Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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"Follow?" My heart beat faster than Duponte's words.

Duponte turned stern. "Because you found me, Monsieur Clark."

"What?"

"You ask why I have risked coming today instead of fleeing safely. Because you found me. They were searching for me and you found me. Good fellow, if you will please!"

At this signal a porter wearing the Barnum's uniform now entered, pulling in one of Duponte's steamer trunks with such great effort it could have contained a human body inside. It was the very same trunk from which, in utter bewilderment, I had first picked up the Malacca cane. Duponte placed some coins in the man's hand for his labor and dismissed him, bolting the door to the courtroom after him.

"Now, as to the Baron…shall we follow?"

"Monsieur Duponte, do you mean…You confessed a moment ago that you did not in fact come here to resolve the particulars of Poe's death!"

"Dupe! Intentions are irrelevant to results. I never said we have not resolved it, Monsieur Clark, had I? Ready?"

"Ready."

"The Baron imagines that the ruffians at the harbor hounded Poe until the poet fled to the home of Dr. N. C. Brooks, where the same villains started a fire that all but burned down that home. The Baron's chain of natural errors begins with presuming that Poe's stop in Baltimore, because unplanned, was unintentional, that is, without intended purpose-and so only violent action could explain the extension of his stay. In fact, by the evidence of Poe's first destination, the Brooks home, we can draw an entirely different conclusion."

Duponte had discussed this with me before. "Brooks is a known editor and publisher," I added. "Poe was looking for support for his magazine, The Stylus, which would raise the standards for all periodical publication to follow."

"You are correct, as well as a bit dreamy as to its potential effects. In all events, if Poe were truly in danger at this point, and cognizant enough to flee as the Baron would have us believe, he may have reported it to a member of his family, however detestable they were to him-or even the police. Instead, Poe searches for an influential magazine editor! We may now erase those imagined ruffians from our picture and instead escort Poe to Dr. Brooks's house on his own will. Come."

I took my seat again at the witness table.

35

"YOU HAVE OBSERVEDthat the Baron was determined to understand the last days of Poe as a result of a sequence of increasingly violent events. Here the Baron was gazing into a looking-glass. It is how the Baron wished people to see his own troubles. He wished to remove from Poe all possibility of indictment for his death by locating the cause of his misfortune with external parties only."

"Then are you saying that the burning of Brooks's house had nothing to do with Poe's search for sanctuary? A coincidence?"

"Not so, although we must reverse the connection in your statement. Poe's failed search for sanctuary has everything to do with Brooks's house burning down. Since we suspect that Poe started immediately for Dr. Brooks's from the harbor, with his trunk, it is most certain that he anticipated finding not only literary assistance but a bed as well."

"Instead, he discovers that the house has burned, or is still burning, depending on the exact day and hour of Poe's arrival, which we do not know."

"Yes, and, either way, if the fire happened the very minute he came or two days before, he is left to wander. Here is the difficulty. The doctor, John J. Moran, who treated Poe days later at the hospital recalls that Poe did not know what he was doing in Baltimore or how he had gotten there. The temperance periodicals, in their search for a persuasive and inculcating lesson, employ this inference to suggest that Poe had begun drinking, had been absorbed entirely in a binge or spree, and this, their logic runs, explains why he lost track of the days."

"You do not believe this?" I asked.

"It is the weakest kind of argument, not just flawed but obesely flawed. It would be similar to you seeing me on the street one day, and then again one week later, at which time I ask you for directions, and you wonder how it is I had been lost for an entire week. You shall remember we have already discussed the fact that an offer had been extended to Poe to travel to Philadelphia and edit a book of poems by Mrs. St. Leon Loud for a fee of one hundred dollars. An offer we know he accepted. Poe wrote to Muddy: ‘Mr. Loud, the husband of Mrs. St. Leon Loud, the poetess of Philadelphia, called on me the other day and offered me one hundred dollars to edit his wife's poems. Of course, I accepted the offer. The whole labor will not occupy me three days.' These are Poe's words from earlier that summer, as we learn from the letters that have since been in print.

"If, as we have already decisively determined, Poe was in the process of collecting more capital for his magazine; and if, as we additionally surmised, Poe had added a stay in Baltimore to his itinerary at a late moment in search of enlarging this capital; and if whatever funds he did have would be diminished not by theft but by the necessity of securing a room at a hotel, then it is quite likely that, with this editing offer still standing from nearby Philadelphia, and his hoped-for conference with Dr. Brooks inhibited by the untimely fire, Poe would soon leave for Philadelphia to complete this easy work for the eager and wealthy poetess. Rather than several days ‘lost,' as the temperance editors would like, no doubt Poe spent at least one night, possibly several, in a hotel here in Baltimore before securing an available train to Philadelphia. In this way, when Poe says to the hospital doctor while on his deathbed that he does not know how he came to be in Baltimore and why he is there, he is referring not to his arrival from Richmond, for which he would plainly know the purpose of his journey, but a second arrival to Baltimore. A journey back, at an indefinite time, but as early as the night before Poe's collapse at Ryan's hotel or as late as a few hours before that collapse, taken in some self-obscurity, resulting from a trip to Philadelphia."

"But you have shown, monsieur," I reminded him, "by examining her book of poetry and the poem about his death, that Poe did not edit Mrs. Loud's poems, and that, calling him a ‘stranger,' she had not seen him in Philadelphia at any time in close proximity to his death. You remarked to me that this was only the first document of two proving this. But now you speak of Poe's trip to Philadelphia. Have you changed your mind?"

Duponte raised one finger. "Careful. I did not say Poe arrived in Philadelphia."

"You are correct that I have in the past alluded to a second demonstration that Poe did not arrive in Philadelphia, if any evidence is needed beyond that culled from Madame St. Leon Loud's lyrical productions. You will now remember that Poe instructed Muddy to write him in Philadelphia as ‘E. S. T. Grey Esquire.' Would you re-peruse from your portfolio these apparently obscure instructions from Monsieur Poe?"

I did so: "‘Write immediately in reply and direct to Philadelphia. For fear I should not get the letter, sign no name and address it to E. S. T. Grey Esqre.'" I paused and put the extract down. "Monsieur, do say you have an answer to such a strange and indecipherable code!"

"Code! Strange! The only cipher here is in the eyes of those who look and do not understand, and so decide they must be solving some puzzle."

Duponte opened the lid of the trunk that had been brought in by the porter. It was filled to the very top with newspapers. "Before coming to find you here, I stopped at Glen Eliza. Your girl, Daphne, a domestic of excellent character and dry wit, very kindly allowed me to remove a considerable portion of our newspaper collection which had sat untouched in your library these last months. Indeed, she insinuated that I should advise you to discard such papers, for they have made housekeeping in that chamber impossible. Now," he said, turning back to me, "describe for me, if you please, where precisely lies the mystery of Poe's instructions to his darling Muddy?"

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