Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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"And what mean the subsequent events that led to Poe's being sent to the hospital? Snodgrass has offered to engage a room upstairs in the hotel portion of the building. George Herring would not want Poe to stay at Ryan's in poor condition, for as Whig president he would want to avoid precisely the sort of accusations of fraudulent or rough use of voters that the Baron would in fact later allege. Henry Herring was not particularly a boon companion to Poe, as the Baron is right to say-and would rather not invite Poe to his house, where Monsieur Henry still remembers with disapproval Poe's courtship of his daughter Elizabeth years before. Snodgrass could not remember whether there were one or two relatives of Poe's at Ryan's-this is almost certainly because both Henry and George Herring stood before him. Poe is therefore sent to the hospital, whose attendants then send word to Neilson Poe."

"If there was nothing insidious, if the Herrings did nothing, Monsieur Duponte, then why would Henry Herring and Neilson Poe, cousin to Henry Herring as well as Edgar Poe, be so reluctant to speak on the matter, or for the police to make inquiries?"

"You have answered your question in asking it, Monsieur Clark. Because they did nothing-that is, strikingly little-they had no wish to call attention to the matter. Think of it. George and then Henry Herring were present even before Dr. Snodgrass, and did nothing. When something was done, it was to send Poe to the hospital alone, in the prostrate position across the carriage seats. They forgot, even, to pay the driver, as you heard from Dr. Moran. They have sealed his fate, too, by assuming Poe was merely boozy, and excessively in liquor, for they no doubt passed this assumption to the doctors through the note that accompanied Poe to the hospital-so that the care given to the patient, rather than for the complex illness and perhaps multitude of illnesses that have set in from his exhaustion and exposure, would be that superficial kind given to all those who come in with too much drink. Neilson Poe came to the hospital, but could not even see the patient.

"This narrative is not one of pride for the family, particularly for an ambitious man like Monsieur Neilson, who did not want to tarnish the name Poe. This explains, too, the lack of attempt from the family to produce a larger funeral. They would not wish to draw attention to their roles in his final days, nor wish to remind anyone that Edgar Poe himself had formerly said caustic words about both Henry Herring and Neilson Poe. There is some ‘shame' in it, which is the word Snodgrass writes in his poem on the subject. The methods by which it is often necessary to understand someone's motives are not by what they have done, but what they have simply omitted to do and neglected to consider."

"And yet," continued Duponte, "the Baron is not wholly misguided in looking to the fact of Poe's discovery falling on an election day as more than chance. The Baron wishes to find cause and effect; we, on the other hand, shall look for cause and cause. How, monsieur, would you describe the city of Baltimore on days elections are held?"

"A bit unpredictable," I admitted, "wild at times. Dangerous, in certain quarters. But does this mean Poe was kidnapped ?"

"Of course not. The mistake of men like the Baron, who apply their giddy thoughts to creating violence, is to imagine that most violence contains sense and reason, when, by its nature, this is just what it is lacking. Yet we must not dismiss the secondary effects that may come from outside disruptions. Think of Monsieur Poe. Exposed to the deplorable weather, having failed to secure the ready money from Philadelphia, his constitution weakened and confused by his single glass of spirits, Poe would have been vulnerable to the greatest detriments to our health: first, fear, and second, dread.

"Now, those local newspapers that you went out to collect shortly after our arrival from Paris, will you put them on this table?"

***

The first cutting that Duponte selected was from the Baltimore Sun, October 4, the day after the election. Very little excitement, it read, reporting the events of the election. We heard of no disturbance of the polls or elsewhere.

Another cutting from the same day read as follows:

Yesterday afternoon a fellow with about as much liquor in him as he could conveniently carry, stationed himself at the foot of Lexington market, and for an hour assailed and assaulted every man that passed by, all of whom, very fortunately for the poor inebriate, appeared to be exceedingly good-natured, or they would have "tripped him up." He struck several of them in the face, but they forbore to resent it on account of his having "seen the elephant." He afterwards went in a tavern, and thence proceeded to the office of Justice Root, which was closed (it being dinner hour) seeking perhaps for justice.

And finally this, reported of the same afternoon:

Assault. About dusk on Wednesday evening, as a carriage containing four persons amongst whom was Mr. Martin Rudolph, engineer of the steamer Columbia, was proceeding past the corner of Lombard and Light Street, some atrocious miscreant threw a large stone, which struck Mr. R on the head, fortunately occasioning nothing more than a severe bruise.

"The first article," Duponte said, "insists there was no disturbance anywhere in the city. Yet here, separately, we find some samples of what we can only label disturbances. You see, in a newspaper, especially the finest ones, one hand hardly notices the other or, rather, one column hardly notices the other, and so only by reading the entire newspaper-never just a single article-can we claim to have done any reading at all. They likely were told of the lack of disturbances by some policeman. Police in Europe want all criminals to know they are there; police in America want people to believe there are no criminals.

"Let us examine these two separate disturbances. First, we have a loud and rude fellow, alleged to have struck in the face several men passing by, and yet left without molestation by his fellow citizens. While the editor from the leisurely position of his desk would prefer to believe that the lack of outrage from the surrounding public was caused by the fact that the inebriate was ‘good-natured,' I would ask how many good-natured fellows have been classified to be so after they punched men in their faces. Rather, we can safely surmise that the nature of the disturbance, remarkably, was common enough that day as to not sufficiently arrest the attention either of the authorities or the common people. That is, there were so many like this one that he could not claim much public response. This may give us more idea of the goings-on during election day in the rest of the city than the editors imagine.

"Taking now the third extract, describing a scene not far in distance, I believe, from the location of the polling station where Poe was discovered on Lombard and High; read again this cutting, which describes an engineer and his fellow carriage passengers being struck by a large stone thrown by some miscreant. We may imagine Poe, too, having to dodge a tempest of wild stones on those streets or, perhaps, now ill from the drink, the terrible exposure of many hours to the weather, and complete lack of sleep, Poe may have himself been disoriented enough to be throwing stones at perceived or real villains, thugs, and rascals that filled the streets that day. It hardly makes a difference if we think of Poe as target or as targeting, or involved in this incident not at all. What we know is that Poe would likely possess a manic fear at this point in reaction to whatever wild and disorderly actions he might witness along the streets that day. The polling station, rather than being a dark dungeon of cruelty-as your Baron finds it necessary to envision it-may well have been seen by Poe as a sanctuary, a place where there would likely be the semblance of some order. Poe went in for help that, alas, was too late to be found. In this way, we have thoroughly followed Poe from his disembarking to his futile rescue by Snodgrass."

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