Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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And for that, Jacob was told by tub of lard, they’d simply been thrown out.

“Nonsense,” whispered Tilman. “The money was finished. You’re too late.”

“Thrown out!” bellowed the fat man, who had heard and was obviously the one who had been standing the treat.

Tilman coughed his lungs out.

“Doesn’t matter,” he panted. “Back to the Duck Ponds then.”

“Yes, lie down and die.” One of the others laughed, slapping him on the shoulder. It wasn’t a pleasant laugh.

Jacob felt a wave of disappointment. Why did it have to happen to him? The chance of drinking something other than foul water didn’t come his way that often.

Then he remembered the apples and Maria.

“Come on,” he said, grabbing Tilman by the arm. The beggars disappeared in the opposite direction, cursing because the money hadn’t been sufficient to get properly drunk.

“Did you get any apples?” asked Tilman, out of breath.

“Here.” Jacob pulled one out. Tilman bit into it as if it were the first thing his teeth had had to bite on all day. Perhaps it was.

Behind them a late cart rumbled across the street.

“Where are we going, anyway?” Tilman wanted to know. The last syllables turned into a new fit of coughing.

“To Maria.”

“See you tomorrow.” Tilman tried to pull away, but Jacob kept his arm in a tight grip and continued along the street.

“You’re going nowhere. For one thing there’s an incredible story I want to tell you and Maria.”

“You and your stories. Was there ever one that was true?”

“For another, you’re not well. If you don’t get a dry bed tonight you soon won’t be needing any more apples.”

“You know Maria can’t stand me,” whined Tilman as he scurried along beside Jacob.

“I know she’s fed up with giving shelter to all and sundry, but you’re my friend. And who isn’t to say whether, tonight of all nights, thanks to a happy coincidence—”

“You can forget your happy coincidences.”

“You’re coming!”

“All right, all right.”

The oxcart rattled out of the side street and blocked Urquhart’s view. When the redhead and his companion reappeared they were way ahead. A few Greyfriars were returning to the monastery from New Market Square, pulling a cartload of thin boards. Urquhart let them pass, then hurried on after the two, but now other people were coming into the street.

He would have to be patient.

Urquhart thought it over. The meeting with the gang of beggars had been too brief for the redhead to have told them anything. The one who was going with him was quite another matter though. Every moment the risk of Gerhard Morart’s last words being passed on grew greater.

Of course, it was possible he had not said anything, just groaned and given up the ghost. It was possible, but Urquhart felt it was safer to assume the opposite.

After a few minutes the pair turned off to the right into Berlich, a seedy, sparsely populated district, best known for its pig breeders—which explained the stench. But there were others who went about their business there.

Were they going to the whores?

Urquhart stole along in the shadow of the dilapidated houses. In front he heard someone softly call out, “Maria.” A door opened a crack and the two slipped inside.

They had managed to escape.

For the moment.

He briefly considered following them in and settling the matter there and then, but decided against it. He had no idea how many people there were in the building. It was a small house, clearly a brothel. There might be a brothel keeper. Someone staggered out and waddled along toward him. Not one of the men he’d been following. Well dressed and too drunk to notice him. Clearly a merchant. Mumbling to himself, he disappeared behind some pigsties.

Urquhart watched him go, then turned his attention back to the house. A light appeared in a first-floor window and the shutters closed with a crash.

They had to come out again. Eventually.

Urquhart melted into the darkness. He could wait.

BERLICH

It was a whorehouse. The keeper, Clemens Brabanter, was a burly, good-natured fellow. He charged his customers, as a cover charge, so to speak, for four pints of wine, of which only three appeared on the table. A peat fire smoked out the cheap taproom that took in the whole of the ground floor, a grubby curtain dividing off the place where Clemens slept. Fatty, gristly meat was grilled over the fire, usually burned black, unless one of the guests brought a better-quality joint. Then Clemens would sit himself by the fire and keep turning the delicacy. He wanted his guest to enjoy it. The girls only got a taste if the visitor invited them. Since Clemens, as a man of honesty and fairness, did not exempt himself from this rule, the girls respected him, especially as he didn’t bother to beat them.

It was similar with the wine. In general Clemens served what in Cologne was known as “wet Ludwig,” the product of poor harvests, a sour nothing with neither body nor bouquet that you scarcely tasted but still paid for with excruciating heartburn. On the other hand, there were clients for whom Clemens went down into his cellar to decant a quite different vintage. This lured certain upper-class gentlemen back again and again, and Clemens’s most valuable stock, the three women upstairs, were all, apart from one on whom God, for her sins, had bestowed a skinny body and a squint, invitingly plump.

Outside business hours two of the whores, Wilhilde and Margarethe, were married. Their husbands worked as sack holders in the warehouses down by the Rhine. It took four to six of them to hold up the immense sacks while they were being filled with salt. Sack holders earned next to nothing, but then next-to-nothing in the way of skill was demanded of them. They scraped together enough to keep body and soul together; added to their wives’ earnings it just about made staying alive worthwhile.

The last of Clemens’s threesome was generally considered the most beautiful in the whole of Berlich. Her name was Maria. She was twenty-one, and already had rings under her eyes and a few teeth missing. On the other hand, she had wonderful, silky hair and shining green eyes beneath brows that arched like the Madonna’s. Her lips were two rose petals, one of the canons who sneaked away from the cathedral now and then had whispered drunkenly in her ear, her breasts temples of desire, and her womb burned with the fires of purgatory.

Given this, no one was surprised that Maria became prouder and prouder and talked of leaving Berlich at some point to marry a well-situated gentleman with whom she would live a devout and God-fearing life in a neat, solidly built house well away from the stench of pig dung and the grunts and groans from the neighboring rooms.

Her relationship with Jacob suffered accordingly. At first she had been delighted by his every gesture, every little present he brought, indeed, just to see him. Often, when there were no more clients for the night, he had slept in the same bed with her. He brought her any food he could lay his hands on and didn’t have to pay, nor to leave afterward. Clemens, whom Jacob never forgot when he was sharing out his spoils, had given his approval, as he had for the husbands of the other two girls. But business came first. If a man in need knocked on the door late at night, Clemens threw the husband out, however much the girl was married.

By now the passion was almost spent. Maria wanted to better herself and there was constant bickering between them, especially since, for some inexplicable reason, Jacob felt responsible for Tilman and was always bringing him along. Sometimes the three of them spent the night together in the tiny bedroom. Tilman did not get a turn with Maria. He couldn’t afford her, and Maria would not have shared her bed with him for anything, at least not for anything less than one silver mark. By now the mere mention of Tilman’s name made her angry. Jacob knew the relationship was nearing its end.

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