Frank Tallis: Death And The Maiden

‘I am sorry,’ said the director. ‘But the score is sacred, and the music must come before everything.’

‘You’ll never win, you know. ‘

‘I beg your pardon?’

‘The claque. You’ll never get rid of them.’

‘Perhaps not. But I intend to have a very good try.’

‘A word of advice, Herr Director?’

‘Oh?’

‘You are making yourself very unpopular. You are making yourself enemies in high places.’

The director smiled.

‘I know.’

Rheinhardt looked down the hallway and saw light spilling from his youngest daughter’s bedroom. He poked his head round the door and saw Mitzi, sitting in a nest of pillows, studying the contents of a book.

‘You should be asleep.’ Mitzi made an appeal for clemency with her large dark eyes, and Rheinhardt was immediately disarmed. A permanent half-smile, inherited from her mother, softened the child’s expression and provoked a sympathetic flowering of good humour that expanded in the vicinity of her father’s heart. ‘What are you reading?’

‘Strange Tales from Transylvania.’

Rheinhardt sat on the edge of the bed and Mitzi handed him the book. The cloth cover was faded and the pages were brittle with age. Rheinhardt flicked through the volume, registering titles: ‘The Jealous Vampire’, ‘The Six-fingered Hand’, ‘The Wicked Queen’. Each story was illustrated with a surprisingly good mezzotint.

‘Where did you get this?’

‘From one of the market stalls in Leopoldstadt.’

‘Are the stories frightening?’

‘Not really.’

Only a year earlier this volume would have given Mitzi nightmares.

Rheinhardt felt a pang of regret. He was keenly aware of Mitzi’s childhood slipping away.

The book fell open at a story titled ‘The Gypsy Fiddlers’.

Although the responsible course of action at that moment would have been to tuck Mitzi up and put out the light, Rheinhardt could not deny her the pleasure of a bedtime story.

‘Once upon a time, there lived a boyar-’

‘A what?’ asked Mitzi.

‘A boyar,’ Rheinhardt repeated. ‘A landowner.’

Mitzi nodded, wriggled out from beneath the eiderdown and sat next to her father. Rheinhardt placed his arm around her shoulders and continued.

‘Now, this boyar was old and mean. He was a miser and didn’t want anyone to have his money. He was so mean that even the possibility of others enjoying his money after his death made him unhappy. He resolved that this should never happen. So he sold most of his land for gold and collected all of his wealth in wooden chests. He then went off to find some gypsies who he had learned were encamped nearby. When he arrived, the gypsies were in the middle of a celebration. A great feast had been laid out and they were dancing to a tune played by five fiddlers. The merrymakers invited the boyar to join them, but he refused. He asked them if they would transport some chests for him and promised to pay them well. The job didn’t sound very difficult and the gypsies agreed.’

Rheinhardt buried his face in his daughter’s thick hair and planted a kiss among her curls. The love that he felt for her never ceased to surprise him. There was something breathtaking about its sheer excess. A small elbow found his ribs, reminding him to continue.

‘The gypsies went back with the boyar to his castle and the boyar ordered his servants to bring ten wooden chests up from the cellar. “Inside these chests,” said the boyar, “are magic books. They are evil and can do much harm. I don’t want them here any more. Load them onto your wagons and we’ll hide them in a safe place.” The gypsies followed the boyar to a cave in a deep wooded ravine, and there the boyar ordered them to place the chests inside. They then built a brick wall to seal the entrance and disguised it with dirt and bushes. The boyar made the gypsies swear that they would tell nobody about the hiding place, and he rewarded them with a purse full of coins. But dark thoughts were occupying the boyar’s mind. When he returned to his castle he commanded twenty of his most loyal servants to steal upon the gypsy camp and kill them. So that was what they did. They killed the men, the women, and the children. They killed the five fiddlers and smashed their violins before trampling the broken instruments into the ground. They burned the wagons, drove the horses into the forest, and took the purse full of coins that the boyar had given the gypsies in payment for their help. When the servants told the boyar what they had done he was well pleased. He opened the purse and gave each of his men a coin. A rumour spread that it was robbers who had killed the gypsies and, in the fullness of time, the terrible massacre was forgotten.’

Rheinhardt felt his daughter nestling in the arc of his protective arm. He squeezed her closer.

‘The boyar grew very old, and as the years went by he wanted to be near his money again. His wealth was the only thing he had ever cared for. One summer night, when a full moon was shining brightly in the sky, the boyar travelled to the cave in the ravine, parted the bushes, and pressed his ear against the wall. He sighed with relief. His chests were still safe. But his relief was shortlived. From inside the cave he could hear the sound of fiddlers and singing. The boyar was horrified. “Someone’s found my treasure,” he cried. The boyar beat his fists against the wall until his hands were cut and bleeding. Suddenly the wall parted, and inside he saw a band of gypsies making merry. They looked familiar. The music was wild and their faces reflected the red flames which leaped up from a campfire. The boyar threw himself between the wooden chests and the gypsies and stood in readiness to defend his possessions. Standing thus, he watched as the wall closed, sealing the entrance of the cave once more — and trapping him inside.’

Rheinhardt paused for dramatic effect.

‘What happened to him?’ Mitzi asked.

‘There are those who say,’ Rheinhardt continued, ‘that on summer nights, as they have walked through the deep wooded ravine, they have heard the sound of gypsy fiddlers playing a wild dance. Others have searched for the boyar’s cave but no one has ever found it. As for the boyar himself? Well, he did not return to his castle and he was never seen again.’

Rheinhardt let his cheek rest on the crown of Mitzi’s head. He inhaled the distinctive fragrance that came off her hair, a soapy scent but with a feral undertow, like civet or the soft musk of a kitten’s fur.

‘Good?’

‘Yes.’

‘Now it’s time for you to get some sleep.’ Mitzi disengaged herself from his arm and slid beneath the eiderdown. He stood over her, marvelling at the perfection of her small features and the healthy glow that emanated from her peachlike skin. ‘Goodnight, my dear.’

Rheinhardt kissed his daughter’s forehead, placed the book on a chest of drawers, lowered the gas jet, and closed the bedroom door gently behind him. He walked down the hallway and entered the sitting room, where his wife Else was making a shopping list and his eldest daughter Therese was doing some schoolwork. Else looked up and caught Rheinhardt’s eye. Such was the intimacy between husband and wife that no words were necessary. Her tacit inquiry was answered with a reassuring smile and she continued adding items to her list. Rheinhardt lowered himself into an armchair and began to twirl his moustache.

What are fairy tales?

He was sure that his friend Liebermann would be able to supply him with an erudite answer, in which the unconscious and infantile sexuality would very probably play a significant part; however, as a layman he immediately arrived at what he considered to be a more plausible view. Fairy tales were educational. Set in distant lands and among peoples comfortably removed from everyday life, fairy tales introduced children to the idea of badness existing in the world. They helped prepare children for the harsh reality of human iniquity.