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Ariana Franklin: The Serpent’s Tale

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Ariana Franklin The Serpent’s Tale

The Serpent’s Tale: краткое содержание, описание и аннотация

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"An outstanding historical mystery. Well-researched, well-plotted, well-paced and above all well written." – Mike Ripley Ariana Franklin combines the best of modern forensic thrillers with the drama of historical fiction in the enthralling second novel in the Mistress of the Art of Death series, featuring medieval heroine Adelia Aguilar. Rosamund Clifford, the mistress of King Henry II, has died an agonizing death by poison-and the king's estranged queen, Eleanor of Aquitaine, is the prime suspect. Henry suspects that Rosamund's murder is probably the first move in Eleanor's long-simmering plot to overthrow him. If Eleanor is guilty, the result could be civil war. The king must once again summon Adelia Aguilar, mistress of the art of death, to uncover the truth. Adelia is not happy to be called out of retirement. She has been living contentedly in the countryside, caring for her infant daughter, Allie. But Henry's summons cannot be ignored, and Adelia must again join forces with the king's trusted fixer, Rowley Picot, the Bishop of St. Albans, who is also her baby's father. Adelia and Rowley travel to the murdered courtesan's home, in a tower within a walled labyrinth-a strange and sinister place from the outside, but far more so on the inside, where a bizarre and gruesome discovery awaits them. But Adelia's investigation is cut short by the appearance of Rosamund's rival: Queen Eleanor. Adelia, Rowley, and the other members of her small party are taken captive by Eleanor's henchmen and held in the nunnery of Godstow, where Eleanor is holed up for the winter with her band of mercenaries, awaiting the right moment to launch their rebellion. Isolated and trapped inside the nunnery by the snow and cold, Adelia and Rowley watch as dead bodies begin piling up. Adelia knows that there may be more than one killer at work, and she must unveil their true identities before England is once again plunged into civil war…

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It was going badly; labor had been protracted to the point where the mother, an uncomplaining fenwoman, was becoming exhausted.

Outside, on the grass, watched by Adelia’s dog, Mansur was singing nursery rhymes from his homeland to amuse the other children-all of whom had been delivered easily with the aid of a neighbor and a bread knife-and it was a measure of Adelia’s desperation that at this moment she relished neither his voice nor the strangeness of hearing a castrato’s angelic soprano wafting minor-key Arabic over an English fenland. She could only wonder at the endurance of the suffering woman on the bed, who managed to gasp, “Tha’s pretty.”

The woman’s husband remained uncharmed. He was hiding himself and his concern for his wife in the hut’s undercroft with his cow. His voice came up the wooden flight of stairs to the stage-part hayloft, part living quarters-where the women battled. “Her never had this to-do when Goody Baines delivered ’em.”

Good for Goody Baines, Adelia thought. But those babies had come without trouble, and there had been too many of them. Later, she would have to point out that Mistress Reed had given birth to nine in twelve years; another would probably kill her, even if this one did not.

However, now was not the moment. It was necessary to keep up confidence, especially that of the laboring mother, so she called brightly, “You be thankful you got me now, bor, so you just keep that old water bilin.’”

Me, she thought, an anatomist, and a foreigner to boot. My speciality is corpses. You have a right to be worried. If you were aware of how little experience I have with any parturition other than my own, you’d be frantic.

The unknown Goody Baines might have known what to do; so might Gyltha, Adelia’s companion and nursemaid to her child, but both women were independently paying a visit to Cambridge Fair and would not be back for a day or two, their departure having coincided with the onset of Mistress Reed’s labor. Only Adelia in this isolated part of fenland was known to have medical knowledge and had, therefore, been called to the emergency.

And if the woman in the bed had broken her bones or contracted any form of disease, Adelia could indeed have helped her, for Adelia was a doctor-not just wise in the use of herbs and the pragmatism handed down from woman to woman through generations, and not, like so many men parading as physicians, a charlatan who bamboozled his patients with disgusting medicines for high prices. No, Adelia was a graduate of the great and liberal, forward-thinking, internationally admired School of Medicine in Salerno, which defied the Church by enrolling women into its studies if they were clever enough.

