Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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The fourth pillar had eyes staring at him.

The girl had been tied to the stone with a large number of leather straps. She certainly wouldn’t be able to move a muscle. She had been gagged but not blindfolded. A mass of dark hair fell down over her forehead and onto her shoulders.

Despite the picture of misery she presented, Kuno let out a laugh of triumph. He rammed the torch firmly between the planks of the handcart, hurried back to the pillar, and untied the piece of cloth around her mouth. She spat out the gag herself.

“Oh, God!” she panted, then filled her lungs with air and coughed. “I thought I was going to suffocate.”

“What are you called?” Kuno asked in excitement.

“What?” She shook her head as if to clear it.

“That’s all right.” Kuno stroked her cheek reassuringly and took out his dagger. Quickly he began to cut through the straps tying her to the pillar. “Don’t worry, I’ve come to get you out. I’m a friend.”

“A friend?”

Her knees gave way, but Kuno caught her in time. She was still tied up with straps. Working calmly with his knife, he freed her legs, then her arms. She immediately tried to get to her feet and gave a loud groan. Her limbs must be completely numb.

“Wait, I’ll help you.”

“No.”

Gritting her teeth, she pulled herself up by the pillar. “I have to do this myself. Who are you, anyway?”

“My name is Kuno.”

Quivering, she stood up and started to massage her wrists. She gave way at the knees again but managed to stop herself from falling.

“Did Jacob send you?” she asked, breathless. “Or Jaspar?”

“Jaspar?” Kuno echoed. Daniel had mentioned a dean and—“You mean the Fox?”

“Yes.” She staggered toward him and clutched him. “Where are they?”

“I don’t know. I really don’t know. I don’t even know your name.”

“Richmodis. But then—”

“Do you think you can walk?”

“Just about.”

“Wait.” There were some poles leaned against one of the walls. “You need something to support yourself with.”

She saw what he was looking at and shook her head. “They’re no use, Kuno. They’re too heavy. I’ll manage.”

“You’re sure?”

“I’m sure. But how did you—”

“Later. We must get away from here.”

He hurried to the door. She was stumbling, but determined to keep up with him. “Where are we going?” she asked.

“I’ll take you to my house,” he said with a grin of satisfaction. “It’s just a short walk and the weather’s perfect, quite delightful. Take my arm.”

She smiled and Kuno opened the door.

Daniel was standing outside.

GODDERT

Goddert von Weiden felt as though he had been chopped up into pieces, then roughly sewn back together again. He hadn’t worked so hard for years. The bells were about to ring nine and he still wasn’t home. And as if that wasn’t enough, he was sopping wet. True, you could object that for the last two hours he had not so much been working as sitting drinking dark beer with one of his more generous customers. But they’d talked business, oh, yes, indeed.

You’re an old fool, Goddert told himself as he splashed his way through the mud toward the Brook. Who goes out in weather like this? He didn’t even meet a pig or dog. With every new torrent that poured over him he felt his rheumatism get worse and thought longingly of a warm fire and the contents of Jaspar’s cellar. Even the sound of his steps, the squelch as he pulled his feet out of the mud, seemed to mock him. Left, right, left, right—old, fool, old, fool.

Then he remembered Jacob and shook his head. Richmodis was right. What was he trying to prove? That the world would come to a standstill without Goddert von Weiden? Even more stupid was to try to compete with the younger man. No one else was interested and, anyway, he could only lose and make himself look ridiculous. No fool like an old fool.

He decided to apologize to Richmodis. He felt a flush of pride. Where was there a man big enough to ask his own daughter to forgive him? Then she’d tell him all the latest news about the strange story Jacob had got himself involved in, and he’d stretch out his feet in front of a roaring fire and thank God for the roof over his head.

His footsteps had stopped beating out “old fool.”

With rasping breath he plodded up the Brook to his house. The shutters were closed, no light could be seen through the gaps. Was Richmodis asleep already?

He went in. It was dark inside. “Richmodis?” he shouted, then clapped his hand to his lips. What a peasant he was. To wake the poor child. Then he remembered how busy he’d been all day. He’d earned some supper. And the fire was cold. What kind of way to behave was that, going to bed before your father had come home from a hard day’s work? She could at least have put a jug of wine out for him.

“Richmodis?”

He lit an oil lamp, then, grunting and groaning, went up to the bedroom. He stared in astonishment. She wasn’t there! She wasn’t home at all.

Of course she isn’t, you nincompoop, he told himself. She said she was going to see Jaspar, though what she really meant was that redhead. She’d still be sitting there, unable to tear herself away, while Jaspar kept refilling the glasses.

A cozy little party. A party without Goddert von Weiden?

Never!

Nodding sagely, he went back down, put out the lamp, and set off again.

THE WAREHOUSE

The man stood facing them with drawn sword. She had seen him before. His name was Daniel Overstolz. He had been a magistrate before Conrad von Hochstaden had broken the power of the patricians and redistributed the offices. Since then Daniel had the reputation in the city of being a philanderer who would chase after any skirt and was too fond of the bottle. He was seen often enough riding through the street with his cronies. The women liked him for his good looks and cheerful disposition, though he was also said to be heartless and not particularly intelligent.

He wasn’t good-looking at the moment. His hair was plastered all over his head and his face oddly puffy and twisted.

“Judas,” he hissed.

Kuno took her arm and stepped back. “Take it easy, Daniel. You’ve got it wrong.”

Daniel Overstolz followed them and they fell back again. “Oh, yes?” sneered Daniel. “I’ve got it wrong, have I? Where were you off to with your little tart, then?”

“Daniel, please, there’s no point in us fighting.”

“Oh. Please, is it? I’m flattered. Not long ago you were at my throat, now you’re dripping with politeness and respect. Who do you think you are, you bastard? You think yourself so superior, don’t you, you sanctimonious prig. Traitor! What gives you the right to destroy our alliance and send us all to the gallows?”

Kuno raised his hands in appeasement. “That’s not it,” he said urgently. “Don’t you see, the alliance is already broken. We’ve done too many things that are wrong. That wasn’t what we agreed. That wasn’t what we were supposed to be fighting for.”

Daniel stared at him, a grim look on his face, then at Richmodis. Without knowing what it was all about, she nodded. “Kuno’s right, we—”

“You’ll keep your mouth shut, you damn whore,” he screamed at her. With a couple of strides he was beside her and pulled her away from Kuno by the hair. She tried to resist, but her aching legs gave way and she fell to the ground. Horrified, Kuno jumped to her aid. The next moment the point of Daniel’s sword was at his chest.

“Not a step closer, rat.”

“Daniel,” said Kuno. His voice was trembling, but he kept himself under control. “We have to talk about this. You were a magistrate yourself—”

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