Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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“Listen,” said Justinius, “I—”

“But”—the pleasantly powerful hands continued without pause—“how many died in misery? A chaste, God-fearing man like Tristan, burning with such love and fleshly desire he fell sick and died. Even if he was united with his beloved after death, how he suffered for it.”

Who was this Tristan, dammit? Justinius von Singen was no monk, he was a swindler, a charlatan in a monk’s habit who could churn out standard portions of the Bible, usually mixing them up. What was it this bastard wanted of him?

Suddenly he felt afraid. “I want you to stop,” he gabbled.

As if he had not heard, the masseur continued to knead his flesh, digging the tips of his fingers into Justinius’s ribs.

“And fair Isolde, promised to King Mark of Cornwall”—he continued his lecture—“where did love lead her? Did it protect her against the deceived king, who wondered whether to burn her or abandon her to the lepers? And when he finally relented and let her go, what was left for her? Brokenhearted for her Tristan, she lay beside a rotting carcass, Justinius. What an end to love!”

“What do you want?” panted Justinius, trying to get up.

The fingers flitted up and down his spine.

“For there are no secrets on earth, everything comes to light, and in the light everything looks shabby, and the light is the punishment, and the punishment is—pain.”

“Please, I—”

Something cracked.

Justinius gave a yelp of pain. His head was pressed down, then the hands continued their gentle, pleasant massaging.

“And now we’ll see,” said that terribly familiar voice, “who can bear pain. And who can’t.”

Again it was like a lance thrust between Justinius’s bones. He screamed and tried to get up, but the merciless iron grip forced him down onto the bed, his face in the towels.

His tormentor laughed. “You see, Justinius, that’s the advantage of these bathhouses. The audible expressions of pleasure go unheard in such a discreet establishment. And all that music out there. You can scream as much as you like.”

“What have I done to you?” Justinius whimpered.

“Done?” The hands gently grasped his shoulders and massaged the muscles. “Betrayed me, that’s what you’ve done, reverend Brother. I paid you well to be witnesses, but you obviously prefer to collaborate with the dean of St. Mary Magdalene’s.”

So that’s what it was. That was the voice. “Please—” Justinius begged.

“Now, now. I don’t want to hurt you. I just want the truth.”

The truth? “It was—it was nothing,” Justinius groaned. “This dean came along. I don’t know what he wanted, we talked about various things, but not about Gerhard—”

The sentence ended in a further scream. Justinius’s fingers gripped the edge of the bed.

“Interesting, human anatomy,” the voice went on calmly. “Didn’t you know how fragile a shoulder blade is?”

The tears were running down Justinius’s cheeks. Tears of pain.

“Will you tell me the truth now?”

Justinius tried to speak, but all that came out was a moan. In a futile attempt to escape he tried to pull himself to the top of the bed. The hands gripped him and pulled him back.

“Come now, Justinius, relax. How can two old friends have a sensible conversation if you’re all tensed up like that?”

“He—” Justinius swallowed. “He knew about you. And he knew you killed Gerhard and that’s the truth, in the name of God I swear it.”

“That’s more like it.” As if to reward him, the hands made soothing circular movements over his shoulders. “But he made you an offer, didn’t he?”

“Double.”

“Not more?”

“No,” Justinius cried, “as God is my witness, no.”

“And you accepted?”

“No, of course not, we—”

The sound of breaking bones was sickening. He almost fainted from the pain.

“Justinius? Are you still there? Sorry, but a good massage can get a bit rough. Did you accept his offer?”

Justinius let out an unintelligible babble. The saliva was running down his chin.

“Clearer, please.”

“Yes. Yes!”

“When and where are you to meet the dean?”

“Here,” Justinius whispered. “Please don’t hurt me anymore—Our Father, who art in heaven—”

“Oh, you know a prayer? Your piety shames me. I asked you when.”

“Soon—he should be here any minute. Please, I beg you, no more pain, please—”

The other leaned down close. Justinius could feel something soft on his back. Hair. Long blond hair. “Don’t worry, Justinius,” said Urquhart softly, “you won’t feel any more pain.”

The fingers reached his neck.

Justinius couldn’t hear the last dull crack.

Andreas von Helmerode leaned back in the water. He felt a profound disquiet. On the one hand, he wished he could take things as calmly as Justinius, who was at this moment doubtless lying on the bed in his cubicle and nothing would disturb him.

On the other hand, he was the one who had had to get them out of a jam more than once. As soon as money was mentioned, Justinius threw caution to the winds.

Perhaps it was time to turn respectable. The swindling and living on their wits had gone on for long enough, going around as false priests, exploiting the grief of simple people mourning their loved ones, the faith of those too eager to believe. The stranger’s offer had been a godsend, and one of the easiest things they’d had to do—just lie. Thanks to his own foresight they had not squandered everything. There was some money laid by, including some from the blond stranger. In fact, there was enough. Better to stop while they could.

The harpist smiled at him. Her voice rose in a sweet trill that went right through him.

It was high time that bald dean put in an appearance. Then take the money and run. To Aachen or anywhere. “Away from Cologne, that’s the main thing,” Andreas muttered to himself. He took hold of one of his feet and started to pull off some hard skin.

Someone slipped into the water beside him.

Andreas paid no attention. He studied his toes, then threw the harpist a winning smile, but she had turned to someone else. Serves you right, thought Andreas, if you go around with a long face all the time.

He slid down until he was completely underwater. Warm. Pleasant. Invigorating. What a hopeless miseryguts he was. He should go and chat up that pretty girl playing the harp. He put his hands on the bottom to push himself up.

He couldn’t.

To his astonishment he realized someone was pushing him down. For a moment he thought it was just a joke. Then he was seized with panic and started to thrash his legs.

A hand grasped his throat.

It was all over very quickly.

Urquhart closed Andreas’s eyes and mouth under the water, then pulled him up. Now he was sitting there as if he were sleeping. No one had noticed anything, they were all too preoccupied and the men in the gallery had eyes for the fair sex alone.

Without a further glance at the dead body, Urquhart got out of the water. Despite his great height and physique, he went unnoticed. He had a slightly hunched gait he adopted on such occasions, the gait of the downtrodden and dispossessed. If he wanted, he could dominate a packed room with his physical presence alone. If not, he was almost invisible, a nobody.

He picked up a towel, dried himself, went to the room where the bathers’ clothes were kept, dressed, and strolled out into the street.

Bright light greeted him. The sun was shining.

Unnaturally bright.

He put his hand over his eyes, but the brightness remained. And in the brightness he saw the child again and the iron claw plunging into the twitching, writhing body—

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