Agatha Christie - Hercule Poirot's Casebook

'Yes, it would. But the angle at which be was lying makes that theory impossible. And besides there could not fail to be traces of blood on the marble of the seat.'

'Unless they were washed away?'

The doctor shrugged his shoulders. 'That is hardly likely. It would be to no one's advantage to give an accident appearance of murder.'

'Quite so,' acquiesced Poirot. 'Could either of them, have been struck by a woman, do you think?'

'Oh, quite out of the question, I should say. You are thinking of Mademoiselle Saintclair, I suppose?'

'I think of no one in particular until I am sure,' said Poirot gently.

He turned his attention to the open french window, the doctor continued:

'It is through here that Mademoiselle Saintclair fled. You can just catch a glimpse of Daisymead between the trees. Of course, there are many houses nearer to the front of house on the road, but as it happens, Daisymead, though some distance away, is the only house visible this side.'

'Thank you for your amiability, Doctor,' said Poirot. 'Come, we will follow the footsteps of Mademoiselle.'

Poirot led the way down through the garden, out through an iron gate, across a short stretch of green and in through the garden gate of Daisymead, which was an unpretentious little house in about half an acre of ground. There was a small flight of steps leading up to a french window. Poirot nodded in their direction.

'That is the way Mademoiselle Saintclair went. For us, who not her urgency to plead, it will be better to go round to be front door.'

A maid admitted us and took us into the drawing-room, then went in search of Mrs Oglander. The room had evidently not been touched since the night before. The ashes were still in the grate, and the bridge-table was still in the centre of the room, with a dummy exposed, and the hands thrown down. The place was somewhat overloaded with gimcrack ornaments, and a good many family portraits of surpassing ugliness adorned the walls.

Poirot gazed at them more leniently than I did, straightened one or two that were hung a shade askew. 'La famille, it is a strong tie, is it not? Sentiment, it takes the place of beauty.'

I agreed, my eyes being fixed on a family group comprising a gentleman with whiskers, a lady with a high 'front' of hair, a solid, thick-set boy, and two little girls tied up with a good many unnecessary bows of ribbon. I took this to be the Oglander family in earlier days, and studied it with interest.

The door opened, and a young woman came in. Her dark hair was neatly arranged, and she wore a drab-coloured sportscoat and a tweed skirt.

She looked at us inquiringly. Poirot stepped forward. 'Miss Oglander? I regret to derange you - especially after all you have been through. The whole affair must have been most disturbing.'

'It has been rather upsetting,' admitted the young lady 1. to any tragedy. I was confirmed in this -:- .se cn;aaCl S Sll continued: 'I must apolog for the state this room is. Servants get so foolishly excited.'

'It was here that you were sitting last night, n'est-ce pas?'

'Yes, we were playing bridge after supper, when '

'Excuse me - how long had you been playing?'

'Well - ' Miss Oglander considered. 'I really can't say. I suppose it must have been about ten o'clock. We had had several rubbers, I know.'

'And you yourself were sitting - where?'

'Facing the window. I was playing with my mother and had gone one no trump. Suddenly, without any warning, the window burst open, and Miss Saintclair staggered into the room.'

'You recognized her?'

'I had a vague idea her face was familiar.'

'She is still here, is she not?'

'Yes, but she refuses to see anyone. She is still quite prostrated.'

'I think she will see me. Will you tell her that I am here at the express request of Prince Paul of Maurania?'

I fancied that the mention of a royal prince rather shook Miss Oglander's imperturbable calm. But she left the room on her errand without any further remark, and returned almost immediately to say that Mademoiselle Saintclair would see us in her room.

We followed her upstairs, and into a fair-sized light bedroom. On a couch, by the window a woman was lying who turned her head as we entered. The contrast between the two women struck me at once, the more so as in actual features and colouring they were not unalike - but oh, the difference! Not a look, not a gesture of Valerie Saintclair's but expressed drama.

She seemed to exhale an atmosphere of romance. A scarlet flannel dressing-gown covered her feet - a homely garment in all conscience; but the charm of her personality invested it with a exotic flavour, and it seemed an Eastern robe of glowing colour.

Her large dark eyes fastened themselves on Poirot.

'You come from Paul?' Her voice matched her appeanmce it was full and languid.

'Yes, mademoiselle. I am here to serve him - and you.'

'What do you want to know?'

'Everything that happened last night. But everything!' She smiled rather wearily.

'Do you think I should lie? I am not stupid. I see well enough that there can be no concealment. He held a secret of mine, that man who is dead. He threatened me with it. For God's sake, I endeavoured to make terms with him. I could not risk losing Paul... Now that he is dead, I am safe. But for all that, I did not kill him.'

Poirot shook his head with a smile. 'It is not necessary to tell me that, mademoiselle. Now recount to me what happened last. Right?'

'I offered him money. He appeared to be willing to treat with me. He appointed last night at nine o'clock. I was to go to Mon Dsir. I knew the place; I had been there before. I was to go round to the side door into the library, so that the servants should not see me.

'Excuse me, mademoiselle, but were you not afraid to trust yourself alone there at night?'

Was it my fancy, or was there a momentary pause before she answered?

'Perhaps I was. But you see, there was no one I could ask to go with me. And I was desperate. Reedburn admitted me to the library. Oh, that man! I am glad he is dead! He played with me, as a cat does with a mouse. He taunted me. I begged and implored him on my knees. I offered him every jewel I have.

All in vain! Then he named his own terms. Perhaps you can guess what they were. I refused. I told him what I thought of him. I raved at him. He remained calmly smiling. And then, as I fell to silence at last, there was a sound - from behind the curtain in the window... He heard it too. He stro to the curtains and flung them wide apart. There was a man there, hiding - a dreadful-looking man, a son of tramp. He struck at Mr Reedburn - then he struck again, and he went do,l. The tramp clutched at me with his bloodstained hand. I tore myself free, slipped through the window, and ran for my life en I perceived the lights in this house, and made for the,,. The blinds were up, and I saw some people playing bridge.

I fell into the room. I just managed to gasp out "Murder!" and then everything went black '

'Thank you, Mademoiselle. It must have been a great shock to your nervous system. As to this tramp, could you describe him? Do you remember what he was wearing?'

'No - it was all so quick. But I should know the man anywhere. His face is burnt in on my brain.'

'Just one more question, mademoiselle. The curtains of the other window, the one giving on the drive, were they drawn?'

For the first time a puzzled expression crept over the dancer's face. She seemed to be trying to remember.

'Eh bien, mademohelle?'

'I think - I am almost sure - yes, quite sure! They were not drawn.'

'That is curious, since the other ones were. No matter. It is, I dare say, of no great imporumce. You are remaining here long, mademoiselle?'

'The doctor thinks I shall be fit to return to town tomorrow.'