Rex Stout - The Golden Spiders

“It is now nine-twenty-eight.”

“I know it is. I was going to blow in right after nine-thirty, but I got to thinking. You ever hear of Lips Egan, Archie?”

“Not that I remember.”

“I think I have. I think he used to beat carpets for Joe Slocum on the waterfront. If this is him maybe I showed too many cards and I’m going to be called, and I thought you might want to be around, but if you don’t I can go ahead and play it.”

“Go ahead and play it.”

“Right.” He didn’t sound enthusiastic.

“But wait till I get there. Which side of the avenue is Danny’s on?”

“West.”

“Okay. I’m leaving now. I’ll take the sedan. When you see me park across the street, go on into Danny’s and keep your date. I’ll stay in the car until I hear you scream or they roll your corpse out. If you leave with company I’ll tail. If you leave alone head downtown and keep going, and as soon as I make sure you’re loose I’ll pick you up. Got it?”

“Yeah. How do I play him?”

“As Mr. Wolfe says, you got specific. You’ve bought it, Mr. O’Connor, so hang onto it. I’ll find you a new wife.”

“Any new instructions, Mr. Wolfe?”

“No. Proceed.”

We hung up. From the drawer where I had put them on returning, I got a gun and holster and put them on. Wolfe sat scowling at me. Physical commotion and preparations for it irritate him, but as a practicing detective he defers to the necessity of putting people — me, for instance — in situations where they may get plugged or knifed or shoved off a cliff. In view of his distaste for such doings it’s damn generous of him. I got an old hat and raincoat from the hall closet and left.

After getting the sedan from the garage around the corner, I crossed to Tenth Avenue and headed uptown. The drizzle was worse, if anything, and the mist thicker, but the staggered lights on Tenth Avenue keep you crawling anyhow. Turning right on Fifty-sixth, and again on Ninth Avenue, I made for the left side and slowed. There was a drugstore at the corner of Fifty-fifth. Ahead, across the street, a neon in a window said: Danny’s Bar & Grill. I rolled to the curb and stopped before I was even with Danny’s, killed the engine, and cranked the right window down so I could see through the weather. In half a minute Fred appeared on the opposite side, proceeded to Danny’s, and entered. It was 9:49.

Leaning back comfortably, through the open window I had a good view of Danny’s except when passing cars intervened, and there weren’t many. I decided to wait half an hour, until 10:19, before crossing the street and entering to see if Fred was still intact, but I didn’t have to sweat it out that long. The dash clock said only two minutes past ten when Fred emerged with a man about half his size. The man had his right hand in his pocket and was at Fred’s left elbow, so for a second I thought it was the old convoy game, but then Fred moseyed across the sidewalk, and the man headed uptown.

Fred stood at the curb, giving no sign, and I sat tight. The man turned left on Fifty-fifth. Three minutes passed, Fred standing and me sitting, and then a car came out of Fifty-fifth, turned into the avenue, and stopped where Fred was. The driver was Fred’s companion, and he was alone. Fred got in beside him, and the car rolled.

With my engine still warm, there was nothing to it. I have good night eyes, and even in the drizzle I could give him a full block, and with Ninth Avenue wide and one-way I could keep over to my side, out of the range of his mirror. But I had barely catalogued those points in my favor when he left the avenue, swinging right into Forty-seventh Street. I made a diagonal across the bow of a thousand-ton truck, and the turn. He was on ahead. At Tenth Avenue a red light stopped him, and I braked to a crawl. When the light changed he turned uptown on Tenth, and I just did make the corner in time to see him swing, in the middle of the block, into the entrance of a garage. By the time I floated past he had disappeared inside. I went on by, turned into Forty-eighth, parked a foot beyond the building line, got out, and walked across the avenue to the west side.

The sign said NUNN’S GARAGE. It was an old brick building of three stories — nothing remarkable one way or another. I moved along to an entranceway across from it, stepped in out of the rain, and took a survey. The light inside was dim, and I couldn’t see far into the entrance. On the two upper floors there was no light at all. The only adequate light was in a small room to the right of the entrance with two windows. In it were two desks and some chairs, but no people. When I had stood there ten minutes and still no sign of anyone, I decided that I didn’t like it and it would be a good idea to try to find out why.

After going to the corner and crossing the avenue and coming back on the other side, I stopped smack in the middle of the entrance for a look. No one was in sight, but of course there could have been several platoons deployed among the congregation of cars and buses. I slipped in and to the left, behind a delivery truck, and stood and listened. There were faint sounds of movements, and then somewhere in the rear someone started to whistle “Oh, What a Beautiful Mornin’.” As the whistler came nearer, off to the right, I edged around to the end of the truck. He finished his tune, but his footsteps were just as good on the concrete floor. He kept to the right — his left — almost to the entrance, and then a door opened and closed. He had gone into the office.

I moved fast but quietly, over nearly to the wall and then toward the rear through the maze of vehicles. When bumpers touched I detoured rather than risk a loose bolt under my weight. Halfway back I saw an objective, wooden stairs going up near the corner, and I made for it, but as I approached I became aware of a better objective. There were also steps going down, and up through the opening came the sound of voices. One of them was Fred’s. I went and stood at the top of the steps but couldn’t catch any words.

There’s only one way to reconnoiter in such a situation without exposing your feet and legs before your eyes have a chance. I lay down on my left side with my shoulder above the first step, gripped the upright with my right hand, and gently inched down until my eye was level with the basement ceiling. At first I saw nothing but another maze of cars and parts of cars, fading into darkness, but as I twisted my head around, nearly breaking my neck, I saw and heard that the voices were coming through a doorway in a partition that was apparently one wall of a built-in room. The door was open, but people in the room couldn’t see the stairs unless they came to the door for a look.

I got to my feet and went downstairs, though not that fast. All you can do on a wooden stair is keep to the side, put your weight on each step a little at a time, and hope to God it was a good carpenter. I made it. The basement floor was concrete. I navigated it, now as silently as silence, across to the first car at the right, and behind it, and then slipped along to the next car, and the next. There, crouched in shadow, I could look straight into the room and hear their words. They were seated at a bare wooden table in the middle of the room, the little guy on the far side, facing me, and Fred at the left, in profile. Fred’s hands were on the table. So were the little guy’s, but he had a gun in one of his. I wondered how he got it staged that way, since Fred was not paralyzed, but that could wait. I got my gun from the holster, and it felt good in my hand. With the car to rest on, I could have picked any square inch on him.

He was talking. “Naw, I’m not like that. A guy that plugs a man just because he likes to feel the trigger work, he’s goin’ to get into trouble someday. Hell, I’d just as soon not shoot anybody. But, like I told you, Lips Egan don’t like to talk to a man with a gun on him, and that’s his privilege. He ought to be here any minute. Why I’m makin’ all this speech — keep your hands still — I’m goin’ to lift yours now, and you’re big enough to break me up, so don’t get any idea that I never would pull a trigger. Here in this basement we could have a shooting gallery. Maybe we will.”