Agatha Christie - Destination Unknown

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She spoke in an almost hushed voice.

"That's good," said Andy Peters who was standing close by. "I've been waiting to catch a glimpse of this Director."

Miss Jennsen threw him a glance of shocked reproof.

"The Director," she said austerely, "is a very wonderful man."

As she went away from them down one of the inevitable white corridors, Andy Peters gave a low whistle.

"Now did I, or did I not, catch a hint of the Heil Hitler attitude there?"

"It certainly sounded like it."

"The trouble in this life is that you never really know where you're going. If I'd known when I left the States all full of boyish ardour for the good old Brotherhood of Man that I was going to land myself in the clutches of yet another Heavenborn Dictator -" he threw out his hands.

"You don't know that yet," Hilary reminded him.

"I can smell it – in the air," said Peters.

"Oh," cried Hilary, "how glad I am that you're here."

She flushed, as he looked at her quizzically.

"You're so nice and ordinary," said Hilary desperately.

Peters looked amused.

"Where I come from," he said, "the word ordinary doesn't have your meaning. It can stand for being just plain mean."

"You know I didn't mean it that way. I mean you're like everybody else. Oh dear, that sounds rude, too."

"The common man, that's what you're asking for? You've had enough of the genius?"

"Yes, and you've changed, too, since you came here. You've lost that streak of bitterness – of hatred."

But immediately his face grew rather grim.

"Don't count on that," he said. "It's still there – underneath. I can still hate. There are things, believe me, that should be hated."

The Reunion, as Miss Jennsen had called it, took place after dinner. All members of the Unit assembled in the large lecture room.

The audience did not include what might be called the technical staff: the laboratory assistants, the corps de ballet, the various service personnel, and the small assembly of handsome prostitutes who also served the Unit as purveyors of sex to those men who had no wives with them and had formed no particular attachments with the female workers.

Sitting next to Betterton, Hilary awaited with keen curiosity the arrival on the platform of that almost mythical figure, the Director. Questioned by her, Tom Betterton had given unsatisfactory, almost vague answers, about the personality of the man who controlled the Unit.

"He's nothing much to look at," he said. "But he has tremendous impact. Actually I've only seen him twice. He doesn't show up often. He's remarkable, of course, one feels that, but honestly I don't know why."

From the reverent way Miss Jennsen and some of the other women spoke about him, Hilary had formed a vague mental figure of a tall man with a golden beard wearing a white robe – a kind of godlike abstraction.

She was almost startled when, as the audience rose to their feet, a dark rather heavily built man of middle age came quietly onto the platform. In appearance he was quite undistinguished, he might have been a business man from the Midlands. His nationality was not apparent. He spoke to them in three languages, alternating one with the other, and never exactly repeating himself. He used French, German and English, and each was spoken with equal fluency.

"Let me first," he began, "welcome our new colleagues who have come to join us here."

He then paid a few words of tribute to each of the new arrivals.

After that he went on to speak of the aims and beliefs of the Unit.

Trying to remember his words later, Hilary found herself unable to do so with any accuracy. Or perhaps it was that the words, as remembered, seemed trite and ordinary. But listening to them was a very different thing.

Hilary remembered once being told by a friend who had lived in Germany in the days before the war, how she had gone to a meeting in mere curiosity to listen "to that absurd Hitler" – and how she had found herself crying hysterically, swept away by intense emotion. She had described how wise and inspiring every word had seemed, and how, afterwards, the remembered words in their actuality had seemed commonplace enough.

Something of the same kind was happening now. In spite of herself, Hilary was stirred and uplifted. The Director spoke very simply. He spoke primarily of Youth. With Youth lay the future of mankind.

"Accumulated Wealth, Prestige, influential Families – those have been the forces of the past. But today, power lies in the hands of the young. Power is in Brains. The brains of the chemist, the physicist, the doctor… From the laboratories comes the power to destroy on a vast scale. With that power you can say 'Yield – or perish!' That power should not be given to this or that nation. Power should be in the hands of those who create it. This Unit is a gathering place for the Power of all the world. You come here from all parts of the globe, bringing with you your creative scientific knowledge. And with you, you bring Youth! No one here is over forty-five. When the day comes, we shall create a Trust. The Brains Trust of Science. And we shall administer world affairs. We shall issue our orders to Capitalist and Kings and Armies and Industries. We shall give the World the Pax Scientifica."

There was more of it – all the same heady intoxicating stuff – but it was not the words themselves – it was the power of the orator that carried away an assembly that could have been cold and critical had it not been swayed by that nameless emotion about which so little is known.

When the Director had ended abruptly:

"Courage and Victory! Goodnight!" Hilary left the Hall, half stumbling in a kind of exalted dream, and recognised the same feeling in the faces around her. She saw Ericsson in particular, his pale eyes gleaming, his head tossed back in exultation.

Then she felt Andy Peters' hand on her arm and his voice said in her ear:

"Come up on the roof. We need some air."

They went up in the lift without speaking and stepped out among the palm trees under the stars. Peters drew a deep breath.

"Yes," he said. "This is what we need. Air to blow away the clouds of glory."

Hilary gave a deep sigh. She still felt unreal.

He gave her arm a friendly shake.

"Snap out of it, Olive."

"Clouds of glory," said Hilary. "You know – it was like that!"

"Snap out of it, I tell you. Be a woman! Down to earth and basic realities! When the effects of the Glory Gas poisoning pass off you'll realise that you've been listening to the same old mixture as before."

"But it was fine – I mean a fine ideal."

"Nuts to ideals. Take the facts. Youth and Brains – glory glory Alleluia! And what are the youth and brains? Helga Needheim, a ruthless egoist. Torquil Ericsson, an impractical dreamer. Dr. Barron who'd sell his grandmother to the knacker's yard to get equipment for his work. Take me, an ordinary guy, as you've said yourself, good with the test-tube and the microscope but with no talent whatever for efficient administration of an office, let alone a World! Take your own husband – yes, I'm going to say it – a man whose nerves are frayed to nothing and who can think of nothing but the fear that retribution will catch up with him. I've given you those people we know best – but they're all the same here – or all that I've come across. Geniuses, some of them, damned good at their chosen jobs – but as Administrators of the Universe – hell, don't make me laugh! Pernicious nonsense, that's what we've been listening to."

Hilary sat down on the concrete parapet. She passed a hand across her forehead.

"You know," she said. "I believe you're right… But the clouds of glory are still trailing. How does he do it? Does he believe it himself? He must."

Peters said gloomily,

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