Simon Hawke - The Merchant of Vengeance

The situation had served to bring them closer, and a grateful Henry Darcie, as a way of acknowledging his debt, had allowed their friendship to continue. He could still not countenance any sort of formal relationship or courtship, but because he owed a debt to Smythe and trusted both him and his daughter to behave honourably, he could at least, somewhat grudgingly, look the other way. And in that Smythe found both relief and frustration.

He enjoyed his meetings with Elizabeth immensely and looked forward to them, but at the same time he often found them agonising. He could not simply come out and tell her how he felt about her. He had no right to do so, nor did she encourage him — at least, not in any direct way — either because she could not or would not. He was never really certain which. Maybe it was both.

They had long conversations every time they met, but there was often another sort of conversation that took place between them, one that went unspoken. He was convinced, despite Shakespeare’s repeated assertions that he was only deluding himself, that Elizabeth cared for him more than merely as a friend. And a number of times, she had come close to saying it outright.

She was at an age when many young women of her class would have already been married. Yet she had obstinately resisted every attempt by her father to arrange a suitable match for her, insisting that she would not marry for any reason save for love, an attitude her father found maddeningly unreasonable. To his way of thinking, she had at most another five years of opportunity to find a suitable husband, one that would advance Henry Darcie’s own position as well as hers. Much past the age of twenty-five or-six and she would be considered a spinster.

Given her beauty, there had certainly been no shortage of suitors. However, her fiery and assertive nature had given her the reputation of a shrew, a term that she wryly defined as “a woman who does not do all that a man wishes.” At times, that same strong sense of independence led to arguments between them, but no argument, however passionate, was ever enough to break the bond they had. Quite the opposite, in fact.

They met most frequently in Paul’s Walk, a crowded place where people of all classes mingled, where, if necessary, the convenient fiction of a chance encounter could explain their being together. Yet, in Antonia’s case, that had not been quite enough. She had seemed suspicious of them from the start, although Smythe had the feeling that she suspected a great deal more than she had reason to suspect. It was in the way that she had looked at him, with a sort of smug and knowing glance. It had irritated him and at the same time, curiously, made him feel guilty, like a small boy caught doing something wrong.

He soon spotted Elizabeth’s familiar long, dark green velvet cloak and hastened toward her. As usual, she was at the bookstalls, perusing the titles. It was not merely for the sake of appearances, however. She was a great reader, although their tastes were not the same. He liked to read pamphlets about London’s criminal underworld and about the adventures of sailors and soldiers and such, while Elizabeth was much more interested in poetry. Nevertheless, their love of reading was something that they had in common.

“Elizabeth, I received your message and came as soon as I could,” he said.

She turned toward him and, once again, as every time, he was so struck by her beauty that he was rendered speechless for a moment. Like most unmarried women, she did not wear a coif and her blond hair fell out in a thick braid from beneath the hood of her cloak and hung down the side of her chest to her waist, which was naturally narrow even without the aid of a boned, stiff-pointed bodice and stomacher. Much co her mother’s chagrin, since turning twenty, she had obstinately refused to wear the latest fashions, claiming that they were too confining and would not let her breathe. She preferred much simpler clothing, such as gowns cut in the kirtle style, similar to those worn by working-class women. However, so as not to utterly scandalize her parents, she had hers made from silks and three-piled velvets, the better, very costly kind that was cut into three heights and imported from Italy or France. And, unlike most women of the upper and middle classes, she did not dye her hair or paint her face, because she claimed that it was too much trouble and made her face feel as if it were caked with grease.

This was her rebellion against having been dressed in fashionable, adult clothing from an early age and dragged around her father’s ever widening social circles, “paraded before the gentry and the aristocrats like a Judas goat staked out for bait,” as she described it. For, having realized early on that he had a daughter of surpassing beauty, with soft, flaxen hair, deep blue eyes, high cheekbones, and creamy, nearly translucent skin, Henry Darcie had seen an opportunity that might otherwise have been denied him, regardless of how hard he worked and how successful he became.

He knew that an alliance through marriage to a family of rank and longstanding position might allow him to overcome the handicap of his common birth and become a gentleman. Unfortunately for Henry Darcie, his own pride and overreaching ambition had ultimately kept him from achieving his goal. He could easily have married off Elizabeth a dozen times over when she was younger and more tractable, but none of her suitors had ever seemed quite good enough. He had always believed he could do better. Why settle for a gentleman when he might net himself a knight? And then why settle for a knight when his daughter’s charms might snare a nobleman?

Yet as Elizabeth grew older and her intelligent, wilful personality became more and more assertive, she became more and more difficult to handle. Potential suitors whom her father now found quite suitable enough were often quickly discouraged by her independent disposition and by her refusal to subordinate her will or her intelligence to theirs.

Quite impractically, she had announced that she would marry only if she were in love, an idea her father blamed upon a tutor who had instructed her in poetry and who had been summarily dismissed for putting such foolish notions into her head. Sadly for Henry Darcie, once that notion had taken root, it was not so easily dislodged. He believed the day would come when Elizabeth would finally come to her senses and realize that her own future, as well as that of her family, depended upon making a good marriage. However, since his last attempt at arranging a marriage for her had nearly ended in disaster, he had, at least for the present, given up trying to make a match for her. Perhaps, he thought, having tried everything else, if he left Elizabeth alone for a time and allowed her at least some of the freedom that she seemed to crave so much, she might eventually become more settled in her disposition and more amenable to practical decisions.

Meanwhile, so long as her attention seemed to be occupied by books, her women friends, and a rather loutish but honourable and good-hearted young player, she would probably keep out of trouble. She had enough sense that she could not possibly consider anything more than friendship with him, and he, in turn, had proven himself trustworthy, even if he was insufferably working class. Remove the reasons for her rebellion, Henry Darcie thought, and her rebellious spirit might dissipate in time. At least, this was his fondest hope.

Smythe both knew and understood this. What Elizabeth had not explained to him, he could easily surmise from his acquaintance with her father, who was, for all his pomposity and ambition, basically a good and decent man. He trusted them both to behave properly, something Smythe found flattering and frustrating at the same time. There were men, he knew, who would not hesitate to take advantage of such a situation, but he could not. And he did not think Elizabeth could… or would. Therein lay the exquisite agony of their relationship.