Ed McBain - The Last Dance

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The fiftieth is pure gold: from the author The New York Times calls "the man with the golden ear" comes the fiftieth novel in the th Precinct series. In this city, you can get anything done for a price. If you want someone's eyeglasses smashed, it'll cost you a subway token. You want his fingernails pulled out? His legs broken? You want him more seriously injured? You want him hurt so he's an invalid his whole life? You want him skinned, you want him burned, you want him — don't even mention it in a whisper — killed? It can be done. Let me talk to someone. It can be done. The hanging death of a nondescript old man in a shabby little apartment in a meager section of the th Precinct was nothing much in this city, especially to detectives Carella and Meyer. But everyone has a story, and this old man's story stood to make some people a lot of money. His story takes Carella, Meyer, Brown, and Weeks on a search through Isola's seedy strip clubs and to the bright lights of the theater district. There they discover an upcoming musical with ties to a mysterious drug and a killer who stays until . is 's fiftieth novel of the th Precinct and certainly one of his best. The series began in with Cop Hater and proves him to be the man who has been called "so good he should be arrested."

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also drawn, his eyes wide, his face pale. He had never

seen a dead body before except for that time in a funeral

home when his uncle Pete died of sclerosis of the liver.

The first patrolman, similarly inexperienced, was already

on his mobile phone, telling Sergeant Murchison at the

Eight-Seven that there'd been a shoot-out in the pizzeria

on Culver and Sixth, Guide's, the place was called. "There's one person down, better send a meat wagon," he actually called it, causing Murchison to wince.

The television cameras arrived some five minutes

before either the ambulance or a second car from adjoin

ing Charlie Sector angled into the curb. A woman wearing

a fake fur that looked fake told the roving reporter that all

at once these two big guys came in and started shooting

at the man lying on the floor over there, at which point

the camera operator panned over to where Danny was

lying in an ocean of slippery pizza toppings, blood and

tomato sauce mingling to create an op-art camera op.

The second patrolman told everybody to keep back; he

was wondering if he should put up some of those yellow

crime scene

tapes he had in the trunk of the patrol car.

Two teenagers wearing woolen watch caps, ski parkas, and baggy pants tried to position themselves behind the

victim so they could grin and wave at the camera, but they

were too late. The camera operator had already turned

to the entrance door, where a pair of detectives from the Eight-Seven were walking in looking very official and busy, shields pinned to their overcoats, faces raw from the biting cold outside. Behind them, an ambulance was pulling in, which made for another good shot, the detectives with long strides and flapping overcoats, the flashing red lights on the ambulance, this was the camera operator's lucky day.

Arthur Brown, one of the responding detectives, would later tell everyone in the squadroom that even before Carella informed him, he knew the guy laying on the floor there was dead. The detective with Brown was Bert Kling. The minute he spotted Carella, he went over to him and asked, "What happened?"

"Two hitters nailed Danny Gimp," Carella said, and

got to his feet, his coat sleeve stained with blood from Danny's wounds, the knees of his trousers soiled from

all the pizza shit on the floor.

They all stood around while the stretchers came in.

The paramedics realized at once that there wasn't any

urgency about getting Danny aboard.

Chapter Three

Since there were two homicides on the table this Tuesday

morning—an unusual circumstance, even for the Eight-

Seven —Lieutenant Byrnes told the detectives assembled

in his office that he'd be skipping over all the usual shit

and getting directly to the murders, if nobody had any

objections. Andy Parker didn't think the murder of a two-bit stool pigeon should take priority over a drug bust he'd been trying to set up for the past two weeks, but he knew better than to challenge the lieutenant when he was wearing what Parker referred to privately as his "Irish Look."

Hal Willis wasn't too tickled to be passed over, either.

