Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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The rain lashed at his face. He gasped for breath and looked up into a sky shot with lightning as Urquhart jumped over him.

Laboriously he rolled over onto his stomach. The blazing figure was hurtling straight toward the stream in the middle of the street. There was a splash and it disappeared.

Jacob crawled on all fours through the mud, got to his feet, and stumbled on. He’d drown him. Hold him underwater until he was dead. If it was possible to kill the monster, he would.

He knelt down where the human torch had been extinguished by the water. Dipping his hands into the dirty brown current, he felt everywhere.

“Where are you?” he panted. “Where are you?”

Nothing.

He searched like a man possessed, pulling himself this way and that on his elbows. He didn’t see the doors open, a crowd appear, shouting curious questions, waving candles. He didn’t see Jaspar come out, unsteady on his feet and with a bloody nose, to reassure them. He didn’t see Richmodis, her arm around the trembling Goddert. All he saw was the water.

Even when it had become clear Urquhart had escaped, he kept blundering angrily on until exhaustion brought him to a halt.

Breathing heavily, he raised his hands and howled up at the heavens.

His cry was lost in the raging storm.

14 September

AFTER MIDNIGHT

Jacob, dripping wet, was sitting on the fireside bench watching as Goddert’s arm was put in a makeshift splint. He felt wretched, tired, and useless.

Goddert moaned softly, but he bore his injury bravely, almost with a hint of pride. The neighbors had gotten the nearest surgeon out of bed. He was more familiar with bone setting than Jaspar and was examining Goddert with a professional air, while Jaspar dealt with the large cut on Richmodis’s forehead. It looked worse than it was. Apart from his bloody nose and an impressive bump, Jaspar was uninjured.

It was Jacob who was a minor miracle. He ought to have been dead, or at least had most of the bones in his body broken. He certainly felt half dead, and the fact that he had escaped with numerous bruises, grazes, and slight burns he owed solely to the state of Goddert’s shutters, which were more rotten than the bones of the Three Kings.

He put his head to one side and looked around. Where the window had been a gap yawned, through which the wind whistled. Even before the neighbors had appeared, Richmodis had managed to get water from the well in the backyard to put out the fires that were flaring up. The room looked like the aftermath of a Tartar attack, overturned furniture and scorch marks everywhere.

Kuno’s body was stretched out across the floor. Jacob tried to feel sorry for him but couldn’t. Everything had been too much. Only his immense relief that Richmodis was safe and sound told him that he was not completely burned out inside.

There was a throng gathered outside and inside the house. They all wanted to know what had happened and Jaspar never tired of repeating his story of the mysterious crossbow murderer who, as everyone knew, had been at large in the town during the last few days. And that Kuno, a friend, well, more of an acquaintance really, should have sought refuge from the storm on this night of all nights—no, he had no idea where Kuno had been before, hadn’t asked, and now it was too late, God have mercy on his soul.

Jacob didn’t understand why Jaspar didn’t tell the whole story, but for the moment he couldn’t really care. A bowl of hot soup appeared under his nose. Bewildered, he looked up. A middle-aged woman was regarding him with sympathetic concern. “You must be frozen stiff,” she said.

Jacob stared at her, uncomprehending. How long had he been sitting here? How long since—

“Are you all right?”

“What?”

“There’s some soup.”

“Oh—oh, thank you.” He managed a smile for her, took the bowl, and set it to his lips. It was hot and did him good. It tasted of beef and vegetables. Only now did he realize how hungry he was. Greedily he emptied the bowl and held it up for the woman to take, but she had disappeared.

There was a stir outside. “The magistrates are coming,” someone shouted. Magistrates? Oh, yes, Jaspar had sent someone to wake the magistrates. Had he not specifically said they should bring Bodo Schuif, the brewer?

Jacob’s head was spinning; he wasn’t sure of anything anymore. All he could think was that Urquhart had gotten away—he hadn’t been able to drown him.

He wondered how badly injured Urquhart was. When the murderer had picked him up and rammed him against the window, he had instinctively closed his eyes against the heat. Everything had happened so quickly. Perhaps Urquhart had gotten away with a fright and no more. Jacob wasn’t even convinced it was possible to frighten Urquhart at all. His every action, even when he was enveloped in flames, indicated the workings of a coldly rational mind. Jaspar and Richmodis he had knocked to the ground; Goddert’s arm was broken. When the oil blazed up he had immediately grabbed the only one who might present a danger and had used him as a battering ram to smash his way out.

And he appeared to have escaped with his crossbow. It was nowhere to be found.

He put down the empty bowl and went to join Jaspar and Richmodis. At that moment Bodo Schuif pushed his way through the bystanders and glanced around the room. He took in Goddert and the surgeon, Jaspar, Richmodis, and Jacob. Then his eye fell on Kuno. “Holy Mother of God,” he mumbled.

“We were attacked—” Jaspar began.

Bodo nodded toward the door. “Outside. We have to talk.”

Jaspar gave him a baffled look, shrugged his shoulders, and followed Bodo out into the street. Jacob hesitated a moment, then hurried after them.

“What’ve you been up to, for God’s sake?” he heard Bodo asking Jaspar in vehement tones. He looked around, saw Jacob approaching, and waved him away.

“It’s all right,” Jaspar said. “He can hear everything.”

Bodo scrutinized Jacob dubiously. “Let’s go somewhere a bit quieter,” he said. “Quick.”

They went far enough away so no one could hear them. The wind had died down. Now there was only the rain and Jacob had stopped noticing that.

“I don’t know what I’m going to do with you,” Bodo barked at Jaspar. “I really don’t. Tell me it’s not true.”

“None of us knew that monster, Bodo. He came over the roof. I’ve no idea what he was after, he—”

“That’s not what this is all about. Dammit, Jaspar, I ran here as fast as I could. They’re coming to arrest you, d’you hear? They’re going to throw you in the Tower.”

“Who?” Jaspar was flabbergasted.

“Theoderich Overstolz.”

For a moment even Jaspar was speechless.

“How do you know?” he gasped.

“How do you know, how do you know! Is that all you’re worried about? The constables had already gotten me out of bed before Goddert’s neighbors turned up. I was supposed to go and meet Theoderich Overstolz in Severinstraße. They said that, following information received, your house had been searched and a dead body found. They also said you were responsible, you’d slit open the poor bugger’s belly! Then these people turned up”—Bodo gestured in the general direction of the Brook—“and told me about all the fuss here, and again it was your name that was mentioned. For God’s sake, Jaspar, it won’t take Theoderich long to find out you’re here. Now tell me what’s been going on.”

“Listen, Bodo,” said Jaspar, as calmly as he could. “You’ve known me for ages. Am I the kind of man to go around slitting people’s bellies open?”

“Of course not. I wouldn’t be here otherwise.”

“Do you remember I hinted yesterday morning that Gerhard Morart’s death might not have been an accident?”

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