilious-looking mustard-coloured jumper.

"I knew you'd come," said Mrs Oliver cheerfully.

"You could not possibly have known," said Poirot severely.

"Oh, yes, I did."

"I still ask myself why I am here."

"Well, I know the answer. Curiosity."

Poirot looked at her and his eyes twinkled a little. "Your famous woman's intuition," he said, "has, perhaps, for once not led you too far astray."

"Now, don't laugh at my woman's intuition. Haven't I always spotted the murderer right away?"

Poirot was gallantly silent. Otherwise he might have replied, "At the fifth attempt, perhaps, and not always then!"

Instead he said, looking round him:

"It is indeed a beautiful property that you have here."

"This? But it doesn't belong to me, M. Poirot. Did you think it did? Oh, no, it belongs to some people called Stubbs."

"Who are they?"

"Oh, nobody really," said Mrs Oliver vaguely. "Just rich. No, I'm down here professionally, doing a job."

"Ah, you are getting local colour for one of your chefs-d'oeuvre?"

"No, no. Just what I said. I'm doing a job. I've been engaged to arrange a murder."

Poirot stared at her.

"Oh, not a real one," said Mrs Oliver reassuringly. "There's a big fête thing on tomorrow, and as a kind of novelty there's going to be a Murder Hunt. Arranged by me. Like a Treasure Hunt, you see; only they've had a Treasure Hunt so often that they thought this would be a novelty. So they offered me a very substantial fee to come down and think it up. Quite fun, really – rather a change from the usual grim routine."

"How does it work?"

"Well, there'll be a Victim, of course. And Clues. And Suspects. All rather conventional – you know, the Vamp and the Blackmailer and the Young Lovers and the Sinister Butler and so on. Half a crown to enter and you get shown the first Clue and you've got to find the Victim, and the Weapon and say Whodunnit and the Motive. And there are Prizes."

"Remarkable!" said Hercule Poirot.

"Actually," said Mrs Oliver ruefully, "it's all much harder to arrange than you'd think. Because you've got to allow for real people being quite intelligent, and in my books they needn't be."

"And it is to assist you in arranging this that you have sent for me?"

Poirot did not try very hard to keep an outraged resentment out of his voice.

"Oh, no," said Mrs Oliver. "Of course not! I've done all that. Everything's all set for tomorrow. No, I wanted you for quite another reason."

"What reason?"

Mrs Oliver's hands strayed upward to her head. She was just about to sweep them frenziedly through her hair in the old familiar gesture when she remembered the intricacy of her hair-do. Instead, she relieved her feelings by tugging at her ear lobes.

"I dare say I'm a fool," she said. "But I think there's something wrong."

There was a moment's silence as Poirot stared at her. Then he asked sharply: "Something wrong? How?"

"I don't know… That's what I want you to find out. But I've felt – more and more – that I was being – oh! – engineered… jockeyed along… Call me a fool if you like, but I can only say that if there was to be a real murder tomorrow instead of a fake one, I shouldn't be surprised!"

Poirot stared at her and she looked back at him defiantly.

"Very interesting," said Poirot.

"I suppose you think I'm a complete fool," said Mrs Oliver defensively.

"I have never thought you a fool," said Poirot.

"And I know what you always say – or look – about intuition."

"One calls things by different names," said Poirot. "I am quite ready to believe that you have noticed something, or heard something, that has definitely aroused in you anxiety. I think it possible that you yourself may not even know just what it is that you have seen or noticed or heard. You are aware only of the result. If I may so put it, you do not know what it is that you know. You may label that intuition if you like."