He'd caught a burglary yesterday where the perp had left

chocolate-covered donuts on his victim's pillow. This looked a lot like what the Cookie Boy used to do, but

he'd jumped bail in August and was now only God knew where. So this guy was obviously a copycat, which similarity might have made for a little early morning amusement if the lieutenant hadn't pulled the chain. Like teenagers invited to a party and then requested not to dance, please, the two detectives slouched sourly against the wall, arms folded across their chests in unmistakable body language. They didn't even sniff at the bagels

and coffee on the lieutenant's desk, a treat—or more accurately a bribe to encourage punctuality—paid for by the squadroom slush fund every Tuesday.

This was eight o'clock in the morning. A harsh, bright sunlight streamed through Byrnes's corner windows. All told, and including the lieutenant, there were eight detectives in the office. Artie Brown and Bert Kling had responded to the pizzeria shoot-out and were looking for anything they could get on the two shooters. Carella and Meyer wanted to explore the Hale case. The two detectives sulking against the wall didn't care to offer their thoughts on anything. They' d been shut out, and they were miffed, although Byrnes seemed blithely unaware of their annoyance. Cotton Hawes was neutral. His plate was clean at the moment. In fact, he'd been in court testifying all last week. Sitting in a leather easy chair opposite the lieutenant's desk, feeling curiously uninvolved, like a cop visiting from another city, he listened as the lieutenant summarized the two homicide cases, and then asked, "You think they're linked?"

"Maybe," Carella said.

"Meyer?" Byrnes asked.

"Only if they were trying to shut Danny up."

"You sure they weren't after Steve?"

"No, it was Danny," Kling said.

"Neither of them even fired a shot at me."

"Ten, twelve people saw them go straight for Danny," Brown said.

"They'd seen a lot of movies."

"Kept describing it as a gangland execution."

"In broad daylight?" Hawes asked, and shook his head

skeptically. He was sitting in sunlight. It caught his red

hair, setting it on fire. The single white streak over his

left temple looked like a patch of melting snow.

"Nobody says your goons are brain surgeons."

"Black and white, huh?"

"And red all over."

"Could've been an old beef," Hawes suggested. "Finally caught up with him."

"Be a coincidence, the day he's meeting with Steve. But I buy coincidence," Byrnes said. "I've been a cop long enough."

"Coulda been they wanted him before he told Steve whatever it was he had to tell him," Brown said. He was straddling a wooden chair near the bookcases, a huge man with skin the color of a giant grizzly's coat. His shirt collar was open, and he was wearing over it a green sweater. His arms were resting on the chair's top rail.

"Did

he tell you anything?" Kling asked. "Before they

got him?"

"Not really. He wanted to get paid first."

"Gee, there's a surprise."

"How much was he looking for?" Hawes asked.

"Five grand."

Hawes whistled.

"What'd he promise?" Willis asked, giving in at last to his curiosity. He was the shortest man on the squad, wiry and intense, dark eyes reflecting the day's cold light. Parker turned to him with a sharp look, as if his best friend in the entire world had suddenly moved to Anniston, Alabama, to wallow in pig shit.

"He said he knew the name and address of the guy who did Hale," Carella said.

"Where'd he get thatT Willis asked, totally involved now. Parker stepped a little bit away from him.

"Pal of his was in a poker game with the hitter."

"Let me get this straight," Hawes said. "Danny was in a poker game with the hitter?"

"No, no," Meyer said. "A. friend of Danny's was in the game."

"With the guy who hung Hale from the bathroom door?"

"Hanged him, yeah."

"Yeah, him?"

"The very."

"What is this, a movie?" Willis asked.

"I wish," Carella said.

"Fda paid him on the spot," Parker said suddenly, and then realized with a start that he'd broken his own sullen silence. Everyone turned to him, surprised by the vehemence in his voice, surprised, too, that he'd bothered to shave this morning. "That kind of information," he said, plunging ahead, "Fda asked him to wait while I went to rob a bank."

"I should've," Carella said.

"Who's this pal of his?" Kling asked. He was wearing

this morning a brown leather jacket that looked like it

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