Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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The door opened.

Jaspar Rodenkirchen came in, stared goggle-eyed at the goings-on, and went out again.

“Oh, dear,” said Rolof.

Jacob put down his whistle.

Richmodis pulled a face, put her hands to her mouth, and called out, “Uncle Jaspar.”

Jaspar came back in with a sigh of relief.

“What was wrong?” asked Goddert cautiously.

“What was wrong?” Jaspar scratched his bald pate. “I was in the wrong house. Must have gone next door. There were four lunatics trying to pull it down. You’re all nice and quiet, thank God. And Jacob’s chopped the wood, haven’t you, Fox-cub?”

“Oh, the wood! Err—”

“And my old friend Goddert’s drinking water from the well. Let’s see, Goddert, you crimson crayfish. What’s this? Wine? Where did you get that?”

Goddert squirmed. “Erm, you know—”

“No, I do not know.”

“The cellar was open and I thought, well, someone might go and steal the wine. I was worried, you see—”

“Oh, now I do see. And I thought you’d repeated the miracle at Cana. Could that be my wine cellar you’re talking about, and therefore my wine?”

“Your wine?” said Goddert with an astonished glance at the jug. “How could that be, my dear Jaspar, when Saint Benedict’s Rule says that monks must not own anything, not even the habit that clothes their nakedness?”

“Outrageous! You drink my wine and then dare to quote Saint Benedict at me!”

“And you? Begrudge an old friend his last glass.”

“What?” Jaspar exclaimed in horror. “Things are that bad?”

“Well, no. But if I were to die, this jug of wine might be my last comfort. Would you deny me it?”

“You’re not going to die. You’re much too busy ruining me.”

“I could have a stroke, now, at this very moment.”

“Impossible.”

“No, it’s not. What proof do you have?”

“You’re right, none at all.”

“May a thunderbolt strike you, you heartless wretch. Just imagine they came to, let’s say, arrest me—unjustly, of course—for some crime and burned me at the stake. Wouldn’t you be prostrate with grief?”

“You wouldn’t burn. You consist of nothing but wine and fat. It’d make a stench, but no fire.”

“How can you be so unfeeling?”

“I’m not unfeeling.”

“You are. You’re miserly. All this fuss about a few mugfuls. I’m ashamed of you. Your stupid wine sticks in my throat now. Why don’t you follow the example of Ensfried? You know, the priest who was asked for alms on the way to mass, and as he had no money with him, he went into a dark corner of St. Mary’s, took off his breeches, and gave them to the beggar. And he even tried to keep his work of Christian charity a secret and didn’t take off his fur cloak when he was sitting by the fire—”

“Rubbish. Your Ensfried was an invention of some pious chronicler. Are you asking me to give you my breeches?”

“Lord preserve us from the sight of your nakedness!”

“I’ll tell you something, Goddert. You can drink till you burst, for all I care, but I’d like to be asked first before you go stomping down there to draw yourself a jug. I think I’ve earned that much consideration.”

“Right then. I’m asking. Shall we have another?”

“Let’s have another.” Jaspar, back in a good mood, smacked his lips. “And while Goddert’s fetching another mug from where he found his, perhaps I will condescend to tell you what I’ve achieved this morning.”

“Why only two mugs?” asked Richmodis in a sharp tone.

“Because only seasoned drinkers are allowed wine before sext, and Jacob needs a clear head anyway.”

“Did you manage to track down the witnesses?” asked Jacob excitedly. At the same time he felt the return of the fear he had forgotten for the last few hours.

“Hm,” said Jaspar. “Do you really want to hear?”

“Please.”

“You scratch my back. Now if you’d chopped the wood—”

“I’ll chop up a whole forest if you like, but don’t keep me on tenterhooks like this.” I have to know whether I was seeing things, Jacob thought. It all seemed so long ago now, so unreal, that he had suddenly started to have doubts whether he had actually seen the fiendish figure with the long hair.

But Maria and Tilman were dead. Or had he dreamed that, too?

Imperturbable, Jaspar waited until Goddert returned with his mug, took a long draught, and licked his lips. “Aah, I needed that. You were right, Jacob, I’ve not only found the witnesses, I’ve spoken to them.”

“And?”

“Two mendicants, Justinius von Singen and Andreas von Helmerode. The one behaves as if butter wouldn’t melt in his mouth, the other is more open to temptation, especially when it takes the form of filthy lucre. He’s willing to recant.”

“So they were definitely bribed.”

“Yes.”

“Well, then!” Jacob leaned back and let out a deep breath.

“We have a rendezvous with this pretty pair. This time you’re coming, too. I’ll get you a fine habit with a hood you can wear to the bathhouse.”

“Why to the bathhouse?”

“Oh, did I forget to mention it? We’re to meet them in the bathhouse opposite Little St. Martin’s.”

“Monks in the bathhouse?”

“That—er”—Jaspar cleared his throat—“does happen, people say. What’s that got to do with it anyway? Aren’t you going to thank me for everything I’ve done for you? What I can’t do, of course, is supply the forty gold marks it will cost to persuade Andreas and Justinius to change their minds and give evidence to the city council.”

“They won’t do that anyway,” Richmodis broke in. “They might tell you they were bribed, but not the magistrates. That would be to admit they lied before.”

“So what, you prattling baggage? What can happen to them? They haven’t killed anyone; they just have to admit they saw someone and describe him. They can always say they kept silent out of fear, because they thought the Devil was involved. Now they come along, all sackcloth and ashes. They’ll probably be expelled from the city, but with forty gold marks in their pockets, that’s no great hardship.”

“Except they aren’t going to get them.”

“No. But if they tell us who Gerhard’s murderer is, we’ll make it public anyway and their lives won’t be worth a brass farthing. Unless they go to the magistrates for protection. Then they’ll have no choice but to tell the truth, money or no money.”

“When are we to see them?” asked Jacob.

“There’s still a good two hours,” replied Jaspar coolly.

“Two hours,” Goddert muttered. “We ought to offer up a prayer to the Virgin—”

“Yes, Goddert, you do that. You do the praying while I do the thinking.” He looked at Jacob, his brow furrowed. Then his expression brightened. “Oh, yes. Now I remember what I wanted to ask you this morning. You still haven’t told me.”

“What?”

“Gerhard’s last words.”

True! How could he have forgotten something so important?

“Well?”

Jacob thought. “It is wrong.”

“What’s wrong?” asked Richmodis, puzzled.

“That’s what Gerhard said. ‘It is wrong.’ Those were his last words, ‘It is wrong.’ I don’t find them at all puzzling. If someone pushed me off the top of a cathedral, I would have said it was wrong.”

Rolof gave a snort of laughter and immediately fell silent again.

“‘It is wrong,’” mused Jaspar, ignoring him. “You think he was referring to his murder?”

“What else?”

Jaspar shook his head vigorously. “I don’t think so.”

Goddert wagged his index finger. “Yes. There’s always something mystical, something sublime about last words.”

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