Matthew Pearl - The Poe Shadow

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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"I understand," I said. "Continue please, Monsieur Montor."

"Outlaws would not seek to find me, an official government minister, as I say, with Louis-Napoleon as the current head of government. But such criminals might seek out those who are estranged from the name of Napoleon. Yes." His mouth loosened and he became excited, as though understanding this was now his mission too. "They might, monsieur!"

"Do you have the city directories for Baltimore?" I asked.

He pointed to a shelf in the corridor. His eyes traveled away from me shiftily, toward the window and door. He'd been caught up momentarily in my questions, but I could see he was now preparing in his mind an indignant report to the police.

It did not matter. I stopped my finger at the right page and tore it out. I could still reach the train depot before Montor's reports reached the ears of the Washington police.

***

And indeed, the conductor of the train did not seem at all concerned with me upon my boarding. As a precaution, I sat in the last passenger car, and to observe more I opened the window at my seat, provoking malevolent stares when pockets of cold air rushed inside. One fellow spit his tobacco pointedly close to my boots, but I only shifted my legs farther from him.

I looked for any signs of something unusual, having to will my eyes not to close for longer than a few seconds. At one point, as the train made a turn, I saw a young boy running along the front of the train boldly grab hold of the cowcatcher-this was the device in front that forced away animals like sheep, cows, and hogs that strayed onto the track-and, gripping onto this, he managed to swing into the first car. I was startled, but told myself this was just a stowaway. I soon forgot the sight of the boy dangling in front of the train through a short spell of sleep.

I was jolted awake as the train shook with a violent shudder and soon began to nudge into a slower speed as it approached a bridge over a ravine. I jumped to my feet and was about to ask what had happened when I overheard another man as he questioned the conductor and engineer. The conductor had a harum-scarum look about him, as though he were frightened even of himself.

"The train went over a chaise and horse," the engineer said coolly. "Two ladies were thrown out, and pretty well smashed, too. The chaise broken to pieces."

The conductor passed by this engineer and scurried to the next car.

"Good God, mister!" cried the other passenger, looking back to me for the same reaction. I took a few steps backward and checked the door to the freight car that was attached to the end of the train. It was locked.

My eyes were fixed on the engineer's face. I tried to think whether I had heard a crash at all, and cursed myself for having fallen asleep. The engineer seemed unnaturally calm for just having been part of a terrible accident, possibly killing two women.

"Chaise was broken to pieces," the engineer said, then looked flustered as he realized he had already said this.

I interjected casually, "I didn't hear a crash." Of course, I had been asleep, but I felt it was a test worth trying. Could they be lying? Were they slowing down for the police to come aboard?

"Funny, mister," murmured the fussy passenger in front of me. "I didn't hear any crash either, and doesn't everyone say I have the finest hearing in Washington!"

This decided it. I swung myself to the door as the train continued to cut the speed of its engine.

"You there! Stop! What do you think you are doing?" The engineer shouted this at me as he grabbed hold of my arm, but I shook him away hard and he stumbled over a piece of luggage. The passenger who had been speaking, from an overload of confusion, motioned to try to restrain me but stopped cold when he saw from my face that I would not be deterred.

Forcing the door open, I leapt onto the bank of grass alongside the tracks and rolled myself down the side of the steep arched ravine below.

31

LATER, I WOULDlearn more about the Bonapartes and their quiet residence over the decades in Baltimore. Now, I wished only to find them. I could remember faintly my parents speaking of the scandal, so many years earlier-long before I was born-that ensued when the brother of Napoleon Bonaparte married Baltimore 's richest young beauty, Elizabeth Patterson. That brother had long returned to luxury in Europe. It was the American descendants of Napoleon's lighthearted brother that I had to confront-the Jérôme Bonaparte I had met in costume and his family and allies-to see if they knew those rogues whose presence would prove my innocence.

But I had no particular concern for the Bonaparte family's history or ambitions at the moment. Today the question of my survival was too real.

These American Bonapartes and their offspring had multiplied and spread themselves around the city, and had maintained many homes across Baltimore through their great wealth from the Patterson family and the stipend the jilted wife received from Napoleon. The first address I visited no longer belonged to them at all-but the domestic who answered, a plump Irishwoman, received enough mistaken callers to know where to direct me. Still, it was several jaunts into different quarters, meeting various affiliated persons, before I found the most promising residence: one of the homes of Napoleon's brother's grandsons, estranged great-nephew to the legendary Napoleon himself and cousin, by my rough calculations, to the current French president.

Following the incident on the train, I felt confident I'd eluded any police agents from Washington, but I still proceeded slowly and methodically, which was maddening for such an urgent affair. It was not safe to be out in the light of day. After my escape from the train, I had waited until night in a frigid ditch and then found safe passage back to Baltimore in a covered mail-sleigh, lodging myself in the straw at the bottom of the cart with a few servants and a sleeping Hungarian peddler who, in the apparent throes of a dream, repeatedly kicked me in the stomach with a hobnailed boot. The driver rode through the night over rough stones and paths at a dashing rate as quick as any train.

Out of caution, I waited another day before going to the next Bonaparte address. The house was empty-or, rather, there were no servants and nobody responded to my knocking at the door. But I noticed the carriage house door was open and, as I stood outside, I could see shapes through the windows of the house. Propping myself on a ledge, I pressed against a window and thought I could hear men speaking in French.

When the door opened, I could see two of the figures inside more clearly. I knew one as the rogue who had almost killed me in the carriage factory, and the second to be his partner. The first wore a large bandage fastened around his arm where he had been crushed by the carriage after I had stabbed him.

A different man, the one closer to the street door, was handing over money to the two rogues, who were nodding and soon departed into the carriage house. This third man had the demeanor of being their leader. I waited until they had driven away and then rang.

The man returned to the door. He was grander than the two rogues. Not bigger, exactly, but better fashioned to provoke respect rather than mere fear, with perfectly squared shoulders. For a moment I stood paralyzed as he waited for some word from me. He looked back at me as I stared at him with a vague air of recognition.

"Mr. Bonaparte," I said finally, choking back a gasp. "You are Monsieur Bonaparte?"

He shook his head. "My name is Rollin. Young Monsieur Bonaparte is away, at West Point. You would like to leave word?" He instructed more than asked this, but I declined. There was something in his tone…

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