Josephine Tey - The Daughter of Time

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Alan Grant, Scotland Yard Inspector (who appears in five other novels by the same author) is confined to bed in hospital with a broken leg. Bored and restless, he becomes intrigued by a portrait of King Richard III brought to him by a friend. He prides himself on being able to read a person’s character from his face, and King Richard seems to him a gentle and kind and wise man. Why is everyone so sure that he was a cruel murderer?

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He stared at this bald announcement. This placid acceptance of wholesale murder. This simple acknowlegement of a process of family elimination.

Richard III had been credited with the elimination of two nephews, and his name was a synonym for evil. But Henry VII, whose ‘settled and considered policy’ was to eliminate a whole family was regarded as a shrewd and far-seeing monarch. Not very lovable perhaps, but constructive and painstaking, and very successful withal.

Grant gave up. History was something that he would never understand.

The values of historians differed so radically from any values with which he was acquainted that he could never hope to meet them on any common ground. He would go back to the Yard, where murderers were murderers and what went for Cox went equally for Box.

He put the two books tidily together and when The Amazon came in with his mince and stewed prunes he handed them over with a neat little speech of gratitude. He really was very grateful to The Amazon. If she had not kept her schoolbooks he might never have started on the road that led to his knowledge of Richard Plantagenet.

She looked confused by his kindness, and he wondered if he had been such a bear in his illness that she expected nothing but carping from him. It was a humiliating thought.

‘We’ll miss you, you know,’ she said, and her big eyes looked as if they might brim with tears. ‘We’ve grown used to having you here. We’ve even got used to that .’ And she moved an elbow in the direction of the portrait.

A thought stirred in him.

‘Will you do something for me?’ he asked.

‘Of course. Anything I can do.’

‘Will you take that photograph to the window and look at it in a good light as long as it takes to count a pulse?’

‘Yes, of course, if you want me to. But why?’

‘Never mind why. You just do it to please me. I’ll time you.’

She took up the portrait and moved into the light of the window.

He watched the second-hand of his watch.

He gave her forty-five seconds and then said: ‘Well?’ And as there was no immediate answer he said again: ‘Well?’

‘Funny,’ she said. ‘When you look at it for a little it’s really quite a nice face, isn’t it?’

Colophon

The text was taken from Project Gutenberg Australia 0900271.txt. In this file words or phrases in italics had been surrounded by underscores, and most accents had been removed. Excess carriage returns were removed and the resultant text made into a basic HTML file with the Atlantis Word Processor.

This file was marked up as XHTML 1.1 documents with an external stylesheet using an HTML editor, and italics and accents were replaced. The text was checked against the Penguin 1951 paperback, but the ebook is not intended to be a facsimile of that or any other edition. The documents were validated with the W3C validation service.

The ePub file was made by copying the documents and images into a template using Winzip, and editing the content.opf and toc.ncx files to match. The final package was checked with ePubcheck and the ADE and Sony desktop readers, and on the Sony PRS 650, Cybook Gen3, and ECO Readers.

Version 3 2010-10-05

Alex Bell afjbell@bigpond.net.au

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