S. Parris - The Secret Dead - A Novella

Published by HarperCollins Publishers

1 London Bridge Street

London, SE1 9GF

www.harpercollins.co.uk

First published by HarperCollins Publishers 2014

Copyright © Stephanie Merritt 2014

Cover layout design © HarperCollins Publishers 2014

Cover illustration © Daren Newman

Cover images © Shutterstock.com(background textures)

Stephanie Merritt asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © JUNE 2014 ISBN: 9780007481187

Version: 2017-05-10

Table of Contents

Cover

Title Page The Secret Dead S.J. Paris

Copyright COPYRIGHT Copyright The Secret Dead About the Author Also by S.J. Paris About the Publisher Published by HarperCollins Publishers 1 London Bridge Street London, SE1 9GF www.harpercollins.co.uk First published by HarperCollins Publishers 2014 Copyright © Stephanie Merritt 2014 Cover layout design © HarperCollins Publishers 2014 Cover illustration © Daren Newman Cover images © Shutterstock.com (background textures) Stephanie Merritt asserts the moral right to be identified as the author of this work. A catalogue record for this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Ebook Edition © JUNE 2014 ISBN: 9780007481187 Version: 2017-05-10

The Secret Dead

About the Author

Also by S.J. Paris

About the Publisher

I was eighteen years old and had just taken holy orders the summer Fra Gennaro found the girl. It was not the first time I had seen a naked woman. I had entered the Dominican order as a novice at fifteen, old enough by then to have tasted first love, the sweet warmth of a girl’s pliant body in the shade of the olive trees above the village of Nola. A distant cousin, as it turned out; her family were livid. Perhaps that was why my father had been so ready to pay out for my education, though God knows he could ill afford it. Sending me away to the Dominicans in the city was cheaper than a scandal. We were given new names on taking our final vows, to symbolise the shedding of our old selves. I took the name Giordano, though most people just called me Bruno.

Naples in the summer of 1566 was an inferno of heat and noise, dust and crowds; a city of heart-stopping beauty and casual violence. Two hundred and fifty thousand souls seething inside ancient walls built to house one-tenth that number, the tenements growing higher and higher until their shadows almost shut out the sun because land was scarce, so much of it taken up by the vast gardens and courtyards of the palazzos and the religious houses. Tensions in the city streets brewed and boiled like the forces of the great volcano that overshadows them. Even walking from one side of a piazza to the other felt like fighting through the front line of an advancing army: elbows and fists, baskets, barrows and hot, angry bodies jostling and shoving, trampling or crushing one another. Horses and carts ploughed through the heaving marketplaces while the sun hammered down without pity and blazed back from walls of yellow tufa stone or the flashing blades of knives drawn in exchanges of rich inventive cursing. The Neapolitans discharged the tension by fighting or fucking, often at the same time. Soldiers of the Spanish viceroy patrolled the streets, though whether their presence imposed order or fuelled the general air of aggression depended on your view of our Spanish overlords. It was a city stinking of hypocrisy: kissing in public was illegal, but courtesans were permitted to walk the streets openly, looking for business even in the churches (especially in the churches). Blasphemy was also punishable by law, but beggars, vagrants and those without work were allowed to starve in the streets, their bodies rounded up each night on carts and thrown into a charnel-house outside the walls before they could spread contagion. Thieves, assassins and whores thrived and prospered there and, naturally, so did the Church.

In the midst of this simmering human soup stood the magnificent basilica of San Domenico Maggiore, where the faithful could worship the wooden crucifix that had once spoken aloud to St Thomas Aquinas. San Domenico was one of the wealthiest religious houses in the city; the local barons all sent their superfluous younger sons there as a bribe to God, and many of my brothers dressed and strutted like the young lords they still felt themselves to be, keen to preserve the distinction of degree despite their vows. The deprivations of religious life were interpreted here with considerable lassitude; it must have been well known to the prior and his officials that a number of the novices had copied keys to a side gate and often slipped out into the heat of the city streets at night, but I never saw anyone punished for it, provided they were back in time for Matins. Drinking, dicing, whoring – sins such as these were straightforward, easy to overlook in young noblemen with high spirits. It was sins of thought that the authorities could not countenance. In its favour, I should say that San Domenico prized other qualities than birth: it was famed as the intellectual heart of Naples, and a mere soldier’s son like me might be admitted at the Order’s expense if he showed enough promise as a scholar.

By early September, the city had grown heavy and slow, exhausted by the ferocity of the long summer’s heat; people barely made the effort to curse as you pushed past them. There was a sense of apprehension, too; the previous autumn had brought a season of thick fogs off the sea carrying the contagion of fever and the epidemic had infected half the city. I had taken my final vows and been admitted to the Order in the spring, despite some misgivings on the part of the novice master, who confided to the prior that Fra Giordano Bruno had trouble submitting to authority and a taste for difficult questions. During my novitiate I had shown aptitude for my studies in the natural sciences, and the prior had set me to work for a while as assistant to Fra Gennaro, the brother infirmarian, in the belief that vigorous practical tasks – measuring, chopping and distilling remedies, helping to cultivate and harvest the plants used to make them, as well as tending to the ailments of those brothers confined to the infirmary – would occupy my mind and curb my wilfulness. In this he was mistaken; the more I learned about the natural world, its correspondences and hidden properties, the more my questions multiplied, for it seemed to me that our understanding of Creation, handed down from antiquity through the Scriptures and the Church Fathers, did not stand up to the most elementary scrutiny and observation. Fra Gennaro regarded my questions with forbearance and a hint of dry humour; for the most part he proved an attentive, if non-committal, audience while I formulated my doubts and theories aloud and only rarely did he reprimand me when I overstepped the bounds of what he judged a God-given hunger for knowledge. Few of the other friars would have shown such tolerance.