Ariana Franklin - The Serpent’s Tale

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"An outstanding historical mystery. Well-researched, well-plotted, well-paced and above all well written." – Mike Ripley
Ariana Franklin combines the best of modern forensic thrillers with the drama of historical fiction in the enthralling second novel in the Mistress of the Art of Death series, featuring medieval heroine Adelia Aguilar.
Rosamund Clifford, the mistress of King Henry II, has died an agonizing death by poison-and the king's estranged queen, Eleanor of Aquitaine, is the prime suspect. Henry suspects that Rosamund's murder is probably the first move in Eleanor's long-simmering plot to overthrow him. If Eleanor is guilty, the result could be civil war. The king must once again summon Adelia Aguilar, mistress of the art of death, to uncover the truth.
Adelia is not happy to be called out of retirement. She has been living contentedly in the countryside, caring for her infant daughter, Allie. But Henry's summons cannot be ignored, and Adelia must again join forces with the king's trusted fixer, Rowley Picot, the Bishop of St. Albans, who is also her baby's father.
Adelia and Rowley travel to the murdered courtesan's home, in a tower within a walled labyrinth-a strange and sinister place from the outside, but far more so on the inside, where a bizarre and gruesome discovery awaits them. But Adelia's investigation is cut short by the appearance of Rosamund's rival: Queen Eleanor. Adelia, Rowley, and the other members of her small party are taken captive by Eleanor's henchmen and held in the nunnery of Godstow, where Eleanor is holed up for the winter with her band of mercenaries, awaiting the right moment to launch their rebellion.
Isolated and trapped inside the nunnery by the snow and cold, Adelia and Rowley watch as dead bodies begin piling up. Adelia knows that there may be more than one killer at work, and she must unveil their true identities before England is once again plunged into civil war…

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As she spread her hands to indicate the uselessness of interrupting the diners, Mother Edyve’s eyes rested for a moment without expression on Adelia’s across the room.

After all, I have the keys to the lockup.

“What you laughing at?” Cross asked.

“At a man hoist with his own petard.”

However the abbess had managed the escape, whichever of Dakers’s guards had been commanded to turn a blind eye, the Abbot of Eynsham could neither accuse nor punish. He was the one who, in locking her up, had demonized Rosamund’s housekeeper; he could not now complain if, as Cross said, she had done what demons did.

Still grinning, Adelia leaned forward to tell Gyltha, who was on the Arab’s other side, what had happened.

“Good luck to the old gargoyle.” Gyltha took another swig from her beaker; she’d been imbibing with energy for some time.

Mansur said in Arabic, “Convent men have been digging a path through the snow down to the river. The abbess ordered it. I overheard the man Fitchet say it was so that the queen could go skating on the ice. Now I think that they have been making an escapeway for Rosamund’s woman.”

“They’ve let her leave? In this weather?” It wasn’t funny anymore. “I thought they’d hide her somewhere in the abbey.”

Mansur shook his head. “It is too crowded, she would be found. She will survive if Allah wills it. It is not far to Oxford.”

“She won’t go to Oxford.”

There was only one place Dame Dakers would be making for.

For the rest of the meal and as the tables were put aside to clear the barn for dancing, Adelia thought of the river and the woman who would be following its course northward. Would the ice hold her? Could she survive the cold? Had the abbot, who would know where she was heading, sent men and dogs after her?

Mansur, looking at her, said, “Allah protects the insane. He will decide whether the woman lives or dies.”

But it was because Dakers was insane and friendless and knew too much that Adelia’s shoulders were bowed by responsibility for her.

Allah, God, whoever You are, look out for her.

However, in seeing to young Allie, who, having fed and slept and now woken up again, needing to be wiped top and bottom and to have her clouts changed, and demanding entertainment, Adelia was forced to dwell on what was immediate.

There was entertainment in plenty. The troubadours had gathered in the hayloft and were now playing with a force and rhythm that couldn’t be denied; the queen and her court danced to the music with toe-pointing, hand-arching elegance at one end of the barn while, at the other, the English jounced in swinging, noisy rings.

A convent pensioner was juggling apples with a dexterity that belied his years, and the smith, against the advice of his wife, was swallowing a sword.

