The room is oddly still; I glance up and realise that Dumas has stopped his scribbling. Instead he is staring at me, his face white and strained, his eyes bulging more alarmingly than usual. I send him a quizzical frown; he only bites his lip and mouths the word ‘time’.
He is right; he must take the packet of letters to Throckmorton and I have Fowler waiting for me at the Mitre. We work as fast as we can in this back room of Phelippes’s house, but there is always the fear that someone from Salisbury Court will have seen Dumas meet me at the Lud Gate or noticed our detour through the city to Leadenhall, particularly now it seems certain that someone is watching my movements. Already the best part of the day is gone, thanks to Marie and her diversions, but I still have hopes of making my way to Mortlake in pursuit of Ned Kelley, or clues to his whereabouts. Phelippes seems to have frozen at his task; I give a small cough behind my fist but he merely blinks.
‘Almost there,’ he says mildly, still staring fixedly at the letter, and I realise he is memorising the numbers. I would love to ask him his technique but do not want to break his concentration. When he has jotted down what he needs, he refolds Howard’s letter and arranges the instruments of his other skill, the forging of seals: several bars of wax, a candle, a selection of small silver-bladed knives, some no bigger than the nib of a quill. He takes a moment to compare the new wax, matching the colour carefully to the original seal. I watch, mesmerised, as his quick fingers deftly reattach it, part heating the underside and adding just enough fresh wax to press it home without cracking the surface or disturbing the cords set into the original wax. Any careless move at this crucial stage could damage Howard’s seal so that the tampering became evident; Mary’s sharp eyes would be looking for any such sign of treachery. I find I am holding my breath in sympathy, anxious not to make any move or sound that might distract Phelippes, but he seems oblivious; for a thick-set man, he has surprisingly delicate fingers, long and white like a seamstress’s. With his little knife he prods and tweaks the soft wax until he is satisfied with its appearance. He replaces the letter inside the oilskin wrapping of the package Dumas must deliver to Throckmorton imminently.
At the edge of my vision I can see Dumas fidgeting; he is anxious to be gone. When he has handed over the letter he has been copying and the packet for Throckmorton has been resealed satisfactorily, Phelippes ushers us out of the back door of his house, bidding us good day with an awkward twitch of his shoulders, eyes still turned to the ground.
We cross a yard and emerge into a side street that leads us out by the little churchyard of St Katherine Cree. A cold gust throws a handful of raindrops into our faces and Dumas shivers, a violent tremor that rattles through his thin body. He seems unusually tense; as we step out into the street, our collars pulled up against the squall, a boy dashes suddenly from the mouth of an alley and Dumas leaps a foot into the air like a rabbit, clutching at my sleeve.
‘Are you all right, Leon?’ I ask, as the boy swerves between puddles and disappears behind houses on the opposite side of the street. Dumas looks at me with an oddly pleading expression, as if there is something he wants to say, then shakes his head tightly, mumbling that he must hurry. I, too, am already late for my meeting with Fowler; earlier this morning I had regretted the necessity of seeing him, adding another distraction to my day, but now I feel something approaching relief. Walsingham’s anger at the palace has taught me that I cannot hope to find this killer alone, and the quiet, composed Scot, with his network of contacts and his knowledge of Salisbury Court, may be just the confidant I need. Walsingham has as good as instructed me to share my information, and the prospect of sharing the burden is no longer unwelcome.
I lay a hand on Dumas’s shoulder and he flinches. We must part ways here, I west to Creed Lane, he south to Paul’s Wharf and Throckmorton’s house.
‘I will see you back at Salisbury Court.’
He looks around briefly, then leans in towards me.
‘They will know now, won’t they? That the letters have been opened?’
‘What makes you say that?’
‘The ring. If the casket and the ring has been stolen from inside the package, they will start looking for anyone who might have had the chance to do so.’ He is clutching at my sleeve again, his eyes bright with panic.
‘Slow down, Leon — the ring could have disappeared at any stage in its journey. Or it may not have disappeared at all. There is no reason to think we will be under any more suspicion than we are now.’
But he is not convinced; in fact, he looks more stricken than I have ever seen him. If his fear gets the better of him and he tries to pull out of the arrangement to avoid discovery, we could lose our access to Mary’s correspondence with Salisbury Court and with it any advance information about the invasion plans or concrete evidence of plots against the queen. This must not be allowed to happen; the entire operation depends on Dumas’s peace of mind, and it is up to me to reassure him.
‘We must remain calm, Leon, and give nothing away from our behaviour. You and I will speak of this further. Come to my room when you can,’ I say, clapping him on the shoulder again, ‘but for now, Godspeed.’ And I watch him as he sets off south towards the river, his shoulders hunched against the rain. As I turn to make my own way up the hill, I am certain I see a flicker of movement, a figure darting away into the shadows behind St Katherine’s Church. My stomach twists for a moment, as my hand reaches for the bone-handled dagger I carry always at my belt, the only possession I took from the monastery of San Domenico Maggiore in Naples the night I fled. But as I draw level with the churchyard I can see no one; two men are walking eastwards towards me, deep in conversation, and I pull my shoulders back and breathe deeply. London is full of people going about their business, despite the rain, and I must guard against becoming as nervous as Dumas, leaping at shadows. I pull the peak of my cap down against the weather and walk on, though I keep one hand on the dagger, just in case.
Creed Lane runs to the west of St Paul’s churchyard, and the narrow street is already thronged with people as I approach the sign of the Mitre, jostling one another with sharp insults as they try to protect themselves and their wares from the weather. Just as I reach the door of the tavern, a hand clamps down on my shoulder; again, I start, my hand instinctively tightening around the knife as I turn to find the grinning face of Archibald Douglas only a few inches from mine, his breath already thick with the fumes of drink but his eyes bright and mischievous.
‘Bruno! I thought it was you. Recognised your hat through the crowds. What brings you to this part of town?’
I look at him through narrowed eyes, immediately alert. Douglas has never to my knowledge seen me wearing a hat, and in any case, mine is of black leather, the same as every second man in London. Could it possibly be Douglas following me?
‘Books,’ I say, hastily recovering myself. ‘I wanted to look at the booksellers’ stalls outside St Paul’s.’
‘I’m not sure they sell your kind of books on public stalls,’ he says, winking broadly and hooking his arm around my neck as he pushes the door open. ‘Come on, let me buy you a drink.’
I am wary of his sudden appearance and unprecedented display of bonhomie, but since I was so obviously on my way into the tavern, it is impossible to refuse his offer without looking suspicious myself, so I shrug and allow him to usher me through the door into the steaming tap-room, where the smell of wet wool vies with the warming aromas of pastry and yeasty beer.
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