S. Parris - Treachery

‘It’s my brother, he can’t swim. I never meant to push him in,’ squeals the boy on the quay, hopping up and down and flapping his hands.

The blond head in the water sinks below the surface, bobs up again in a brief frenzy of foam, then disappears. Without thinking, I tear off my doublet and plunge in, fighting to open my eyes in the murky water, my ribs jarring at the shock of the cold. At first I can see no sign of the child, then I look down and see his little body sinking in a silver chain of bubbles, his smock shirt billowing around him. I surge forward and grab at his waist, dragged back by the weight of my wool breeches in the water; he is surprisingly heavy, but once I break through the surface, gasping at the air, it is not far to the wall. Hands reach out to lift the boy; he is laid on the cobbles, while one of the fishermen bends his ear over the boy’s face. I haul myself on to the quay and kneel on the stone to recover my breath, water coursing from my clothes and hair. The boy lies there, unmoving; the man beside him tries shaking him to provoke a response.

‘Is he dead?’ wails the child who pushed him, clawing at his shirt in anguish. ‘Mother will kill me.’

‘Here.’ I kneel beside the boy and press hard several times on his chest. ‘I have seen this done in Venice, when a boy fell in a canal.’ The child promptly raises his head and vomits over the shoes of the man beside him, who lets out a surprised curse and cuffs the older boy round the head.

‘Do that again, you little bugger, and I’ll throw you in after him,’ he says, as the boy howls even louder. ‘Give us all a fright like that. If this gentleman hadn’t been so quick you’d have lost your brother, and I wouldn’t have liked to be the one to tell your mother her darling was gone.’

It strikes me that this distinction may have prompted the boy’s desire to push his brother in the first place, but I keep silent. The fisherman turns to me. ‘Thank you, sir. My nephews — always scrapping where they shouldn’t be. Their mother’s a widow. If you hadn’t been here — I can’t swim myself, see.’ He glances back at the murky water with a grimace. ‘Amos Prisk, sir. That’s my boat there.’ He points, then wipes a hand on his smock and holds it out to me. He has a firm grip, though somewhat slippery. I try not to think about fish guts. ‘I would stand you a drink, only my sister’s not back from the market with the day’s takings.’ He lets go of my hand and turns his palms out, empty.

‘No need,’ I say, embarrassed. Quite a crowd has gathered to watch the drama; at its edge, I see the two attractive women looking at me and whispering to one another. I wipe my hand surreptitiously on my wet breeches, push my dripping hair out of my face and give them an awkward smile. The taller one leans over to whisper something to her friend and they both laugh. I glance away and, over their heads, some distance off, I glimpse a figure in black, standing between two houses at the mouth of one of the alleys that curves down from the town towards the harbour. He remains completely still, observing the scene, his face cast into shadow by the brim of his hat. I take a step forward, but Sidney cuts across my line of sight.

‘Heroic of you, Bruno. You’ve got seaweed on your face. Here.’ He picks off the offending plant, folds his arms and nods, as if impressed, though he can’t quite disguise the irritation in his voice. I motion him out of the way, impatient, but the man in black has disappeared. Sidney has my doublet draped over one arm.

‘I’m sure you’d have done the same if your clothes were less valuable,’ I say, reaching down to wring out my breeches. He gives me a pointed smile.

‘We had better get you away from the ladies — the way that shirt is clinging to you verges on indecent.’ He takes my arm and steers me towards the houses. As we pass, he bows to the two women, but I notice the darker one is watching me with an intent expression.

‘That was very brave,’ she calls, as if on impulse, as we are almost past them.

Sidney turns his most gracious smile on her, placing his hand carefully on my shoulder. ‘My friend is celebrated from here to the Indies for his bravery. Please do not think of falling in the water, ladies, unless he is at hand.’

I catch the woman’s amused glance, and shake my head in apology.

‘But, sir,’ she says, with mock concern, ‘how shall we know where to find you, if we should happen to think of falling in?’

Sidney raises an eyebrow at me. ‘You may find us at the sign of the Star, madam.’

‘Well, that is a coincidence,’ says the auburn-haired woman. ‘We too will be staying there tonight. Good day, gentlemen.’ She takes her companion’s arm and turns elegantly, flashing a smile back at Sidney over her shoulder.

He watches her walk away, then turns to me with a low whistle.

‘They were a couple of bold ones, weren’t they? Pretty, though. And expensively turned out. Courtesans, do you think?’

‘Here?’

‘Where there are sailors … But maybe you’re right. Women of that quality would cost more than a sailor makes in a year, unless his name’s Francis Drake. Staying in our inn, too. That dark one was eyeing you, Bruno, though you have the look of a drowned dog. Damn you!’ He raises a fist, grinning. ‘I should have moved faster. Nothing like saving children or animals to make women fall at your feet.’

‘Next time we see them, I will drop a kitten down a well so you can prove yourself,’ I say, rubbing my arms and shivering as my wet clothes chill against my skin. He drapes my doublet over my shoulders and cuffs me gently on the back of the head, the way the fisherman did with his young nephew. I decide not to tell him about the man in black, for now.

At noon we descend to the tap-room of the Star to look for Drake, and the serving girl points us towards a private dining room across the entrance hall. I am dressed in a russet doublet and breeches of Sidney’s while I wait for my clothes to dry, and feel like one of those pet monkeys the ladies at court keep on a leash, trussed up in little silk jackets and jewelled collars. The breeches are too big, and the rustle of silk as I walk is unfamiliar and disconcerting; at every step I find myself turning, thinking I am being followed, until I realise again the strange susurration is coming from my own legs.

Sidney pushes open the door and is not quite quick enough to disguise the drop of his jaw when he sees the guests gathered around the table. Francis Drake sits at the head of the table. Thomas Drake is present too, with a fair, round-cheeked man in clerical dress, and an expensively dressed man of around forty. But Sidney’s eye is caught by the two young women from the quayside, who sit demurely at the table, mischievous smiles hovering at their lips. For a moment I am confused; Sidney’s earlier speculation has lodged in my mind and my first thought is that Drake has hired the women. Then I see him lay his hand over the delicate white fingers of the auburn-haired woman and the truth slowly dawns. She wears a wedding band on her left hand.

‘I hear you are quite the knight errant, Doctor Bruno.’ Drake raises his glass to me as we edge around the table.

‘The mothers of Plymouth need not fear for their children while you are in town,’ says Thomas Drake. He is seated to the right of the dark-haired woman, who is still watching me with that secretive half-smile. I sense that Thomas Drake would prefer it if we were not there.

‘I fully expect Bruno to be offered the freedom of the city by the time we leave,’ Sidney says, flashing the beam of his smile around the company.

I shrug, embarrassed by the attention. ‘Anyone would have done the same.’

‘I would, of course, if I’d noticed in time,’ Sidney agrees, sweeping off his hat. ‘You were just that bit quicker, I’m afraid.’