Activity and grunts from under the hayloft eventually produced a wild assortment of figures that proceeded to put on an impromptu and scatological version of Noah’s flood so exuberantly that the dancers paused to become its audience.

Adelia, sitting on the ground with a crowing, pointing Allie against her knees, found herself enjoying it. It was doubtful if Noah would have recognized the species capering up this invisible gangplank into an invisible ark. The only real animal, the convent donkey, outperformed the rest of the cast by dropping a pungent criticism of their performance on the foot of a unicorn, played by Fitchet, making Gyltha laugh so hard that Mansur had to drag her away until she recovered.

For all their sophistication, Eleanor’s party couldn’t resist the applause accorded to such vulgarism. They joined in, dropping refinement and showing themselves to be clowns manqués as they appeared in startling wigs and skirts, faces painted with flour and madder.

What was it about some men that they must ape women, Adelia thought, even as she booed an irascible Mrs. Noah, played with brio by Montignard, belaboring Noah for being drunk.

Was that Jacques under the warts, straw hair, and extended bosom of Japhet’s wife? Surely that wasn’t the Abbot of Eynsham black-faced and whirling so fast on his toes that his petticoat flared in a blur?

Allie, still clutching her marrow bone, had fallen asleep again. It was time to go to bed before the manic hilarity of the night descended into brawling, as it almost inevitably would. Already Schwyz’s men and Wolvercote’s had separated into drunken coteries and were focusing blearily on one another in a way suggesting that the spirit of Christmas was on its last legs.

Wolvercote himself had already gone, taking Emma with him. The queen was thanking the abbess before departing, and Mother Edyve was signaling to her nuns. Master Warin had disappeared. The smith, clutching his throat, was being led away by his wife.

Adelia looked around for Gyltha and Mansur. Oh, dear, her beloved Arab-possibly the only sober person in the barn apart from herself-had been inveigled into doing his sword dance for the delight of some convent servants, and Gyltha was gyrating round him like an inebriated stoat. Not a drinker usually, Gyltha, but she could never resist alcohol when it was free.

Yawning, Adelia picked up Allie and took her to the corner in which they’d left the cradle, put the child in it, took away the marrow bone, gave it to Ward, covered up her daughter, and raised the cradle’s little leather hood, then settled down beside it to wait.

And fell asleep to dream a frenetic, rowdy dream that turned hideous when a bear picked her up and, clutching her to its pelt, began dragging her away into the forest. She heard growling as Ward attacked the bear and then a yelp as it kicked him away.

Struggling, almost smothered, her legs trailing, Adelia woke up fully. She was being pulled into the darkest corner under the hayloft in the arms of the Abbot of Eynsham. He slammed her so hard against the outer wall that bits of lathe and plaster showered them both, pushing his great body against her.

He was very, very drunk and whispering. “You’re his spy, you bitch. The bishop. I know you…pretending to be prim with me, you whore, I know…what you got up to. How’s he do it? Up the arse? In your mouth?”

Brandy fumes enveloped her as his blackened face came down onto hers.

She jerked her head away and brought up her knee as sharply as she could, but the ridiculous skirt he was wearing gave him protection and, though he grunted, his weight stayed on her.

The whispering went on and on. “…think you’re so clever…see it in your eyes, but you’re a stinking strumpet. A spy. I’m better than Saint Albans… I’m better. …” His hand had found herbreast and was squeezing it. “Look at me, I can do it…Love me, you bitch, love me …” He was licking her face.

Outside the suffocating cubicle she was trapped in, somebody was intervening, trying to pull the heaving, hissing awfulness off her. “Leave her, Rob, she’s not worth it.” It was Schwyz’s voice.

“Yes, she is. She looks at me like I’m shit…like she knows.”

There was the sound of a loud smack, then air and space. Relieved of weight, Adelia slid down the wall, gasping.

The abbot lay on the ground, onto which Mansur had flattened him. He was weeping. Beside him, Schwyz was on his knees, giving comfort like a mother. “Just a whore, Robert, you don’t want that.”

Mansur stood over them both, sucking his knuckles but impassive as ever. He turned and held out his hand to Adelia. She took it and got to her feet.

Together, they walked back to the cradle. Before they reached it, Adelia paused, wiping her face, smoothing her clothes. Even then, she couldn’t look down at her child. How impure they made you feel.

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