Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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It was the saddest funeral ever seen.

It was the weather. No: the mere four or five men in attendance-the minimum needed to lift an adult coffin. Or perhaps the melancholy quality came chiefly from that brisk, callous completion of the ceremony. Not even the most impoverished pauper's funeral that I had observed before this day, nor the funerals of the poor Jewish cemetery nearby, not even those exhibited such unchristian indifference. There wasn't one flower, wasn't one tear.

Afterward, I retraced my steps only to find the post office had bolted its doors. I could not know whether there was a letter waiting for me inside or not-but I returned to our office chambers and reassured myself. Soon, I'd hear more from him soon.

That evening at the social gathering, I found myself on a private stroll with Hattie Blum along a field of berries, dormant for the season but shadowed with summer remembrances of Champagne and Strawberry Parties. As ever, I could speak comfortably to Hattie.

"Our practice is awfully interesting at times," I said. "Yet I think I should like to choose the cases with more discrimination. A lawyer in ancient Rome, you know, swore never to defend a cause unless he thought it was just. We take cases if their pay is just."

"You can change your office, Quentin. It is your name and your character hanging on the shingle too, after all. Make it more like yourself, rather than make yourself more suited to it."

"Do you believe so, Miss Hattie?"

Twilight was settling and Hattie became uncharacteristically quiet, which I fear meant that I became insufferably talkative. I examined her expression but found no clues to the source of her distant bearing.

"You laughed for me," Hattie said absently, almost as though I would not hear her.

"Miss Hattie?"

She looked up at me. "I was only thinking of when we were children. Do you know at first I thought you were a fool?"

"Appreciated," I chuckled.

"My father would take my mother away during her different sicknesses, and you would come to play when my aunt was minding me. You were the only one to know just how to make me smile until my parents returned, because you were always laughing at the strangest things!" She said this wistfully, while lifting the bottom of her long skirts to avoid the muddy ground.

Later, when we were inside warming ourselves, Hattie talked quietly with her aunt, whose entire countenance had stiffened from earlier in the day. Auntie Blum asked what should be arranged for Hattie's birthday.

"It is coming, I suppose," Hattie said. "I should hardly think of it, typically, Auntie. But this year…" She trailed off into a cheerless hum. At supper, she hardly touched the food.

I did not like this at all. I felt myself turn into an eleven-year-old boy again, an anxious protector of the girl across the way. Hattie had been such a reliable presence in my life that any discomfort on her part upset me. Thus it was perhaps from a selfish motivation I tried to cure her mood, but at all events I did wish her to be genuinely happy.

Others of the party, like my law partner, Peter, joined in attempting to raise her spirits, and I studied each of them vigilantly in the event that one of them had been responsible for bringing Hattie Blum into a fit of blues.

Something was hindering my own role in cheering her on this day: that funeral I had seen. I cannot properly explain why, but it had thoroughly exploded my peace. I tried to call to mind a picture of it again. There had been only the four men in attendance to listen to the minister. One, taller than the others, stood toward the rear, his gaze floating off, as though the most anxious of all to be somewhere else. Then, as they came toward the road, there were their grim mouths. The faces were not known to me but also not forgotten. Only one member delayed, staying his steps regretfully, as though overhearing my private thoughts. The event seemed to speak of a terrible loss and yet to do it no honor. It was, in a word, Wrong.

Under this vague cloud of distraction, my efforts exhausted themselves without rescuing Hattie's spirits. I could only bow and express my helpless regrets in unison with the other guests when Hattie and her Auntie Blum were among the first to depart from the supper party. I was pleased when Peter suggested we bring an end to the evening, too.

"Well, Quentin? What has come over you?" Peter asked in an eruption. We were sharing a hired carriage back to our houses.

I thought to tell him of the sad funeral, but Peter would not understand why that had been occupying my mind. Then I realized by the gravity of his posture that he referred to something altogether different. "Peter," I asked, "what do you mean?"

"Did you decide not to propose to Hattie Blum this evening, after all?" he demanded with a loud exhalation.

"Propose! I?"

"She'll be twenty-three in a few weeks. For a Baltimore girl today, that is practically an old maid! Do you not love the dear girl even a little?"

"Who could not love Hattie Blum? But stay, Peter! How is it you came to assume we were to be engaged on this night? Had I ever suggested this was my design?"

"How is it I-? Do you not know as well as I do that the date today is the very same date your own parents were engaged? Had this failed to occur to you even once this evening?"

It had indeed failed to occur to me, as a matter of fact, and even being reminded of this coincidence provided little comprehension of Peter's queer assumption. He explained further that Auntie Blum had been sagely certain I would take the opportunity of this party to propose, and had thought I had even hinted such earlier in the day, and had so informed Peter and Hattie of this likelihood so they would not be surprised. I had been the unwitting, principal cause of Hattie's mysterious distress. I had been the wretch!

"When would have been a more reasonable time than tonight?" Peter continued. "An anniversary so important to you! When? It was as plain as the sun at noon-day."

"I hadn't realized…" I stammered.

"How couldn't you see she was waiting for you, that it is time for your future to begin? Well, here, you're home. I wish you a restful sleep. Poor Hattie is probably weeping into her pillow even now!"

"I should never wish to make her sad," I said. "I wish only that I knew what seemed to be expected from me by everyone else." Peter gruffly muttered agreement, as though I had finally struck upon my general failing.

Of course I would propose, and of course we would marry! Hattie's presence in my life had been my good fortune. I brightened whenever I saw her and, even more, whenever we were apart and I thought about her. There had been so little change all this time knowing her, I suppose it had just seemed odd to call for it now with a proposal.

"What do you think about?" Peter seemed to say with his brow as I closed the carriage door to bid him good night. I pulled the door back open.

"There was a funeral earlier," I said, deciding to try to redeem myself with some explanation. "You see, I watched it pass, and I suppose it troubled me for a reason I had not…" But no, I still could not find the words to justify its effects on me.

"A funeral! A stranger's funeral!" Peter cried. "Now, what in heaven does that have to do with you?"

Everything, but I did not know that then. The next morning I came down in my dressing gown and opened the newspaper to distract myself. Had I been warned, I still could not have predicted my own alarm at what I saw that made me forget my other concerns. It was a small heading on one of the inside pages that caught me. Death of Edgar A. Poe.

I would toss the newspaper aside, then would pick it up again, turning pages to read something else; then I'd read again and again that heading: Death of Edgar A. Poe… the distinguished American poet, scholar, and critic in the thirty-eighth year of his age.

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