Finding Adelia’s brain on a par with, even excelling, that of the cleverest male student, her professors had given her a masculine education, which, later, she had completed by joining her Jewish foster father in his department of autopsy.

A unique education, then, but of no use to her now, because in its wisdom-and it was wisdom-Salerno’s School of Medicine had seen that midwifery was better left to midwives. Adelia could have cured Mistress Reed’s baby, she could have performed a postmortem on it were it dead and revealed what it died of-but she couldn’t birth it.

She handed over a basin of water and cloth to the woman’s daughter, crossed the room, and picked up her own baby from its wicker basket, sat down on a hay bale, undid her laces, and began to feed it.

She had a theory about breast-feeding, as she had for practically everything: It should be accompanied by calm, happy thoughts. Usually, when she nursed the child, she sat in the doorway of her own little reed-thatched house at Waterbeach and allowed her eyes and mind to wander over the Cam fenland. At first its flat greenness had fared badly against the remembered Mediterranean panorama of her birth, with its jagged drama set against a turquoise sea. But flatness, too, has its beauty, and gradually she had come to appreciate the immense skies over infinite shades of willow and alder that the natives called carr, and the richness of fish and wildlife teeming in the hidden rivers.

“Mountains?” Gyltha had said once. “Don’t hold with mountains. They buggers do get in the way.”

Besides, this was now the homeland of the child in her arms, and therefore infinitely beloved.

But today, Adelia dared not indulge either her eyes or her mind for her baby’s sake. There was another child to be saved, and be damned if she was going to let it die through her own ignorance. Or the mother, either.

Silently apologizing to the little thing in her arms, Adelia set herself to envisaging the corpses she’d dissected of mothers who’d died with their fetuses yet undelivered.

Such pitiable cadavers, yet when they were laid out on the marble table of the great autopsy hall in Salerno, she’d withheld compassion from them, as she’d learned to do with all the dead in order to serve them better. Emotion had no place in the art of dissection, only clear, trained, investigative reasoning.

Now, here, in a whiskery little hut on the edge of the civilized world, she did it again, blanking from her mind the suffering of the woman on the bed and replacing it with a map of interior organs, positions, pressures, displacements. “Hmm.”

Hardly aware she was doing it, Adelia withdrew her baby from her left, now empty, breast and transferred it to the other, still calculating stresses on brain and navel cord, why and when suffocation occurred, blood loss, putrefaction… “Hmm.”

“Here, missis. Summat’s coming.” The daughter was guiding her mother’s hands toward the bridle that had been tied to the bed head.

Adelia laid her child back in its basket, covered herself up, and went to the bottom of the bed.

Something was indeed emerging from the mother’s body, but it wasn’t a baby’s head, it was a baby’s backside.

Goddamn. A breech birth. She’d suspected it but, by the time she’d been brought in, engagement in the uterus had taken place and it was too late to insert her hand and revolve the fetus, even if she’d had the knowledge and daring.

“Ain’t you going to tug it out?” the daughter asked.

“Not yet.” She’d seen the irreparable damage caused by pulling at this stage. Instead, she addressed the mother. “ Now you push. Whether you want to or not, push.

Mistress Reed nodded, put part of the bridle in her mouth, clamped her teeth on it, and began pushing. Adelia gestured to the girl to help her drag the mother’s body farther down the bed so that her buttocks hung over the edge and gravity could play its part.

“Hold her legs straight. By the ankles, behind me, behind me, that’s right. Well done, mistress. Keep pushing.” She herself was on her knees, a good position for delivering-and praying.

Help us, Lord.

Even so, she waited until a navel appeared with its attached cord. She touched the cord gently-a strong pulse. Good, good.

Now for it.

Moving quickly but with care, she entered her hand into the mother’s cavity and released one leg, then the other, flexing the tiny knees.

“Push. Push, will you.”

Oh, beautiful, sliding out by themselves without having to be pulled were two arms and a torso up to the nape of the neck. Supporting the body with one hand, Adelia laid the other on the little back and felt the tremor of a pulse.

Crucial now. Only minutes before suffocation set in. God, whichever god you are, be with us now.

He wasn’t. Mistress Reed had lost strength, and the baby’s head was still inside.

“Pass over that pack, that pack.” In seconds, Adelia had extracted her dissection knife, always kept clean.

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