Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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For a moment she felt an urge simply to run away. But what if he was the one she was waiting for?

Wolves are loving. Wolves are cruel.

She turned back to him with a shy smile. Urquhart watched her. “Are you going out?” he asked.

She shrugged her shoulders. “Where would I go?”

Urquhart nodded. His long hair flowed around him like a cloak. “Yes,” he said, almost inaudibly, “where would you go?”

He stretched and stood up.

“And you? Are you going?” Maria didn’t know whether to feel sorry or relieved.

“Yes.” He started to get dressed.

“And will you come again?” she asked hesitantly.

Urquhart threw the cloak over his shoulders. Something was attached to the inside, like a crossbow, only smaller. Then it vanished as he drew the material over his chest.

“Perhaps. It depends what you have to tell me.”

“To tell you?”

“There’s a man. Called Jacob. You know him.”

Maria was bewildered by the sudden change of subject. What had Urquhart to do with Jacob?

“Yes, I know him.”

“He needs help.”

“What?”

“Our friend talks too much.” Urquhart went up to Maria and lifted up her chin. “He’s in danger of losing his head, if you understand me. He’s been saying strange things about something he claims he saw this evening.”

“Oh, God!” Maria exclaimed. “The architect.”

“What did he tell you?”

Why should you betray him, she thought, but already it was pouring out. “That Jacob’s always got some cock-and-bull story to tell. Huh! He claims he saw the Devil push Gerhard off the scaffolding. He even says he spoke to him.”

“To the Devil?”

“Don’t be silly.” Maria shook her head. She was giving vent to all her annoyance with Jacob. At the same time, surprisingly, she wished he were here with her.

“To Gerhard, then?”

“Yes. At least that’s what he claimed.”

“And what is Gerhard supposed to have said?”

Careful, a voice inside her whispered, but she ignored the warning. She was trapped, like an insect, in the amber of his eyes. Strange eyes. You looked into depths, terrifying, unfathomable depths.

“I don’t know.”

“The priests won’t like stories like that.”

“Where did you get to know Jacob?”

“Later, Maria. We don’t want him to do anything stupid, do we? So he saw the Devil? What did the Devil look like?”

“I don’t know. I wasn’t interested.” She sighed. Poor stupid Jacob. “But I’ll ask him the next time he comes,” she said softly, more to herself.

The next time he comes…

Urquhart said nothing.

“I shouldn’t have treated him like that. Jacob was always good to me. He’s good to people all the time, without noticing what he’s doing, you know.” She shook her head, looked at Urquhart, and didn’t know whether to laugh or cry. “He’s crazy, he gives away everything he’s got. He brings this Tilman with him. I throw him out and Jacob can think of nothing better than to give him his hat and coat—and his place by the Wall as well.”

It struck Urquhart like a thunderbolt.

“What did you say?” he whispered. His features were like stone.

“You can imagine how it makes me sorry and livid at the same time. That I screamed at him, wounded his pride, humiliated him. But he has to understand, this isn’t an almshouse, I can’t just—” She bit her lip. “Sorry. I’m boring you. Sorry.”

“When did Jacob leave?” Urquhart asked in a toneless voice.

“Leave? Just before you came. You could almost have bumped into each other.”

“Where did he go?”

She lowered her eyes. “I don’t know. Perhaps to his shack by the Wall.”

“By the Wall?”

She nodded. “By the Eigelstein Gate. Have you never heard of the privilege of the Wall?”

Urquhart’s eyes glazed over. “I have to go,” he said.

Maria started. Go then, one part of her screamed, go as far away as possible. You’re not what I’m looking for; you frighten me. At the same time she felt her heartbeat quicken with the hope he would take her with him.

No, it’s better you go—

Instead, “Come back,” she blurted out. “Come, whenever you want. I’ll be here for you, here for you alone.”

Urquhart smiled. “Thank you,” he said gently. “That will not be necessary.”

JACOB

Jacob was fed up with staring at the church.

An hour must have passed since he left Maria. His anger had subsided and he was starting to find self-pity boring. The best thing to do would be to forget today, wipe it from his memory and try to make it up with Maria. At least they could stay friends.

The damp cold had chilled him to the bone. With a quick prayer to whatever gods were there in the darkness that Clemens would let him sit by the fire, he shook himself like a dog and set off slowly for Berlich. He avoided the shortest way, which would have meant going through Vilsgasse. The latest rumor said there was a butcher there who dragged people in off the street at night and made them into sausages. There was no butcher in Vilsgasse, nor any worse thieves than Jacob himself, but the power of rumor was such that he decided to take the route around by the city wall.

The clouds had gone. The moon dipped the pointed gables of the half-timbered houses on his right in silver. There was no one else out apart from a few drunks whose voices he heard coming from a side street. Somewhere in front two dogs started barking furiously. For a few steps a cat walked beside him along the top of a wall before silently slipping down into the darkness of the garden on the other side.

The hunters of the night were always on the prowl.

Then Berlich lay before him, hushed, silent. A refuge for shabby secrets. Dead souls sitting by cheerful, crackling fires. Hell in miniature. At the other end of the street the wind tugged at a slim tree.

Jacob peered into the darkness. The tree had gone. What he had seen was the silhouette of a man disappearing in the opposite direction. Of an unusually tall man, hair waving in the wind.

Jacob slowed to a halt.

How many tall men, black as night, were there in Cologne?

Annoyed with himself, he hurried on. Ridiculous! Like a timid girl, seeing danger everywhere. He was getting obsessed with this affair at the cathedral. He must put it out of his mind. What had he to do with Gerhard Morart? Or some phantom haunting the scaffolding? His time would be better spent thinking about ways to get something to eat—or drink! Jacob could hardly remember the last time wine had passed his lips. Anyway, he’d get his hands on something, as soon as it was light, so he could make things up with Maria, then go and see what was happening on the Brook with a clear conscience.

If he could make things up with Maria.

Again he stopped. His heart told him Maria wasn’t expecting him anymore.

It was one of those moments when Jacob recognized the truth without having looked for it. He had burned his bridges with her. Maybe she had already gone, maybe chance had brought her respectable bridegroom during this last hour. Or, more likely, she was asleep, with her face to the wall, the way she always slept. Had made it clear to Clemens he was to let no one up. Whatever, she wasn’t expecting him anymore.

It was a strange feeling. Jacob couldn’t say why he was so absolutely sure. They’d quarreled before, more than once, but the one thing you could say about Maria was that she bore a grudge.

Should he try anyway?

He looked at the corner house. Light could be seen in a tiny crack in the shutters. She was still awake.

And he was an idiot if he didn’t go straight to her.

He knocked several times and went in. Downstairs everything seemed the same as usual. Clemens was just taking the roast off the fire. On the table was a large bowl of gruel. Margarethe and Wilhilde were just bringing four mugs and a jug of wine.

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